Gastro-nauts and Space Cadets: Another Frustrating Episode of Bravo's Top Chef

It's only fitting that a frustrating and uneven season of Bravo's Top Chef should have yet another frustrating twist in the final challenge in Washington D.C.

I've been extremely vocal about my dislike of this season of Top Chef, which is strange to me as I've been an obsessive devotee since the very first episode of this culinary challenge series, which is also the first reality series to dethrone CBS' The Amazing Race from its Emmys perch.

But while last season rightly snagged an Emmy Award, this season of Top Chef has been almost painful to sit through and several times I nearly walked right out without paying the bill. Lackluster casting, poor editing, and some head-scratching challenges have left me questioning whether there needs to be a shake-up behind the scenes of this series, or whether they just need to cast better next time.

Bravo would appear to be launching an All-Stars edition of Top Chef for next season, which Reality Blurred reports is already filming in Manhattan. Andy has the full list of cheftestants returning for another shot at culinary glory, but I'd advise against reading the piece unless you want to be potentially spoiled about the outcome of this season.

It might be a step in the right direction or at least bring back some familiar faces with the grit, determination, and--above all else--the talent to make the competition interesting again.

Which isn't to say that there haven't been some stand-out chefs this season, because there have been but it seemed to take so long to slog through the also-rans and talent-deprived this season that it sucked the fun out of the proceedings, really.

And then there was last night's episode ("Gastro-nauts")... So what did I think about this week's installment of Top Chef and why am I steaming? Read on.

I had made up my mind a few weeks back that the Final Four this season would be Angelo, Tiffany, Ed, and Kelly. Each of the four was among the most talented, inventive, and consistently great chefs in the bunch and I was increasingly impressed and blown away by Tiffany, who managed to come up from the middle of the pack to win time and time again these last few weeks. Considering that I had nearly written her off in the first episode, I was surprised by how much I'd come to love Tiffany over the last few months and was rooting for her to take it all the way to the finale.

It was not to be, sadly.

I'm still shaking my head in disbelief over last night's judging decision, which sent Tiffany packing while keeping Kevin in the running. With only four spots available for Singapore--the first time the series has gone international--I had every hope that Tiffany would be among those heading overseas and competing for the top prize. After all, the judges have been extremely impressed with her work and her ability to coax massive flavor out of just about everything... whereas Kevin hasn't been as strong a player, in my mind, anyway.

Tiffany brought a much needed spark to the competition and she seemed to provoke the best kind of reactions in her competitors, who seemed to love her carefree nature and her killer culinary instincts. Her success the past few weeks have pushed everyone towards climbing higher, imbuing the competition with some much needed energy and charm the last few episodes.

Hell, she nearly won the Quickfire this week--in which the chefs had to create a dish that would be paired with a specific wine--for yet another fantastic plate, though she was edged out by Angelo in the end with his sautéed foie gras with black salt and fennel salad. While I was impressed with Angelo's dish and would gladly order it at a restaurant, it was Tiffany's dish that had me salivating: a cocoa- and black pepper-crusted Wagyu tenderloin with spring risotto, which seemed to leap out of the screen and into my stomach. Beautifully cooked, elegantly plated, and infused with so much flavor and complexity, it was a gorgeous dish that she should be proud of.

Which is why what happened next was so entirely frustrating.

For their final Elimination Challenge before the finale, the chefs were tasked with creating dishes that could be freeze-dried and taken into outer space. While space-obsessed Kelly was enamored instantly with this task, I thought it was a pretty lame challenge to offer the chefs as their final showdown in Washington D.C. It seemed like something that should have come far earlier in the season rather than the last major hurdle before earning a spot among the Final Four.

Even more puzzling: the chefs didn't have to actually freeze-dry anything. Despite the fact that the dishes were meant to be designed to be eaten in space--and therefore must be fried-dried before breaking through the upper atmosphere--the dishes were going to be served as-is to the judges back on Earth. So who is to say that any of the dishes were really suitable?

While Kelly was taken to task for the excess liquid on her dish (pan roasted halibut with artichoke-fennel barigoule and salsa verde salad), not a single complaint was raised about how well fried onion rings--which would then be freeze-dried and reheated--would hold up under those conditions... while Angelo used candied ginger for his dish (ginger-lacquered short ribs with pea puree, pickled mushrooms, and horseradish crème fraiche), despite the fact that they were expressly told not to use a high concentration of sugar.

So what were they really being judged on then? If the dishes weren't being eaten in the context or format that the task was designed for--unlike previous years, where they had to actually freeze ready-made meals and then reheat them--then how could anyone really judge the final product?

The judges also said that they would be giving points for originality and creativity. Which confused me then how Kevin's traditional home-style dish--NY strip steak with bacon, jalapeno, corn puree, and onion rings--managed to get through and sit among ginger-lacquered short ribs, artichoke-fennel barigoule, and Ed's Moroccan-inspired yogurt-marinated rack of lamb with eggplant puree, cous cous croquette, and hummus, but Tiffany's dish failed to make the cut.

For the record, her dish was a gorgeous pan-seared Alaskan halibut with coconut curry, snow pea shoots, and jasmine rice, which matched what the NASA organizers set as the brief in the first place. Despite it being a curry, it wasn't overtly runny or too liquidy; it had heat, and the halibut would freeze-dry easily.

Should Tiffany have not cooked the pea shoots in the fish sauce? Definitely. It was a rare misstep from Tiffany; the pea shoots were there to provide crunch and contrast with the other elements. But by cooking them in the fish sauce, it took out the essential verdant crunchiness of the shoots in the first place.

And then there was that pepper skin, which seemed to lose Tiffany her spot. The judges thought it amateurish that she left it in the dish and said it lent a bitterness to the dish. Um, yeah? But it also negated everything else she had done? It was more of a blatant flaw than Kevin using sirloin at this point in the competition? It got her booted?

For a season obsessed with missing pea puree, it might be fitting that a top contender would be sent home for pepper skin but that doesn't make it any less of a bitter pill to swallow. Tiffany seemed poised to perhaps take it all; she had made front-runner Angelo a little less certain of his victory and she made all of them better chefs by example. While I'm intrigued to see what Angelo, Ed, and Kelly cook up in the final rounds, I have to say that I'm a less than excited now that Tiffany is out of the running and Kevin took her spot in the final round. It's not to say that Kevin is a bad chef because he isn't, but he seems to lack the creativity and energy that Tiffany brought to the kitchen--and the show--each week.

And when you have a season as lackluster and dull as this, you need every last bit of spark that you can find.

What did you think of this week's episode? Should Tiffany have been the one to go home? Should it have been Kevin? And what do you think of the Final Four? Head to the comments section to discuss.

Next week on Top Chef ("Finale, Part One"), the competition moves to Singapore as the chefs are narrowed down to the final three.

Channel Surfing: USA Renews Covert Affairs, Lost Star Could Be Rockford, Lie to Me Grabs Gunn, Cannavale to Blue Bloods, and More

Welcome to your Friday morning television briefing.

Good news for Annie Walker fans: USA has officially ordered a second season of espionage drama Cover Affairs. No word was given on an episodic order nor when Season Two of the Universal Cable Production-based series would launch, though the first season of the CIA drama is currently in full swing on the cabler. Series, which is shot on location in Toronto, is currently the highest rated cable series on Tuesdays in the 10 pm hour. (via press release)

Longtime followers on Twitter will remember that I pushed Josh Holloway for the role of Jim Rockford in NBC's resurrected The Rockford Files back in the spring when I read the pilot script. Entertainment Weekly's Michael Ausiello is now pushing Holloway as well and reports that the former Lost star has been "mentioned in connection to the project, but [an unnamed] insider stresses that there are no serious talks going on at this time." So it's not like an offer has gone out to Holloway or anything but the project is still alive and kicking, even after an abysmal pilot that starred Dermot Mulroney in the role that James Garner made famous. [Editor: Personally, I think Holloway would be a significant improvement.] (Entertainment Weekly's Ausiello Files)

Entertainment Weekly's Michael Ausiello is reporting that Breaking Bad star Anna Gunn will guest star this fall on FOX drama Lie to Me, where she will play Internal Affairs Detective Jenkins, described as "an ambitious, politically savvy police officer on the fast track to the top [who] realizes Lightman is someone who must be handled with caution as she tries to bring down Detective Wallowski." Gunn is set to appear in the season's third episode, which will air on November 24th. (Entertainment Weekly's Ausiello Files)

TVGuide.com's Adam Bryant is reporting that Bobby Cannavale (Cupid) has joined the cast of CBS' fall drama series Blue Bloods, where he will play Charles Rosselini, the boss of Bridget Moynahan's Erin. Rosselini is described as a "talented and popular Manhattan DA [who has] political ambitions, but as an ex-cop who served nearly 10 on the force before finishing law school, he remains a bit rough around the edges." He'll first appear in the October 15th episode. (TVGuide.com)

Entertainment Weekly's Michael Ausiello is reporting that Ryan Devlin is headed back to ABC's Grey's Anatomy this season, where he will appear in a multiple-episode story arc set to begin in November, when he will reprise his role as the husband of Mandy Moore's character. (Entertainment Weekly's Ausiello Files)

HBO is said to be developing a series based in Los Angeles' adult film business, according to a report in The New York Post's Page Six, which claims that Mark Wahlberg and Steve Levinson have teamed up with writer James Frey--yes, that James Frey--for a drama series that will feature actors and adult performers. "The plot will focus on a giant video company under siege from Internet competitors and a girl from the Midwest whose boyfriend convinces her to move to Los Angeles to become a star," according to Page Six. Frey, meanwhile, said, "We're going to make a sprawling epic about the porn business in LA. We're going to tell the type of stories no one else has told before, and go places no one has gone before." (New York Post)

Could John May (Michael Trucco) be heading back to ABC's V? Showrunner Scott Rosenbaum tells TVGuide.com's Natalie Abrams that Trucco might be popping up on the alien invasion drama again. "John May may return," said Rosenbaum. So could he be alive? "That's what they hinted to me," Michael Trucco told TVGuide.com. "I thought, 'OK, he's dead, but he's coming back?' They're like, 'Nope, he's dead.' I wrote that off as a one-off [appearance], but they made some indication that maybe he'd come back." (TVGuide.com)

Michael J. Fox is set to guest star on CBS' The Good Wife this season, where he will play Simon Canning, described as "a shrewd and cynical litigator whom Alicia (Margulies) faces in a massive class action [who] is willing to use anything in court, including symptoms of his neurological condition, to create sympathy for his otherwise unsympathetic client: a giant pharmaceutical company." “We’re absolutely thrilled that Michael has agreed to play this role,” said executive producers and show creators Robert and Michelle King in a press release. “His intelligence as an actor, combined with his incredible comic timing will really bring this smart, cynical lawyer to life.” (via press release)

TVGuide.com's Gina DiNunno has an interview with this week's ousted Top Chef contestant, Alex Reznik, in which they discuss, yes, the pea puree debacle and the Restaurant Wars drama, among other topics. "At no time during the show did I know the pea puree was an issue and that people were accusing me of stealing something," said Reznik. "It's not in my inherent nature [to steal]. So at no point did I ever try to defend myself... Amanda saw me make it. The day before, Kelly tasted my peas. The people on the show know I didn't take it. I can't really say what happened to [Ed's pea puree]. All I know is when I got to the challenge, the first thing I did was puree peas. They can't show everything. The reality was I won that challenge and it was masked by the pea puree." (TVGuide.com)

TV Guide Magazine's Will Keck is reporting that Stephen Collins--best known for his role on 7th Heaven and next to be seen on ABC's fall drama No Ordinary Family--will guest star in the fourth episode of the upcoming season of Brothers & Sisters, where he will play Charlie, a man who helps Saul deal with his HIV diagnosis. "I don't want this to be like a TV Movie of the Week," executive producer David Marshall Grant told Keck. "Even though he didn't know his diagnosis until recently, I have a feeling Saul has been dealing with this for years. He hasn't been frequenting gay bars." (TV Guide Magazine)

Scott Caan's recent knee injury will be worked into the plot of CBS' Hawaii Five-0 this season, according to E! Online's Megan Masters. "According to an H50 rep, Scott's injury will not affect production in the least," writes Masters. "In fact, the also-Entourage star won't even need to miss an episode during his recovery, and is set to return to work Aug. 23... Said bumps and bruises will simply be written into the script, when Danno suffers a spill at the hands of his partner (played by Alex O'Loughlin—sigh). In the post-injury ep, the two visit the doctor's office together and when asked if he's suffered any trauma lately, Mr. "Book 'Em" responds: "I've got a partner—this guy is a physical injury!" (E! Online's Watch with Kristin)

TVGuide.com's Adam Bryant is reporting that David Alan Grier will guest star on FOX's Bones this season, where he will play Professor Bunsen Jude the Science Dude, described as the "quirky host of a children's TV program" in the vein of Bill Nye the Science Guy. "He comes to the Jeffersonian Institute hoping to get Brennan (Emily Deschanel) on his show as a guest scientist," writes Bryant. "When Brennan scoffs at Jude's offer because she doesn't consider him a serious scientist, Jude volunteers to work with the 'squinterns' to help solve a murder case. Brennan agrees to appear on Jude's show if he is successful." (TVGuide.com)

More guest stars heading to Syfy's Eureka, with Ming-Na (Stargate Universe) and comic book legend Stan Lee set to descend on the Pacific Northwest town. "Ming-Na will portray U.S. Senator Alice Wen who arrives in Eureka to handle a sensitive matter within Global Dynamics," according to a Syfy press release. "Her character may appear in more than one episode. Details of Stan Lee's appearance are being kept under wraps. No airdates have been set at this time." They join previously announced guest stars Wil Wheaton, Jamie Kennedy, Chris Parnell, Felicia Day, Jaime Ray Newman, Ed Quinn, and Matt Frewer. (via press release)

NBC has renewed Last Call with Carson Daly for a fifth season. (Variety)

Chelsea Handler will host this year's MTV Video Music Awards. "If there's one awards show that I should be hosting, it's probably this one," Handler told The New York Times. "My personality probably wouldn't gel with the Emmys or the Golden Globes." (New York Times)

Don't hold your breath waiting for a Glee cover of a Kings of Leon song: the band turned down a request to license its music to the FOX musical-comedy. (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello is reporting that Renee Felice Smith has been cast in a recurring role on CBS' NCIS: LA, where she will play Nell, described as "an incredibly bright, somewhat quirky, and extremely chatty intelligence analyst who’ll be assisting Eric (Barrett Foa) in the OPS center." (Entertainment Weekly's Ausiello Files)

Universal Media Studios has signed a two-year overall deal with Parks and Recreation writer/producer Alan Yang, under which he will remain aboard the ensemble comedy while also developing new projects for the studio. (Deadline)

Former AMC executive Christina Wayne and her new company Cineflix Studios is set to pitch a comedy series based on Ariel Leve's novel "It Could Be Worse, You Could Be Me," according to Variety's Cynthia Littleton. Script was written by Leve "with guidance from Wayne," and revolves around "successful femme journo in her late 30s whose life is turned upside down when she loses her job." (Variety)

Stay tuned.

Cheese Course or Just Desserts: A Dramatic Exit for One Top Chef Contestant

Is it just me or does Restaurant Wars always bring out the worst in the cheftestants?

The fiercest comments on Top Chef this week didn't emanate from former New York Times restaurant critic Frank Bruni, but rather from the contestants of the losing team.

On this week's episode ("Restaurant Wars"), the eight remaining contestants were split into two teams and tasked with running a dinner service at a restaurant for one evening, developing and executing the menu and running the front of house at the same time as the kitchen. It's a fan-favorite challenge that always pushes the contestants well past their breaking points but this season the Restaurant Wars challenge wasn't so much fun as frustrating to watch, given that the eliminated chef was an outstanding talent who went home while other, lesser contestants still remain in the competition.

It was this elimination that left me scratching my head at the end of the episode. While I've disagreed with the judges' decisions in the past, this one just left me extremely perplexed. Yes, you're only as good as your last dish but when your ten last dishes have all been pretty abysmal, how are you not getting sent home?

That's the question that I kept asking myself after the final credits rolled last night. How are Amanda and Alex still in this competition, despite some truly awful dishes and near-eliminations, while Kenny gets sent home, despite taking the reins in the kitchen?

Granted, their team--which ran the 2121 restaurant--lost in the challenge. Ed's team, which oversaw the egregiously named EVOO, had more better dishes collectively than the blue team. But Kenny kept them motivated and kept the dishes going out of the kitchen. If only the dishes themselves had been better. Which lead me to wonder: just where was the quality control at 2121? Kenny, the self-regarded "beast" of the competition, has been an outstanding competitor and has dazzled the judges in the past with his refined palate and precision. So just what happened here?

Kenny's two dishes--a salad that contained no less than what seemed to be 72 ingredients and a dessert/cheese course that featured a fried goat cheese croquette atop of a bed of strawberries and rhubarb--failed to hit their marks entirely. I'd agree with the judges' criticism that Kenny should have listened to Coco Channel and removed at least two accessories from that starter, which was over-labored and overflowing with too many ideas and ingredients. For a salad dish, there was far too much going on and it wasn't tasty either. As for the cheese issue, I do applaud Kenny for looking to reinvent the cheese course but what he created would have worked better as a starter than as a dessert replacement, really. The judges also said that it tasted soapy and the crust on it was ghastly. Neither of which you really want in a dessert, especially as Kelly's chocolate ganache tart was a thing of beauty (even if her ice cream was tasteless).

Still, Kenny not only delivered two dishes--sub-par though they might be--but he also oversaw the kitchen as the executive chef. Did he ever taste Kelly's soup? It certainly looked that way from the footage, when he advised her not to add more salt to the "thin" sweet corn soup. Which means that he was also attempting to keep an eye on the quality of the dishes going out into the dining room and failed on that account as well.

But it was clear that he had his hands full, in any event.

Amanda, on the other hand, had only one dish to execute and it was a monumental failure. Why is it that every week she seems to be struggling with an unknown protein (in this case, grass-fed beef), an unknown cooking element (here, a wood-burning stove), and outright confusion why she keeps landing in the bottom week after week? Why does she seem to fail every time she attempts to cook a piece of meat? And, even more irritatingly, how is it that she's managed to squeeze past elimination time after time?

I thought for sure that she would be the one to be packing her knives and going home, just as I thought that it would be Alex, who has long outstayed his welcome on Top Chef, who would be eliminated should the red team have lost. The fact that Alex mangled everything he touched this week would have been brought up for certain. His efforts to butcher the lamb were shockingly poor; his filleting of the fish left not only scales but bones for Tiffany to then deal with in the kitchen. No wonder his team relegated him to the front room (which the blue team should have done with Amanda), as he seems to create a perfect storm of discontent and mess everywhere he turns. (And that's to say nothing of the fact that he seasoned the fish during the Quickfire Challenge for no apparent reason and way too early, resulting in his team's loss there.)

Was the blue team right to attempt to throw Alex under the bus despite the fact that his team had won the challenge and was therefore safe from elimination? I'll get back to you on that. But the fact that they failed to bring up the pea puree was an odd moment as well, considering what a big deal that had been the last two weeks and that the cloud of suspicion still hung over Alex this week. Why not shine a light on the controversy in front of the judges?

The fact remains that the two weakest chefs at this point were Alex and Amanda and either one of them should have been the one to pack their knives. To send Kenny home seemed both a capricious move on the part of the judges and an effort on the part of the producers to inject some drama into the proceedings, following a season that's been severing lacking in narrative tension. (In my opinion, it's been the weakest season of Top Chef to date, one that's been waylaid by poor editing, lackluster casting, and tired challenges.)

Sending Kenny home was clearly meant to be a message that no one left in the competition is safe. The early episodes of the season seemed to relish in setting up Kenny and Angelo as adversaries who would be fighting until the bitter end; both were keen competitors, driven by this rivalry to outdo one another on a weekly basis. But to send Kenny home is to remove even the slightest of intrigue from the season.

Not that Kenny should have been kept around in order to justify that intrigue, but the fact that he *was* sent home rather than the two consistently weak links makes me question the validity of the entire competition. If Kenny has to go home but Alex and Amanda remain to fight another day, then what's the point in performing well? Why not play it safe and remain in the middle until the final rounds? Why be a strong chef if you can be just a hair better than the weakest of the weak and narrowly avoid elimination?

I had thought with last week's ouster of Stephen that the competition this season was finally moving in the right direction. But this move makes me question just what the judges are thinking, really. And that, more than anything, leaves a bad taste in my mouth.

What did you think of this week's episode? Was it right that Kenny was sent home? Who would you have eliminated and why? Head to the comments section to discuss and dish out your thoughts on this week's episode and this season of Top Chef.

Next week on Top Chef ("Covert Cuisine"), mystery and spyjinks abound when items in a mystery box challenge the chefs, who must then transform famous dishes into different culinary fare; later, the chefs head to the Central Intelligence Agency for their elimination challenge.

Top Chef Preview: Mystery Box



Top Chef Preview: At the CIA Headquarters

Channel Surfing: Josh Jackson Ponders Vampire Diaries, Lone Star, Blue Bloods BTS Drama, James Marsters' Torchwood Dreams, and More

Welcome to your Friday morning television briefing. Quite a fair amount of headlines and stories to get through today, so let's get cracking!

E! Online's Kristin Dos Santos is reporting that Joshua Jackson is possibly contemplating making a trip to Mystic Falls next season. The Fringe star is said to be weighing a possible guest stint on the CW's Vampire Diaries. "We talked about it," said Jackson about a conversation he had with Kevin Williamson at Comic-Con. "It turns out that he's not making a comedy with Vampire Diaries and it might be too inside baseball comedy if I popped up. But who knows... They're all too handsome." Meanwhile, was Dos Santos able to get any clues about Season Three of Fringe out of Pacey-Con's Jackson? "It picks up literally where it left off last year," said Jackson, "and our show just continues to get greater and more bizarre and strange and disgusting and wonderful every time we put it on the air." (E! Online's Watch with Kristin)

Entertainment Weekly's Michael Ausiello is reporting that Andie MacDowell is "thisclose" to joining the cast of FOX's upcoming drama series Lone Star, where she would play the love interest of Jon Voight's character, should a deal be able to be closed. Meanwhile, Rosa Blasi (Make It or Break It) has come on board Lone Star, where she will recur as Blake, the "Lady Macbeth-esque wife" of Mark Deklin's Trammell. [Editor: fingers crossed that MacDowell's deal takes; Ausiello indicates it's "98 percent done."] (Entertainment Weekly's Ausiello Files)

Deadline's Nellie Andreeva is reporting that showrunner Ken Sanzel has left CBS' Blue Bloods following "creative tension" between the producer and actor Tom Selleck. "I learned... that Tom Selleck hasn't been accepting the scripts which CBS' Blue Bloods executive producer Ken Sanzel has been giving him," writes Andreeva. "So a standoff developed over character vs procedural visions for the series, summarized to me as 'creative tension.' By midday, Sanzel was still staying with the show. No more. Insiders just emailed me that the former New York cop told the staff late today that he is leaving. There's no exit date yet." Trouble emerged when the star and the showrunner had vastly different takes on the series, according to insiders. "Sanzel's vision was for a compelling crime procedural, whereas Selleck wanted softer character exploration," writes Andreeva. "Sanzel knew the network was behind him. But Selleck wanted to be in charge of the show." (Deadline)

Former Buffy the Vampire Slayer star James Marsters is looking to reprise his role as Captain John Hart on Torchwood, which is jumping from BBC America to pay cabler Starz for its upcoming fourth season. "Russell [T Davies is] over here [in LA] trying to get an American version of it done. If he doesn't call me, I am going to find him," Marsters told io9. "I'm into it, just ask Russell." [Editor: I will, seeing as I'm sitting down with Russell T Davies tomorrow.] Marsters, meanwhile, will be seen next season on Smallville and on Syfy's Caprica. (io9)

Ryan Murphy seems open to Neil Patrick Harris returning to Glee, so is the "It's such a tricky thing [because] that's not the network that How I Met Your Mother is on," Harris told E! Online. "So I can't just say, 'Oh, I'll just keep doing Glee's,' because they're on Fox and I'm on CBS. I have bosses that make me sign contracts to keep me at one place for a long period of time, and understandably so. I love the gig, love doing it. They're [the Glee guys] super fun, and they didn't shoot me at the end of the first episode, so if I'm ever able to come back I'd love to." As for Murphy, he too is hopeful they can finesse the relationship and bring back Harris' character for another go-around. "We would love to have Neil back," said Murphy. "We have a little problem that he's a regular on another show. But he's in the Fox family and they help us out a great deal with that. I think we've just begun to see the tip of the villainy for Brian Ryan." (E! Online's Watch with Kristin)

SPOILER! Entertainment Weekly's Michael Ausiello is reporting that Laura Bell Bundy has been cast in a recurring role on CBS' How I Met Your Mother, where she will play Robin's new co-host on Metro News One and a potential new love interest for Ted. Or at least someone he goes on a date with. (Entertainment Weekly's Ausiello Files)

Rosie O'Donnell is heading to OWN. The nascent cable channel, overseen by Oprah Winfrey, will be the home of a new daily talk show hosted by O'Donnell that will launch in 2011 and be based in New York. "Rosie is an undeniable talent who has captivated TV audiences for nearly 20 years,” said Oprah Winfrey in a prepared statement. "She’s a true original, who brings her authentic voice, dynamic energy and pure passion to everything she does." (Entertainment Weekly's Hollywood Insider)

IFC has ordered six episodes of sketch comedy series Portlandia, created by Fred Armisen and Carrie Brownstein, who will star in the Portland-based half-hour series. The Lorne Michaels-executive produced series, which begins production this month, will launch in early 2011. According to Variety's Jon Weisman, "Portlandia incorporates a series of absurdist short films featuring Armisen and Brownstein playing different characters, such as the owners of a feminist bookstore, a militant bike messenger and a punk rock couple negotiating a "safe word" to help govern their love life." (Variety)

TVGuide.com's Ileane Rudolph is reporting that former Battlestar Galactica star Edward James Olmos will guest star on an upcoming episode of CBS' CSI: NY. Olmos will play a former gang leader whom Mac Taylor (Gary Sinise) had put behind bars 15 years earlier who is now released from prison in an episode slated to air in October. (TVGuide.com)

Entertainment Weekly's Michael Ausiello is reporting that Richard Schiff (The West Wing) has joined the cast of CBS' Criminal Minds spinoff, where he is set to recur as FBI Director Jack Fickler. He'll make his first appearance in the series premiere episode, which is slated to air in midseason on CBS. The cast includes Forest Whitaker, Janeane Garofalo, Matt Ryan, Michael Kelly, Beau Garrett, and Kirsten Vangsness. (Entertainment Weekly's Ausiello Files)

Just what happened to Ed's pea puree on Bravo's Top Chef? TVGuide.com's Gina DiNunno talks to outsted contestant Stephen Hopcraft to find out about the missing accompaniment from last week. "I know he didn't steal Ed's pea puree," said Hopcraft. "Ed either didn't bring it, or it got lost. I even told Ed I blame myself for it because me, Ed and Angelo shared a cooler that day, and I was the first one in the cooler and pulled some of my ingredients out and maybe I didn't put his pea puree back in. I thought I did. I honestly know Alex, and I know he didn't steal it. And I'm probably the only one who's going to say that, so make sure you write that in big, bold letters." (TVGuide.com)

Fox Television Studios president Emiliano Calemzuk will ankle the studio in mid-September in order to take on the newly created position of CEP at Shine Group Americas and oversee Reveille. Calemzuk will remain based in Los Angeles and will report to Elisabeth Murdoch. Calemzuk will likely be succeeded by EVP David Madden. [Editor: congratulations, Emi!] (Hollywood Reporter, Variety))

Katie Jacobs (House) has signed a massive two-year overall deal with a host of interested parties, including FOX, 20th Century Fox Television, and Universal Media Studios. Under the terms of the deal, Jacobs will remain aboard FOX's House as an executive producer as well as develop new projects for studio Universal Media Studios before moving to a new production deal at 20th Century Fox Television, which will be targeted for FOX. (Whew.) "It's been a mutually beneficial relationship over the past couple of years," Jacobs told Variety. Jacobs has also earned a blind pilot directing commitment at FOX as part of the deal. (Variety)

Deadline's Nellie Andreeva is reporting that Noah Reid (Strange Days at Blake Holsey High) has been cast as the lead of Syfy's drama pilot Three Inches, which revolves around a twenty-something slacker named Walter (Reid) who gains the ability to move objects three inches with his mind after he is struck by lightning. Walter then brings together a group of other heroes, each of whom has a similarly lackluster power. (Deadline)

Hollywood Reporter's James Hibberd is reporting that A&E has ordered a sequel to the 1978 documentary Scared Straight!, which it will air as a series of four one-hour specials entitled Beyond Scared Straight!. Project, from executive producer Arnold Shapiro, "will chronicle modern confrontational approaches to juvenile crime prevention" and "focus on a different prison program, following a group of at-risk teens and preteens going through the program and then catching up with them two months later." Specials are scheduled to air on the cabler in winter 2011. (Hollywood Reporter's The Live Feed)

Marc Graboff is staying put. NBC Universal have signed a new three-year deal with Graboff, chairman of NBC Entertainment and Universal Media Studios, according to Deadline's Nellie Andreeva, who writes, "I hear the renewal talks went on for several months and Graboff was approached for outside gigs but ultimately opted to remain at NBC where he has been since 2000." (Deadline)

NatGeo has ordered a fifth season of Locked Up Abroad, with ten episodes slated to air in 2011, and announced launch dates for Season Seven of Dog Whisperer with Cesar Millan (October 8th) and Sebastian Junger's Sundance documentary Restrepo (November 29th). (Variety)

Deadline's Nellie Andreeva is reporting that former BBC Worldwide Prods. executive Tasha Brown as been hired at Chernin Entertainment, where she will serve as the VP of comedy development. (Deadline)

G4 has ordered eight half-hour episodes of docuseries That's Tough!, which will take audiences inside "the toughest high-security prisons, sniper units and bank vaults." Project, from Super Delicious, is slated to launch on October 20th. (Hollywood Reporter)

CMT has officially entered the scripted game: the country music-focused cabler has ordered twelve episodes of multi-camera comedy Working Class, according to Deadline's Nellie Andreeva. Project, from writer/executive producer Jill Cargeman, stars Melissa Peterman as a single mom who moves her family into an affluent neighborhood. Series will premiere in January. (Deadline)

Doug Liman's production company Hypnotic has signed a two-year overall development deal with Universal Cable Prods. Liman is directing MTV's comedy pilot I Want My Pants Back, written by David Rosen, as the cable production studio moves into producing content for channels that are not affiliated with NBC Universal. Among the projects in development at UCP for non-NBC Uni channels: AMC's drama pilot Pushers, from creator Neal Baer (Law & Order: SVU). Liman, meanwhile, is one of the executive producers on USA's Covert Affairs. (Variety)

Stay tuned.

Rant: Dear Bravo, Please Stop The Obvious Editing on Top Chef

Gee, I wonder who was going to pack their knives last night?

Honestly, I was going to do a Top Chef culinary recap today, but I'm just not feeling it, especially after last night's episode ("Capitol Grill") fell into the same trap that recent episodes of Top Chef have (which I bemoaned last week at length).

I understand that we're in the early rounds right now and there are still a lot of contestants to cover but I've officially had it with the editing on Top Chef this season as within five minutes of each episode beginning, it's painfully obvious to anyone who has ever watched a reality competition series just who will be getting eliminated that week.

Is Top Chef about more than just who packs their knives and who walks away the winner that week? Sure. It's a culinary-themed competition and as a voracious foodie, I love watching the chefs at work. But it also can't lose sight of the fact that it's also a reality competition series and that much of tension derived from such a format emanates from the fact that someone will be going home that week.

To erase that possibility by cheating attention to the eliminated party and focusing on them throughout the episode denies the viewer that hook. I'll still be watching Top Chef and likely writing about it but this week the continued trend just irked me to such a degree that I can't bring myself to actually discuss the, you know, food.

Magical Elves and Top Chef editors: please get it together and stop tipping your hand at the top of every installment. I'm begging you.

Next week on Top Chef ("Room Service"), the chefs are tasked with creating baby food for Padma's newborn baby; later, the chefs are tested on their hospitality service.

School Lunch Project: Thinking Outside of the Lunch Box on Top Chef

Is it just me or is it blatantly obvious from the opening minutes of each episode of Top Chef just who is going home that week?

I've taken the editors of Bravo's culinary competition series to task in the past for obvious editing but last night's episode ("Outside the Lunch Box") featured the most egregious editing yet, in my opinion. Within about two minutes of the installment beginning, I had identified just who I thought would be packing their knives this week... and was completely correct on that front.

Sure, it happens from time to time, but it seems to be happening with alarming regularity on Top Chef of late. Keep an eye for who seems to be the focus of attention that week and who is getting a majority of screen time and nine times out of ten, you've got your eliminated contestant.

Which isn't to say that there aren't other enjoyable and rewarding aspects of the series, because there are. But this is, after all, a reality competition series and part of that format, week after week, is that there is going to be a winner and a loser. By removing all drama about who that eliminated contestant will be, the editors deflate a lot of the tension from the individual installments, a necessary component to the long-term health of a franchise.

There are a number of reality series that do this but I feel it most keenly with Top Chef, particularly at the beginning of a season when the personalities/identities of the contestants are a little less known. There is bound to a fair amount of elimination fodder in the early rounds and I get that; I just don't want it telegraphed to me each week without any sense of subtlety.

But enough about that. Let's move on to the culinary aspect of the series, which this week featured the contestants pairing up to create biparti-sandwiches (UGH!) whilst working with one hand behind their backs and then, working in teams, to create a healthy, nutritious, and delicious school lunch as part of First Lady Michelle Obama's anti-obesity campaign. (Fittingly, the two challenges featured guest judge Sam Kass, the White House chef.)

So how did they do? Let's take a look.

Quickfire Challenge:
  • Tamesha and Amanda: grilled sandwich with sliced prosciutto, Swiss cheese, dijon Mustard, and pepper salsa
  • Andrea and Kevin: Philly Cuban Sandwich with roasted pork, pickles, whole grain mustard, and gruyere
  • Angelo and Tracey: sandwich with flounder marinated in fish sauce, spicy Sriracha mayonnaise, pickled red onions, and herb salad
  • Arnold and Kelly: curry-rubbed grilled chicken with honey, Indonesian sambal, cucumber, mint, dill, and cilantro
  • Kenny and Ed: Korean chili-rubbed Ahi tuna on an open-faced sandwich with cucumber and mango slaw on multi-grain bread
  • Tiffany and Lynne: flatbread saltimbocca sandwich with goat cheese, artichokes, yellow peppers, and white asparagus
  • Jacqueline and Stephen: grilled chicken and avocado sandwich with rosemary skewers
  • Timothy and Alex: croque madame with ground lamb, mornay sauce, and poached egg

I loved the fact that so many of the chefs were scoffing at the challenge--a half an hour to create a sandwich--before they realized that they'd literally be doing it with one hand tied behind their backs. Some of the teams worked better together than others, though I will admit that I was surprised none of them ended up needing medical attention from knife wounds. Some had some real inspiration while others (such as Jaqueline and Stephen) didn't really create anything innovative or different. I knew that the top two would definitely be Angelo and Tracey for their flounder sandwich and Kenny and Ed for their ahi open-faced sandwich with slaw. Both showed a real understanding of the challenge and a real creativity when it came to devising something original and delicious.

No surprise that the win went to Angelo and Tracey, earning Angelo his third consecutive win and giving both team members immunity from elimination. The latter would, of course, prove to be a real boon as the challenge was team-based. Whereas each member of every other team had a 25 percent chance of getting eliminated, their other two team members--second placers Ed and Kenney--had a 50 percent shot at packing their knives this week. Did Angelo in choosing them to be on their team look for the strongest players in an effort to win? Or did he choose them hoping to throw the challenge and get one of them sent home? (Namely, his closest rival, Kenny.) Hmmm....

Elimination Challenge:
  • Amanda, Tamesha, Stephen, Jacqueline: braised chicken thighs in a sherry jus; bean and tomato Salad with pickled red onions and apple cider vinaigrette; sweet onion rice with tomato, carrots, and green onions; and banana pudding with skim milk, strawberries, and strawberry sauce
  • Alex, Andrea, Kevin, Timothy: grilled apple cider BBQ chicken; picnic coleslaw with yogurt; mac and cheese with whole wheat crust, skim milk, and low-fat cheese; fresh melon kebab with orange Chantilly, dipped in yogurt
  • Tracey, Angelo, Ed, Kenny: chicken burger with fiesta rice; “Peanut Butter and Celery Crudite” with crispy tuile; sweet potato puree with cinnamon; apple bread pudding with cinnamon yogurt
  • Kelly, Arnold, Lynne, Tiffany: braised pork carnitas tacos with pickled onions and cilantro; roasted corn salad with cilantro-lime vinaigrette, chili oil, sugar, salt, and lime juice; black bean cake with whole grain and sweet crispy potatoes; caramelized sweet potatoes and sherbert

I knew Amanda's team would be in the bottom. Her chicken was so revolting to the children and so inappropriate, given the presence of cooking wine in the dish, that it should never have been served in a school cafeteria setting. The fact that Amanda defended the dish by saying that she liked chicken that way defeated the entire point of the challenge. Stephen's rice even looked gummy on screen. And then there was Jacqueline's dessert. Last week, she attempted to make low-fat chicken liver mousse for no real reason; this week, she poured two pounds of sugar (!!!!) into a starchy banana pudding, turning what was meant to be a healthy dessert into a high-caloric, high-sugar dish. I was really, really stunned.

I want to praise Alex's team for really thinking outside of the lunch box and being creative in transforming tasty food that the kids know and love into healthy food as well. Using apple cider rather than sugar in the BBQ sauce was a stroke of genius, as was lightening the cole slaw by using a little mayonnaise and a lot of yogurt instead. The dessert--a colorful, interactive melon skewer with a yogurt dipping sauce--continued the theme here. The only low point: Timothy's mac and cheese, which failed to win over the judges.

As for Angelo's team, I really don't know what to say. Just looking at the plate, it looks very uniformly brown. There's very little color here and there seems to be A LOT of sweet happening on the plate, between the dessert, the sweet potato mash, and Angelo's bizarre peanut butter-celery crudite with tuile, which seemed completely out of place on a kid's lunch tray, not to mention the fact that it was a poor attempt at delivering vegetables to the plate and was loaded with sugars. I also question Ed's decision to load his sweet potatoes with cinnamon and chili, making it far too spicy for most kids' palates. Just odd and I couldn't shake the notion that Angelo threw the challenge in an effort to get either Kenny or Ed sent home. He knew that this was not a winning dish and he didn't care as he had immunity for himself. Gamesmanship is a part of every reality competition series but I'd prefer to see the chefs stop thinking about the game and more about their own individual dishes. Sigh.

Despite their bickering (which made me want to push each of them in the Potomac), Kelly's team nailed the challenge completely, delivering a plate that was bursting with color, flavor, and healthiness. It just looked delicious and appetizing. The pink swirl of the pickled onion and green of the cilantro set off the lusciousness of the carnitas, itself swathed in a homemade oatmeal-based soft taco. (The fact that they made the tortillas from scratch was a huge advantage here.) Despite Arnold bemoaning his "salsa," he delivered a delicious corn and tomato salad that was filled with deftly layered flavors. I loved the sweet potato "wig" on Lynne's black bean cake, which again made it fun and interactive for the kids and the fact that Tiffany combined a vegetable--sweet potatoes--and a low-fat sherbet into a delicious dessert that was delicious, healthy, and low-fat. Well done all around.

No surprise that the team of Kelly/Arnold/Lynne/Tiffany walked way with the win this week... nor that it would be Jacqueline who would be packing her knives. I pegged her as an early cast-off straightaway and the editing this week underscored her imminent departure from the competition.

Best line of the evening: "I love vodka, but I'm not cookin' with it." - Gail Simmons

What did you think of this week's episode? Who would you have picked to win this week's challenge and who should have packed their knives? Tired of the predictable editing? Head to the comments section to discuss.

Next week on Top Chef ("Capitol Grill"), the remaining chefs are tasked with creating a pie from scratch for their Quickfire Challenge and later, the contestants must grill up a classic picnic.

Top Chef Preview: Desserts? No!



Top Chef Preview: Serving George Washington

Talk Back: What Are You Watching This Summer?

As the Summer Solstice has come and gone now, the hot months of summer are officially in full swing as the broadcast and cable networks bring out their slate of originals and burn-offs during the sweltering season.

While I'm sinking my teeth into quite a bit of programming this summer (including HBO's True Blood, Bravo's Top Chef, and my latest obsession, BBC America's upcoming Come Dine With Me) and catching up on some others (cough, Friday Night Lights, cough), I'm curious to know just what you are watching right now... and what you intend to watch this summer. Are you hooked on USA's dramedies? Can't wait for the return of Entourage? Trembling at the thought of more True Blood? Intrigued by Work of Art? Spooked by the thought of Syfy's Haven?

Head to the comments section to discuss what's on your season pass this summer, what's failed to click with you so far, and what new and returning television series you are most looking forward to over the next few months.

Channel Surfing: Leigh and Morissette Return to Weeds, Jamie Foxx Preps TV Pilot, Sarah Drew Talks Grey's, Doctor Who, and More

Welcome to your Wednesday morning television briefing.

Entertainment Weekly's Michael Ausiello is reporting that Jennifer Jason Leigh and Alanis Morissette will return to Weeds for the Showtime dark comedy's sixth season, set to launch August 16th. Leigh will reprise her role as Nancy's sister Jill in one episode, with Morissette due to appear in two episodes as Andy's girlfriend Audra Kitson, who also happened to be Nancy's doctor. (Entertainment Weekly's Ausiello Files)

Deadline's Nellie Andreeva is reporting that Jamie Foxx has shot a trailer for a potential television project entitled Tommy's Little Girl, which features Paul Sorvino, Selma Blair, James Russo, and Tony Sirico. Project would revolve around the relationship between a mobster (Sorvino) and his daughter (Blair) and will be pitched to cable networks. (Deadline)

Entertainment Weekly's Michael Ausiello has an interview with newly promoted Grey's Anatomy series regular Sarah Drew, in which they discuss her "polarizing alter ego" April, among other topics. " I definitely had that feeling," said Drew when asked if the season finale pushed April together with the rest of the Seattle Grace crew. "April has been kind of annoying this past season. [Laughs] Just neurotic and really insecure, and this was the first time she was able to band together — both with Cristina and Meredith — to help solve a [crisis]. Most of my stuff before was with Patrick [Dempsey] and fawning over him awkwardly. So this was the first opportunity to actually bond in a positive way with them. They say tragedy brings people together, so I guess that’s what happened." (Entertainment Weekly's Ausiello Files)

MAJOR SPOILERS! UK paper The Daily Mirror has an interview with Doctor Who head writer/executive producer Steven Moffat about the season finale of Doctor Who, which brings an end to the first season under new Doctor, Matt Smith, and finds the Time Lord in a bit of a bind. "The doctor is trapped inside a prison from which even he can't escape," said Moffat. "Amy Pond is dead. Rory is plastic. River Song has been blown up in the Tardis, which has been blown up and destroyed every sun in the universe. I think any other hero would be in a pickle but I think the Doctor can take it... I really do think episode 13, the episode we'll see on Saturday, is a story only Doctor Who can do - no other show could have come close to a story like this." The finale will air Saturday night in the UK on BBC One and in two weeks on BBC America in the US. (via Digital Spy)

Vulture's Josef Adalian is reporting that FOX will not go ahead with its unscripted Glee spinoff, which would have depicted the search for actors to play three new roles on the musical-comedy. "Though they collected the tryout videos, Murphy and Fox execs have since quietly agreed to kill the on-air competition after it became clear that working on the reality show would mean less time for planning season two (and the recently announced season three)," writes Adalian. "As it is, Murphy and his team have already had their schedules crowded by such extracurricular events as the brief Glee live tour, multiple hit soundtrack albums, a trip to the White House, and, of course, Oprah." (Vulture)

TVGuide.com's Gina DiNunno talks to Tom Colicchio about Season Seven of Bravo's Top Chef and weighs in on the change at the judges' table, where master chef Eric Ripert has taken over for Toby Young. "For me, I like having him there," Colicchio told DiNunno. "I liked working with Toby [Young], but he didn't have the most authoritative voice when it came to the food. Toby is more of a scene critic when it comes to restaurants — or at least that's my understanding of it. He did know a good amount about food though. Having Eric judging the food has a little bit more weight than Toby judging your food. But you're not going to get the one-line zingers that we got out of Toby. [Laughs]" (TVGuide.com)

[Editor: elsewhere, The Hollywood Reporter's James Hibberd has an interview with Top Chef executive producers Jane Lipsitz and Dan Cutforth, in which they talk about why this season is Obama-less, the reason behind the name Magical Elves, how they pick the cities for Top Chef, and the status of other projects in development, including spinoff Top Chef Jr.)

Deadline's Nellie Andreeva is reporting that Jon Cassar (24) has come board FOX's upcoming adventure series Terra Nova as an executive producer/director. He joins a staff that includes former 24 executive producers Brannon Braga and David Fury and will direct multiple episodes of the series. (Alex Graves is set to direct the pilot episode.) (Deadline)

The Futon Critic is reporting that Project Runway will return to Lifetime on Thursday, July 29th at 9 pm ET/PT, right before half-hour spinoff series On the Road With Austin & Santino. (Futon Critic)

V star Elizabeth Mitchell has indicated that she's open for a possible romance between her character on the ABC sci-fi series, Erica Evans, and Charles Mesure's Kyle Hobbes. “He’s awesome, isn’t he? When he first came on, I said to [exec producer Scott] Rosenbaum, 'You need to make this guy a deal, now,'" Mitchell told Fancast's Matt Mitovich, though she added that Erica could fall for either Hobbes or Joel Gretsch's Father Jack. "Maybe it’s just because I’m a woman, but I’m up for a little romance!" (Fancast's The Big Tease)

TV Guide Magazine's Will Keck has the dish on the upcoming two-parter on USA's Royal Pains, in which Mark Feuerstein's Hank heads to Cuba. The two-episode arc will feature guest stars Tony Plana (Ugly Betty) and Ana de la Reguera (Cop Out), the latter of which will be a potential love interest for Hank. The actress will also appear on Season Two of HBO's Eastbound and Down, where she is set to recur all season as the new love interest for Danny McBride's Kenny Powers. (TV Guide Magazine)

ABC's reality series Shark Tank will return to the lineup this summer... for one episode (a shelved installment from last season) on July 15th at 8 pm ET/PT, while ABC will repeat several other episodes during July and August. There's been no official word on the fate of the Sony Pictures Television-produced series. (Hollywood Reporter's The Live Feed)

Bruce Cohen and Don Mischer will produce the 83rd Academy Awards telecast, which is slated to air Sunday, February 27th on ABC. Mischer will also serve as the director for the awards telecast. (via press release)

In other Oscar-related news, Deadline's Nikki Finke is reporting that Board of Governor members have discussed moving the annual awards telecast to January, which could lead to conflicts with NBC's Golden Globes. "The awards season is too long currently. This will shorten and reduce the amount of campaigning," an unnamed studio head told Finke. "Also, it will make the Oscars the definitive awards show again. The Globes can't move a lot earlier as all the movies wouldn't be released yet. The only potential downside is how do people see all the films in time to vote for nominations?" (Deadline)

Lifetime has hired Discovery executive Gena McCarthy as SVP of reality and alternative programming at the cabler. She will report to JoAnn Alfano. (Variety)

Tyra Banks' production company Bankable has hired former Warner Music International chairman/CEO Patrick Vien as president/COO, effective immediately. He'll be based in New York and will report to Banks. (Hollywood Reporter)

Stay tuned.

Representing Your Constituency: Sink or Swim on the Season Premiere of Top Chef

I already spoke in general terms about the season premiere of Top Chef over in my advance review of the episode, but now that the episode has aired, we can get down to the details of the food that the cheftestants prepared this week.

First episodes are always tricky as there are a lot of new contestants and it's often hard to keep track of all of them, particularly when there are seventeen of them being introduced all at once. But this is Top Chef, after all, so it's only typical that the strongest performers would stand out in the first week... along with some of those who might be destined to be packing their knives sooner rather than later.

This week's episode of Top Chef ("What's Your Constituency?") found the new crop of contenders heading to Washington D.C., where they were immediately put through their paces in a round-robin Quickfire Challenge--with only four chefs actually getting to create a dish--before heading into their first Elimination Challenge, where they would have to create a dish that reflected where each of them was from and serve it to about 150 guests at a cocktail party.

So how did they do and what did they make? Let's discuss.

I thought it was interesting--and telling--that the producers would opt to begin the season with a mise-en-place tournament that would test their knife skills, their speed, and their ability to execute efficiently under intense pressure. Each round would force them to prep a different ingredient: in the first round they would have to peel ten potatoes; in the second, brunoise 10 cups of onions; in the third, break down four chickens into eight parts; and then, in the final leg, they would have to use those ingredients to prepare a dish. And, oh, there was also $20K on the line for the winner as it was a high-stakes challenge. (I discussed the oddness of having Vegas-style high-stakes in Washington in my review.)

The four remaining chefs still standing at the end--Timothy, Kevin, Kenny, and Angelo--then had a half an hour to prepare a dish using the onions, chicken, and potatoes that would wow Padma and Tom... and demonstrate to the other contestants just how strong they are.

Here's what they made:
  • Angelo: roasted chicken wing and thigh; curried onion jam; potato noodles
  • Kevin: boneless chicken wing with hot and sour broth, tomatoes, fennel, potato, and mushroom
  • Tim: garlic-roasted chicken, potato galette, oyster mushrooms
  • Kenny: duo of chicken with Moroccan spice, potato puree, and onion confit

I knew instantly that it would be between Angelo and Kenny. Just looking at how well executed and presented their dishes were, it was blatantly obvious that one of these two would be walking away with the $20,000. Tim's dish had way too much cream and just looked messy and less sophisticated. (There's nothing wrong with simplicity in a dish but then it needs to be presented immaculately.) Kevin's broth was criticized for having way too much salt.

Which, yes, left it to Kenny and Angelo. I thought Kenny pulled off an amazingly complex dish in just under 30 minutes; that beautiful plate could have come out of any four-star kitchen. Plus, he really showcased a variety of flavors and spices. Meanwhile, I was extremely impressed by Angelo's use of the starch here as he transformed the spuds into gorgeous potato noodles, no small feat given the time crunch they had.

Not surprisingly, Angelo was named the winner of the Quickfire... and a rivalry between him and Kenny was born right there.

For the Elimination Challenge, the chefs would have to take the flavors of their own constituencies and transform them into dishes that represented where they came from. The chefs would be split into teams of four, with them competing head to head within the group, with one chef from each team up for the win... and one up for elimination.

So what did they make? Let's discuss.

Team 1:
  • Amanda (California): red snapper carpaccio with cucumber, clementines, sencha oil, daikon, and caraway gelee
  • Arnold (Thailand and Tennessee): kaffir lime and basil cake with palm sugar anglaise and "Myint" julep
  • Kevin (Mid-Atlantic): Pennsylvania lamb, Meyer lemon and pistachio marmalade, and spring onions
  • Jacqueline (New York): duo of Hudson Valley chicken liver and port wine mousse

Amanda's dish, meant to evoke early Wolfgang Puck California cuisine was criticized for being messy and underseasoned. I'd have to agree with the messiness of the presentation; that gelee looked really loose and unappetizing and it didn't so much evoke Puck as it did almost parody him. Hmmm... Kevin's dish was universally praised as being tender and well seasoned, and he introduced some nice notes of ginger there as well. I knew straightaway that Jacqueline would be up for elimination for her coarse and grainy chicken liver mousse, which she made without any fat. Not only should the terrine have been sieved but there was no reason to make this a non-fat liver mousse. Just odd.

Team 2:
  • Stephen (Ohio): potato-crushed ribeye, celery root puree, scarlet stadium mustard vinaigrette
  • Ed (New England): sauteed cod cakes with Boston baked beans and shaved fennel salad
  • Lynne (Hudson Valley): corn-camembert ice cream on waffles, with bacon praline and caramel sauce
  • Tracey (The South): stone-ground grits, maple cheddar, Port Royal Rock shrimp
  • Kenny (Colorado): coffee-rubbed trout, black bean mole, goat cheese polenta, and quinoa

Tracey's shrimp were criticized for being bland; Ed's beans and beans were said to be too heavy, with Tom feeling that the fish cakes were all filler and very little cod itself. Stephen destroyed the integrity and flavor of the rib-eye by deep frying it... and turning it into little more that fried shoe leather. Kenny's dish was universally praised for its depth of flavor and lovely presentation.

Team 3:
  • Alex (Russia and California): deconstructed short rib borscht with cabbage, red beet puree, creme fraiche
  • Tamesha (Caribbean): jerk chicken sphere, soft polenta, tamarind, mango, papaya, jicama, and cilantro
  • Andrea (South Florida and Italy): pork with chorizo potato gnocchi, calabaza, and orange gremolata
  • Tim (Maryland): pan searched Maryland rockfish with pickled leek, dill, and grilled crostini with ginger and sesame seeds

The judges thought that Andrea's gnocchi was well seasoned, though it didn't exactly scream South Florida/Miami. Tim's fish dish didn't go over too well, with the judges criticizing the homogeneous quality of the two sauces; likewise, I didn't feel like it captured Maryland at all. Yes, the rockfish was from there but there were so many other things that Tim could have done that would better summed up the Chesapeake Bay area. However, I would applaud Alex for taking a calculated risk with his deconstructed borscht, which was very well done indeed: each of the ingredients was expertly prepared and they added up to a sum that captured the essence of borscht.

Team 4:
  • Tiffany (The South): Cajun shrimp and crawfish salad, chicken-fried tomatillos, and bacon-sherry vinaigrette
  • Kelly (Rocky Mountains): spice-crusted New York strip steak with fiddlehead fern, asparagus, and wild mushroom saute
  • Angelo (Rural Connecticut): smoked arctic char with pickled shallots, chili tapioca, and smoked bacon broth
  • John (Michigan): maple mousse napoleon with crisp macadamia nuts and vanilla sauce

Angelo once again ranked high; his arctic char was universally loved by the judges, though Gail questioned whether there was too much dill (Tom disagreed). It was a confident and accomplished dish that once again demonstrated his skill and poise. Kelly's New York strip steak was praised for her deft seasoning and execution. But the dreadlocked and awkward John didn't fare so well. His dish wasn't a favorite as the judges tasted sugar but not maple in the allegedly maple napoleon, which was also messy and not well executed at all. It was likely that he'd be sent home for this poor showing.

The top chefs ended up, not surprisingly, being Angelo, Kenny, Alex, and Kevin, with all of them receiving some well-earned praise. It fell to new judge Eric Ripert to announce the winner who was... Angelo. Again! Look for this extremely ambitious chef to fight to keep his lead week after week. There's a huge target on this guy's back...

At the bottom of the pack: Stephen, John, Jacqueline, and Tim. Most of these came as no surprise but I think that Tim was shocked to find himself up for elimination after he performed so well during the Quickfire (though didn't win that challenge). His speed and skill might be there but he has to work on his presentation and conceptualization skills. As for the others, I would have sent all three home, to be honest. Jacqueline made so many errors in her dish that it was shocking she even made it into the competition; every step she made was a huge and glaring misstep. Stephen showed very little skill or ability with his dish and a woeful appreciation of ingredients. And then there was John, whose maple napoleon was one of the worst dishes of the evening... and he didn't even make the pastry himself! No surprise that the Michigan chef was sent packing.

Do you agree with the judges' decision last night? Should Angelo have won? Did John deserve to be sent home? Head to the comments section to discuss.

Next week on Top Chef ("Outside the Lunch Box"), the chefs create healthy kid fare at a middle school in support of First Lady Michelle Obama's national initiative to end childhood obesity.

Top Chef Preview: Who Got High and Came Up with This?


Top Chef Preview: Going Back to School

Backstabbing and Brunoise: An Advance Review of Top Chef D.C.

Before we can even catch our collective breath after the end of Top Chef Masters, Bravo has brought back the original Top Chef to the lineup, beginning with tonight's season premiere ("What's Your Constituency?").

While I've loved seeing master chefs hone their craft even further on Top Chef Masters, I have to say that I'm really excited by the return of Top Chef itself. There's an even fiercer air of competition from these chefs, many of whom are just beginning their culinary careers... and are therefore less likely to play nice and be as helpful as the masters. Which means more drama, inevitably.

Heading to Washington D.C., this season of Top Chef finds the seventeen new contestants attempting to outdo their competitors in the nation's capital, which means that the setting is only too apt for the backstabbing and manipulation likely to unfold as this season's episodes get underway. In the first installment alone, we're treated to one of the most hyper-ambitious contestants that the entire series has yet produced. (That would be Angelo Sosa, of course.)

Tonight's episode finds the chefs competing in a round robin Quickfire Challenge with an emphasis on prep work and mis-en-place before the four last chefs standing get an opportunity to use the ingredients to dazzle the judges, which this time around includes the silver-haired Frenchman Eric Ripert, thankfully replacing former judge Toby Young. (I'm hungrily anticipating Ripert's criticisms and think he'll be more honest than pithy, whereas Young seemed more determined to drop some bon mots than offer some real culinary critiques.)

The judges on the whole seem more unified this season; there's something intoxicating about seeing Ripert at the judges table alongside such icons as Gail Simmons and Tom Colicchio and knowing that he'll be sticking around all season long. He adds a certain gravitas and knowledge that Young lacked in abundance.

Likewise, the contestants seem eager and hungry, in the best possible sense of the word. Through the opening Quickfire, some rather fierce contenders emerge for the throne, including the aforementioned Angelo and Kenny Gilbert, both of whom manage to turn out incredibly polished dishes in a severe time crunch. Keep your eyes on these two as they are likely to go very far indeed during the competition.

But there are also some duds among the group, which becomes crystal clear during the first Elimination Challenge, in which the chefs are tasked with creating dishes that reflect where they came from, in essence, a symbolic display of their own constituencies, which makes sense with the nation's political leaders gathering in Washington from their own enclaves.

There are quite a few missteps here, including one contestant who opts to make a fat-free rendition of chicken liver terrine... which is traditionally made with fat, as that's what makes it a terrine or mousse in the first place. And then there's John Somerville, with his huge dreadlocks and off-putting manner and a dish called O-High-O that's, well, impossible to describe if you haven't seen it. There's a lot of chaff to be cut from the wheat if these chefs don't step up to the plate.

Which is fine and good, in theory. Last season, it was too obvious that the Voltaggio Brothers were two of the strongest contenders (while this year we might call it for Angelo and Kenny), but I want to be surprised. I'm hoping that nerves played a huge role in some of the missteps witnessed here and that there might still be some dark horse players emerge over the next few weeks.

My only complaint, in fact, is that the so-called "High Stakes" Quickfire is in effect again this season. This gimmick worked during the Las Vegas season but it's more than a little head-scratching here. Just what does the term "high stakes" have to do with Washington, D.C.? I'd at least have hoped that the producers would have found something more apt for the political scene. (Any suggestions?)

All in all, tonight's season premiere is a nice taste of the nation and the perfect beginning for another cutthroat edition of Top Chef. Just make sure you've eaten beforehand.

Top Chef D.C. Preview: Welcome to D.C.


Top Chef D.C. Preview: Trying to Represent


Top Chef D.C. premieres tonight at 9 pm ET/PT on Bravo.

Food Porn: My Night at "Top Chef" Michael Voltaggio's Restaurant

After a day of interviews and covering press sessions at the Television Critics Association Winter Press Tour, I had the honor of dining at Top Chef winner Michael Voltaggio's restaurant, The Dining Room at The Langham, in Pasadena.

I've been dying to eat there since Top Chef ended... and what an evening it was. I was joined in this culinary adventure by several fellow television journalists/foodies including: my editor at The Daily Beast, Kate Aurthur; Denise Martin of The Los Angeles Times; Zap2It's Hanh Nguyen; and St. Louis Post Dispatch TV columnist Gail Pennington.

Arriving at the Dining Room, we were greeted with several warm welcomes by the restaurant's manager and the hotel's PR executive. We sipped on some lovely glasses of non-vintage champagne while we perused the menu and ultimately decided to go with a five-course chef's tasting menu, with the dishes to be expertly selected by Michael Voltaggio, with whom we visited in the kitchen following the conclusion of dinner. (Affable and warm, Voltaggio came off nothing like the arrogant upstart he appeared on Top Chef last year.)

A restaurant thrives or dies on the details and here every little detail was expertly thought out. The precision of our five-person waitstaff--who set down and removed all of our plates in unison every time--and the attentiveness of the sommelier and manager were complemented by some nice touches during the service. Not one but two bread courses, each with separate butter pairings. (Yes, each bread came with two separate butters, adding up to four total butters offered to us during the course of the evening.) A warm bacon bread crackled with saline porky goodness while a black truffle roll offered a luscious hit of umami flavor.

The modern style of the cooking was at contrast with the Old World clubbiness of the restaurant itself as damask curtains and shadow boxes containing antique ships competed with molecular gastronomy. It's worth noting that the restaurant is due to undergo a remodeling (which was wisely delayed after ex-Bazaar at the SLS Hotel chef Voltaggio won Top Chef) but there was something fun and off-kilter about the stylistic disconnect if I'm being honest.

What did we feast on? Read on to discover each of our expertly prepared courses and check out photographs of each course. (Apologies for the darkness of the photos. Took these snapshots with my iPhone in the dimly lit restaurant.)

Amuse bouche:

Sesame "bagel" with smoked salmon and horseradish powders.


A fantastic way to kick off the meal and a novel reinvention of the humble bagel with lox and cream cheese. The "bagel" itself was a remarkable colloidal substance formed in a tiny ring mold. Given its sesame flavor, I can assume that it's made from a tahini-like substance which is then whipped up and given body by the addition of a thickening agent. Breaking it with the tiny accompanying spoon (which, like the small bell-shaped glass, had its own resting plate on the slate dish) and mixing it with the powders created the sensation of biting into a bagel with lox and cream cheese. The horseradish powder didn't give you the hit of heat of regular horseradish but somehow approximated the cool, creaminess of cream cheese. Delicious.

First Course:

Langoustines with egg and lobster mousse ravioli with bouillabaisse.


My mouth was already watering when the waiters set down this dish in front of me and then I could barely contain myself when the waitstaff delicately poured a piping hot bouillabaisse into the bowl. The sweet lightness of the langoustine was nicely contrasted with the richness of the egg and lobster mousse, contained under a tiny rectangular ribbon of pasta. Wisely anticipating the need to get every last drop, the waiters arrived with spoons, which we gratefully used to carry every last drop of the heady bouillabaise to our lips. The dish is a skillful one, demonstrating boldness of flavor, precision of presentation, and a subtle hand.

Second Course:

Skate wing with scrambled cauliflower and caper and brown butter powders.


I've never had skate wing before (I know!) so I wasn't sure what to expect with this dish, which made a believer out of me. Despite already being wowed with the powders from the amuse dish, I was worried that these two powders might be overkill but they worked perfectly here and didn't seem gimmicky. I also appreciated that, being dry "sauces," they didn't moisten the skate, which was perfectly flaky inside and crisp on top. (See, a logical use of molecular gastronomy at work.) The saline hit of the caper powder was offset beautifully by the richness of the brown butter powder (the latter of which I could have quite happily eaten an entire bowl). The scrambled cauliflower was a nice touch as well, transforming itself into something between cauliflower and mashed potato, at once vegetable and starch.

Third Course:

Pastrami pigeon, Swiss cheese puff, rye jus, mustard greens, and Brussels sprouts reduction gel.


Had we done the individual tasting menu, this was one dish that I had my eye on so I was overjoyed to see it come out of the kitchen for us. While it sounds like an odd combination, it was essentially a deconstructed Reuben sandwich and absolutely knocked my socks off. The pigeon breast was perfectly cooked and had the exact flavor of seasoned pastrami. Taking a bite of it with each of the other elements on the plate created the exact flavor of a well-crafted Reuben. In awe of the Swiss cheese puff (essentially, Voltaggio somehow added air to a piece of Swiss cheese, puffed it up, and then crisped it creating a light and airy chip), I was absolutely blown away by the "sauerkraut" component: the Brussels sprouts reduction gel. Salty and vegetative, it had the brisk flavor of sea air and the sourness of sauerkraut; Voltaggio had cooked down sprouts and reduced it to the point of a broth and then added gelatine to create an aspic cube. The rye jus on the plate added just the right hint of earthiness to the dish. A truly accomplished and confident plate.

Fourth Course:

48-hour sous-vide of Wagyu short rib with butter and masala, Nantes carrots, white ketchup gels, and smoked tots.


This was heaven on a plate, manna for the foodie. Voltaggio rendered the Wagyu so smooth and silky from a 48-hour sous vide process and infused it with masala and butter, turning out tender ribbons of short rib onto the plate. I've been craving expertly cooked carrots and these were little crisp batons of beta carotene goodness. The white ketchup gels were fantastic: little liquid spheres containing... a yellow tomato ketchup? An approximation of ketchup? I'm not sure, but these little savory gumdrops peppered the plate with earthiness. And the smoked tots? Heavenly little cheesy potatoes that put all memories of childhood tater tots out of my mind forever.

Pre-dessert:

Yuzu and raspberry.


The perfect palate-cleanser, really, and one that recalled Dippin' Dots to everyone at the table: individual pearls of yuzu and raspberry sorbets that melted as soon as it came into contact with any sort of heat, whether that be your mouth or even the metal spoon. Cool, creamy, and sweet-tart, it was exactly what was required after such an extensive and rich meal.

Dessert #1:

"Fool's Gold": hazelnut praline, salty caramel, chocolate ganache, hazelnut spread, milk sorbet.


A heady and complex dessert that had me ready to lick the plate. It also showcased the playful, whimsical side of Michael Voltaggio with the inclusion of gold flakes festooning the rich chocolate lusciousness of the slightly V-shaped ganache. The praline itself, underneath the ganache was delectable and I used my fork to scrape up every last little morsel on the plate. Sweet, salty, creamy, it was divine and blended together some of my favorite flavors into one dish. I would have been more than content with this as my final course, but...

Dessert #2:

Sticky toffee pudding, lime foam, banana pudding, and jasmine "rice cream."


I'm a huge sticky toffee pudding fan and this was absolutely delicious. Despite the oddness of the ingredients, I thought these components worked quite beautifully together on the plate. The date cake element was rich but oddly light at the same time and lacked the stodgy heaviness that have ruined many a sticky toffee pudding in the past for me. The banana pudding, piped onto the plate in curls, was rich and comforting and the sweetness cut subtly by the inclusion of the lime foam. In a play on the traditional custard or ice cream accompanying sticky toffee pudding, the faux ice cream (derived from jasmine rice) was cool, creamy, and soothing. A fantastic dessert.

Petits fours:

Passionfruit pate de fruit in edible rice paper wrapper, fennel pollen macaron with lemon curd, and chocolate on stick with a surprise.

While some at the table didn't care for the overt sweetness of the passionfruit pate de fruit, I actually quite enjoyed it (but it might have been because of my undying love for passionfruit in general). The least successful of the petits fours was the middle item, the teeny-tiny fennel pollen marcaron with lemon curd; it wasn't bad but it was such a tiny bite that it was hard to get a sense of the flavor profiles as anything else was obliterated by the tartness of the lemon curd. Last, the "surprise" of the chocolate stick was the inclusion of pop rocks. I've had chocolate-covered pop rocks in the past but this was a nice bite at the end of the meal: sweet and effervescent at the same time with an auditory component as well.

All in all, a truly sensational meal that had Michael Voltaggio showcasing his considerable talents, the staff effortlessly anticipating each and every whim ahead of time, and a convivial, clubby atmosphere. I'll definitely be coming back in the future.

Top TV Picks of 2009

As 2009 begins to wind down, I figured now was the perfect time as any to look back at the series that that have entertained and inspired me over the past calendar year.

And what a year it was for the television industry, which was (and is) still recovering from the writers strike of 2007/08. This past year also saw NBC box up the 10 pm hour for scripted programming, a move that hasn't had quite the effect that the network hoped (I do feel for poor scapegoat Jay Leno), while sending viewers scurrying over to cable, which continued to make huge inroads this year.

It was also a year that saw comedy make a huge comeback, from the success of FOX's musical-comedy hybrid Glee to the season's biggest critical hit, ABC's Modern Family and the surprising resilience of NBC's Parks and Recreation (hands down the winner of the Most Improved Series award). And a year that saw much beloved series Chuck teeter dangerously towards cancellation, only to receive an eleventh hour reprieve, thanks to fans, critics, and Subway.

So, what were the favorite series in the Televisionary household? Which left me wanting more... and which ones made me eager to change the channel? Find out below.

Best US Dramas:

Big Love (HBO)

The third season of HBO's compelling and addictive drama Big Love provided perhaps the single greatest season of any series this year. Gut-wrenching and heartbreaking, Big Love's third season upped the ante by having the family diversify into the casino business and a fourth wife, take a brutal road trip, and deal with barbarians pounding at the gates. Transforming itself into the grand Shakespearean epic we always knew it to be, the series went to some very dark places, revealing the tragic backstories of both Chloe Sevigny's Nicki and the long-dead Maggie Henrickson, killing off Mireille Enos' beloved Kathy Marquart, and having Jeanne Tripplehorn's Barb get ex-communicated from the Mormon church. Throw in the unexpected pregnancy of rebellious daughter Sarah (Amanda Seyfried), multiple murder attempts, the formation of a new church by Bill (Bill Paxton), a newly independent Margene (Ginnifer Goodwin), and a possible end to the Grant legacy in Juniper Creek and you have the makings of a groundbreaking drama. One that effortlessly fuses together soapy intrigue, social commentary, and family dynamics into one unforgettable and unique series that explores the Henrickson clan's unusual familial set-up and renders it not only normal but riveting. I tip my hat to you, Mark V. Olsen and Will Scheffer.

Mad Men (AMC)

Mad Men's gutting third season, which saw the collapse of the marriage between Don (Jon Hamm) and Betty (January Jones) and the destruction of ad agency Sterling Cooper, proved that there are no sacred cows in the universe of the 1960s period drama, created by Matthew Weiner. Following a season filled with change, presidential assassinations, fear and paranoia, Weiner exploded our expectations of serialized television by upending the twin foundations of the series, giving Don Draper a new beginning and pushing Mad Men's characters towards a new and uncertain future. With its emphasis on the unspoken subtext and the simmering desires lurking beneath the slickly styled facades of its men and women, Mad Men held onto its rightfully earned status as adult storyteller, relishing in exploring the complex emotions and bruised egos of life in the 1960s.

True Blood (HBO)

In its second season, HBO's vampire drama True Blood went from being a guilty pleasure to a series that balanced the outright campy with the truly transcendent. By pushing supporting players such as Alexander Skarsgard's Eric, Rutina Wesley's Tara, Sam Trammel's Sam, Nelsan Ellis' Lafayette, Deborah Ann Woll's Jessica, and Allan Hyde's Godric to the foreground, creator Alan Ball and the series' writers deepened the universe of Bon Temps and gave True Blood some of its most heartbreaking and compelling moments with the suicide of Eric's maker Godric and the doomed relationship between Woll's Jessica and Jim Parrack's Hoyt. There are few series that are as gleefully unpredictable than True Blood, a series that rewrites the rules about storytelling while spinning a bloody good yarn.

Lost (ABC)

The penultimate season of ABC's enigma-laden masterpiece Lost found the castaways split into two groups: one spinning through time before landing in the 1970s and joining up with the series' ubiquitous Dharma Initiative and the other, having escaped, attempting to return to the island. Deepening its mysteries and paying off several long-standing mysteries, Season Five filled in the backstory of the Dharma Initiative while serving up some paradoxical stories about the nature of time travel and free will and introducing two very intriguing diametrically opposed entities locked in an eternal battle. Characters died, sacrifices were made, and the chess pieces shifted around into new arrangements as showrunners Damon Lindelof and Carlton Cuse prepare for one final game.

Honorable Mentions: Battlestar Galactica (Syfy), Damages (FX), Fringe (FOX), No. 1 Ladies' Detective Agency (HBO)

Best US Comedies (Half-Hour Format):

Parks and Recreation (NBC)

In its sophomore season, NBC's Parks and Recreation has done the impossible: transformed itself into arguably the most hysterical comedy series on television right now. Stepping out of The Office's shadow, Parks and Recreation has found its footing as a deeply layered, character-driven comedy about small town bureaucracy and changed Amy Poehler's Leslie Knope from being a bumbling female Michael Scott replacement into a preternaturally optimistic do-gooder whose main flaw is that she cares too much. Brilliant, hilarious, and biting, Parks and Recreation might just be the best comedy you're not watching.

Modern Family (ABC)

With its pitch-perfect pilot episode, ABC's Modern Family single-handedly announced the return of the intelligent family comedy with its winning blend of realistically flawed characters, mockumentary format, and whip-smart writing. Not to mention the perfectly cast ensemble of actors who embody the series' extended Pritchett-Dunphy clan. Rarely is a series this self-assured straight out of the gate but subsequent episodes have proven just as strong as the series' initial outing. By using relatable situations and universal truths about families, creators Steven Levitan and Christopher Lloyd render the engaging characters of Modern Family in three dimensions, crafting a family that many of us want to spend the entire week with and not just Wednesday nights.

It's Always Sunny in Philadelphia (FX)

FX's raunchy and raucous comedy It's Always Sunny in Philadelphia continued its winning mix of gross-out humor, jaw-droppingly selfish behavior, and absurdly comic misadventures and I couldn't look away. By playing fast and loose with the format and allowing the owners of Paddy's Pub to remain so completely unlikable, the series remains a hallmark for finding comedy in the most unlikely of places. Who knew that running a bar in Philadelphia could prove to be quite so dangerous... or madness-inducing?

Party Down (Starz)

Likewise, Starz comedy Party Down rendered the mundane quality of the life of a cater-waiter to comic effect, transforming the overqualified crew of Party Down into poster children for slackerdom and reveling in a scripted looseness that felt almost improvised. With fly-on-the-wall precision, Party Down nailed the frustrations of twenty- and thirty-somethings in the name tag-wearing workplace and mixed up a batch of comedy and tragedy in equal measure.

Nurse Jackie (Showtime)

With grit and heart, Showtime's acerbic dark comedy Nurse Jackie brings us a modern-day heroine unafraid of being unlikable and yet succeeding at her job in spite of a drug addiction, extramarital affair, and various unethical and illegal behavior at in the workplace. If the bristly Jackie (the luminous Edie Falco) has a fault, it's that she cares too much for her patients and not enough for herself. If the bristly Jackie (the luminous Edie Falco) has a fault, it's that she cares too much for her patients and not enough for herself, killing herself slowly with drugs, cheating, and a host of lies. The show's biting wit and thought-provoking storylines--not to mention a fantastic cast in Falco, Merrit Wever, Eve Best, and Peter Facinelli, among others-- give us one of the most darkly compelling comedies on television, filled with burn victims, beating hearts, and one extraordinary nurse.

Honorable Mentions: Better Off Ted (ABC), Bored to Death (HBO), Community (NBC), Curb Your Enthusiasm (HBO), Flight of the Conchords (HBO)

Best US Comedy (One-Hour Format):

Chuck (NBC)

As if there were any doubt that the fantastic and funny Chuck would make my list in some fashion. The action-comedy hybrid deepened in its second season, thanks to the winning chemistry of the series' talented leads (including Zachary Levi, Yvonne Strahovski, Adam Baldwin, Ryan McPartlin, Sarah Lancaster, Vik Sahay, Josh Gomez, Scott Krinsky, and Mark Christopher Lawrence), the perfect genre-smashing combination of action, adventure, romance, and workplace comedy, and a taut serialized element that had Chuck finding out the truth about his father and the Intersect, all while making the choice to fulfill his true potential... and his destiny. Building on the strengths of its too-short freshman outing, Season Two of Chuck charmed the pants off this writer (and kept me on the edge of my seat) and bucked the odds, winning Chuck a much deserved third season order.

Best Canceled Series:

The Unusuals (ABC)


While many series got the axe this year, the one that struck home the hardest was that for ABC's short-lived cop dramedy The Unusuals, from creator Noah Hawley. Revolving around a group of eccentric cops, The Unusuals found the detectives of the second precinct tackling some, er, unusual cases. The procedural mysteries were fun and offbeat and the chemistry between the series' sprawling ensemble cast top-notch. Though it only lasted less than a dozen episodes, each installment proved to be a little gem of witty banter, quirky mysteries, and off-kilter cops. It's much missed.

Best Reality Series:

Top Chef (Bravo)

Once again, the same three reality series pop up on my best of the year list and for good reason: they each proved that reality programming, when done right, can have the same stakes and drama as scripted television. No other series sates my culinary hunger like Bravo's formidable Top Chef, which had a season filled with some of the most talented chefs yet and a fiery sibling rivalry in Michael and Bryan Voltaggio. Compelling, hunger-inducing, and cutthroat, Top Chef takes our fascination with food to a whole new level, creating a series that rewards creativity and vision more than manipulation and controversy.

The Amazing Race (CBS)

Coming back with a strong season, CBS' The Amazing Race again sparked my interest once more and cast some intriguing, frustrating, and outright hostile couples--Mika and Canaan, anyone?--in the world's biggest scavenger hunt, sending them around the globe to compete in various challenges and put their relationships to the test. While some teams fell way too soon (sorry, Justin and Zev), the drama and the pacing, thanks to some quality editing, kept the tension going strong, all the way to the finish line.

Flipping Out (Bravo)

No reality series makes me laugh like Bravo's Flipping Out. Despite the plunging housing market and the economic recession, Jeff Lewis, Jenni, Zoila, and the gang were back for some more obsessive-compulsive misadventures in Los Angeles. Fear and paranoia reigned supreme this season, which offered not just some belly-aches but also some genuine emotion as Jeff accused his former business partner Ryan of cheating him out of work and considered adopting a child. It's a testament to the quirkiness of the series' leads that I want to go back to Jeff Lewis' office week after week. (Come on, Bravo, bring on Season Four ASAP!)

Best New Fall Series:

Modern Family (ABC)


Yes, I already mentioned it under Best Comedies but it warrants another mention here. ABC's Modern Family easily walks away with the award for my favorite new fall series. Boasting one of the most dynamic and talented ensemble casts, Modern Family serves up both humor and heart without delving into the melodramatic or the saccharine. No small feat, considering the series has changed my opinion on what's possible with the family comedy format, a creaky sub-genre until this breath of fresh air came along. The Pritchett clan is one family that I can't wait to catch up with each week and the subtle humor--ranging from Casablanca shout-outs to burgundy dinner jackets--is already a surefire hit in this household. Innocente!

Best British Imports:

Doctor Who (BBC America)

While only airing a handful of episodes (sorry, "specials") in 2009, Doctor Who remains at the top of my list of British imports, thanks to the fantastic performance of David Tennant as the Tenth Doctor. While his song is sadly coming to an end, Tennant offered some fantastic turns in such specials as Doctor Who: Planet of the Dead and Doctor Who: The Waters of Mars, the latter of which might just be one of the darkest and most compelling entries in the entire revival series. Quirky, compelling, and unpredictable, Doctor Who played to Tennant's strengths, allowing the Shakespearean actor to be charming, roguish, and insane in equal measure. David Tennant, you'll be missed.

The Mighty Boosh (Adult Swim)

Come with us now on a journey through time and space. The three seasons of critically-acclaimed BBC Three cult hit The Mighty Boosh (which aired Stateside on Adult Swim) are a dazzling blend of music, surreal comedy, and over the top fashion as Howard Moon (Julian Barratt) and Vince Noir (Noel Fielding), would-be rock gods/zookeepers/sales clerks, explore the twisted backwaters of the human psyche through a series of bizarre misadventures. Joining them on this psychedelic road trip to dimensions as-yet-unseen are pot-addled shaman Naboo the Enigma (Michael Fielding) and his ape familiar Bollo (Dave Brown). It’s indescribably weird, absolutely hilarious, and unlike anything you’ve ever seen before on television.

Ashes to Ashes (BBC America)

Spinning off of the trippy cop drama Life on Mars, Ashes to Ashes took a different cop (Keely Hawes' Alex Drake), another David Bowie song ("Ashes to Ashes"), and another era (1980s) and created an slick and addictive drama series that's a dark exploration of the psyche of damaged forensic psychologist DI Alex Drake as she struggles to survive a gunshot wound and make her way back to the present day. Plus, the series' eerie suspense, a twisted Season Two plot involving freemasons and other potential travelers, and the trademark banter between Alex and the gruff Gene Hunt (Philip Glenister), who waltzes away with some of the series' best lines, keeps the series cutting-edge and dynamic. As Alex solves some of period cases (and ones involving her own past), the clock is ticking down as the end of the series--and the franchise--looms next year. Just who is Gene Hunt? What is this world? And what has happened to Sam Tyler and Alex Drake? We'll be getting some answers in the third and final season of this fantastic sci-fi/cop/period/psychological drama in 2010. (Note: Season Two has yet to air in the States.)

Torchwood: Children of Earth (BBC America)

Unfolding with the breakneck pacing of an epic miniseries, the third season of Torchwood, entitled Torchwood: Children of Earth, offered an edge-of-your-seat thrill ride and set up a compelling, brutal, and gut-wrenching story of an alien invasion and the past sins of Captain Jack Harkness (John Barrowman). While the final installment buckled somewhat under the weight of the previous installments, the limited run proved to be unforgettable, offering some intense moral dilemmas, weighty adult themes, and tough choices for the employees of Torchwood.

Best British Import (Yet to Air in the States):

The Inbetweeners (BBC America)


The much-delayed comedy from creators Iain Morris and Damon Beesley might just be the best thing that hasn't yet aired in the US. (Look for the first two seasons of this hilariously raucous comedy to launch January 25th on BBC America.) Almost operating as the anti-Skins, The Inbetweeners tells the story of four teenage friends who spend their time trying to obtain booze, get lucky with girls, and cut each other down to size. In other words: they're painfully average teenage boys. In the hands of Morris and Beesley, the quartet have some painfully hilarious sexual adventures that will have you laughing, gasping, and groaning... all at the same time.

Best British Imports (Reality Edition):

Gordon Ramsay's F Word (BBC America)

Take outspoken British chef and restaurateur Gordon Ramsay, put him in the kitchen where he's putting some inexperienced brigades through their paces and send him out in search of all things tasty, odd, or curious or to teach people to cook at home and you have the truly fantastic F Word, a blend of culinary competition, food-oriented news magazine, celebrity interview, and all-around celebration of all things delicious. Ramsay's not shy of expressing his opinion but he's also at his most real here, as he transforms his family's back garden to rear pigs and sheep or teaching the hopeless how to prepare a tasty feast on their own.

Last Restaurant Standing (BBC America)

Words can't express my love for British reality series Last Restaurant Standing (which airs in the UK under the title The Restaurant), which challenges couples to run their own restaurants... and hands them keys to eating establishments where they'll man the front-of-house and the kitchen. Judges Raymond Blanc, Sarah Willingham, and David Moore put them through their paces with tough challenges but the real test is the daily service as the couples face the hard grind of the restaurant business and have to meet the judges' rigorous expectations of the food, service, decor, and atmosphere of their restaurants... and they must face the wrath of the culinary troika as well as the dining public. Compelling, shocking, and grueling, it's a treat to watch for foodies, who will count their blessings that they're not on the line for service that night.

And there we have it. A sampling of some of my favorites from 2009. As the year rapidly swings to a close, I'm curious to see what your favorite (and least favorite) series were, which shows you can't get enough of, and which ones you're happy to see the back of now. Discuss.

Still Hungry: Bravo's "Top Chef Watch What Happens Reunion" Leaves Me Wanting More

Perhaps because this season focused on the strengths of the competitors and one particular sibling rivalry rather than on any animosity between the contestants, there wasn't a hell of a lot of controversy for Andy Cohen to discuss. (Certainly no wigs were ripped off anyone's head on Top Chef this season.)

So last night's Top Chef reunion was a rather low-key affair (especially compared with the histrionics seen on Real Housewives get-togethers), with the only remote sparks of controversy being those emanating from Eli's cancer comment to Robin, Ash's feeling that Padma hated him, and, well, that was about it.

Hell, anyone hoping to learn who the fan favorite would be from Top Chef: Las Vegas still has to wait until tonight to find out as someone decided not to announce the fan favorite winner during the reunion special (a likely place to do so) but to wait until Andy Cohen's Thursday latenight talkfest to do so. (In other words: Grr. Though there's no doubt that either Kevin or Jennifer will take home the prize.)

An effort on the part of host Andy Cohen to make it seem as though the cheftestants had bullied Robin throughout the competition sort of fell flat. While I'm not sure why one of the chefs didn't just tell the overly gregarious Robin to shut up while she dithered on endlessly, I didn't think that their dislike of her was anything other than personality conflict. (Her constant talking would have gotten under my skin so I can sympathize.)

As for the cancer issue, Eli admitted that he hadn't apologized to Robin for making the comment (he hadn't seen much of her since her elimination) and that he had cracked under pressure and said something he shouldn't. But he did apologize on-air and that seemed to placate Robin. Was it a little too sharp? Sure. But if you're living and competing with someone, particularly someone who drives you up the wall, there are bound to be moments where you go too far with a blunt comment. Still, the hatchet seems to have been buried for now.

I did love that the chefs each seemed to think that Padma Lakshmi didn't like them. (Including, rather funnily, Tom Colicchio himself.) Having met and eaten with Padma, I can say that she is nothing but sweet and charming and both she and Gail Simmons have told me on separate occasions (which they reiterated last night) that their sole interaction with the contestants is via their food and what they see at judges' table. And I think that's really for the best at the end of the day. It's a culinary competition, not a dinner party, and your success in the season depends on the food that you present on each plate and the way you carry yourself in front of the judges.

All in all, last night's special provided a nice trip down memory lane for the Las Vegas crew (and another chance for Mama Voltaggio to plead the fifth when asked again which of her sons she was rooting for) but the special lacked the incisiveness of other Bravo reunions. As I said earlier, that could have been due to the lack of real animosity or bristling personalities (though Robin, Mike I., and Michael Voltaggio certainly weren't meek presences). But really, the reunion special left me hungry for more, an appetite that could have been sated perhaps by the reveal of the fan favorite prize winner. Hmmm...

Top Chef: Las Vegas Blooper Reel:



Top Chef Las Vegas Bonus Clip: The Brothers Voltaggio:



Top Chef Las Vegas Bonus Clip: The Chefs' Tattoos:



Top Chef Las Vegas Bonus Clip: Run-On Robin:



Top Chef Las Vegas Bonus Clip: Scandalous Behavior:



Top Chef will return in 2010.

Mystery Boxes, Moms, and Masterful Cooking: The Winner Named on the "Top Chef" Season Finale

Was I the only one on the edge of my seat last night?

Last night's season finale of Top Chef ("Season Finale, Part Two") found the final three chefs going head-to-head with the title of Top Chef and a cool $125,000 cash prize on the line. It was really anyone's game as all three remaining contestants have proven themselves not only worthy competitors but also talented and accomplished chefs in their own right. As always, it would all come down to one last challenge.

The task seemed simple enough: cook a fantastic meal for the judges and a panel of esteemed restaurateurs with the bounty of Napa Valley at their disposal. But this is Top Chef and these three chefs are each killer competitors, so the three-course meal at Cyrus in Healdsburg (which is in Sonoma rather than Napa Valley but I'll let this change in locale slip by) quickly turned into a twist-laden multiple-course meal with multiple hindrances and curveballs.

How did the three remaining chefs perform? And who went home the ultimate victor? Let's discuss.

I made no secret of the fact that I was rooting for Kevin going into this final episode of the season. Throughout the competition, Kevin has remained true to himself and his culinary style, ditching affectations and gimmicks in favor of clean flavor profiles and deceptively simple preparations, allowing the flavors and textures on the plate to speak for themselves.

But if Kevin was going to win he'd have to overcome two major hurdles: the Voltaggio Brothers. Michael and Bryan, in their own very different ways, have proven themselves cutthroat competitors and skilled chefs. Michael's boldness and risk-taking have been counterbalanced by Bryan's poise and subtlety. While Kevin was playing for himself, the sibling rivalry between the two brothers would either push them to the top or make them cancel each other out in the final leg of the competition.

As mentioned earlier, the initial brief--cook a three-course meal--was complicated by several twists thrown at the chefs. First, they would have to prepare one course by using all of the ingredients from a mystery box (were the producers watching Food Network's Chopped for inspiration, perhaps?). Second, they would have to prepare a dessert for the third course; no squeaking by with another protein course. (Sorry!) And third they wouldn't have a choice in the sous chefs assisting them in the final challenge as they would draw knives to see which of the previously ousted chefs would assist them in the kitchen.

It was that last twist (which wasn't the final one, in fact) that made me slightly uncomfortable. Yes, Top Chef has brought back previous contestants into the kitchen before to assist but there's usually a choice element to determine who gets whom and because everyone was in the mix (including some fantastically unskilled chefs), it created a very uneven playing field. Bryan managed a major coup by getting Jennifer and Ashley, Michael got lucky by scoring Eli (and Jesse), and poor Kevin was stuck with the abysmal Preeti (and the extremely helpful Ash). Fortunately, no one drew Robin. Otherwise I would have had to chuck my television out the window.

But the final twist, after the chefs got to spend time with their mothers (including Mama Voltaggio, who must have been mightily conflicted seeing both her sons competing), was that they would prepare a first course that was inspired by a childhood dish... and which would be served to the judges and their mothers. I do like the twists that have the chefs cooking on the fly and would have rather seen this be the final twist than have them deal with sous chefs.

So what did they make? Let's take a look, organized by course.

First Course (Childhood-inspired dish):
  • Bryan: Sardine, German butterball potato, heirloom tomato, and panko breadcrumbs
  • Kevin: Southern-fried chicken skin with squash casserole and tomato
  • Michael: cream of dehydrated broccoli, fried broccoli, and spot prawn
All three dishes looked beautiful but I'd have to give this round to Kevin, who once again managed to take something inherently simple--squash--and transform it into something sensuous and complex. Even Tom was raving about the depth of flavor of that squash casserole and its haunting citrus notes. Less successful were both of the brothers' dishes as Bryan failed to season his sardine dish (though Toby Young seemed to prefer it that way) and Michael's delicate spot prawns weren't (A) cooked properly and (B) well served by the popcorn broccoli which overwhelmed the subtlety of the prawns.

Second Course (Mystery box):
  • Bryan: sous vide rockfish, kabocha squash, curry, Meyer lemon
  • Kevin: Pacific rockfish, roasted squash, crab broth, and roasted matsutake mushroom
  • Michael: dashi-glazed rockfish, sweet and sour crab salad, squash, and Meyer lemon
I was very intrigued to see just what the chefs opted to make from their mystery box of ingredients, which included rockfish, crab, kabocha squash, Meyer lemons, and anise hyssop. Not an easy assortment of ingredients to work with nor to get onto a single plate but all three chefs managed to turn out dishes of complexity and thoughtfulness, though some were less successful than others. Here, the advantage went to Michael, who created a gorgeous and self-assured plate that spoke volumes about his skills and his culinary ethos. He wisely fried the matsutake mushroom until it was crispy and used all of the ingredients to their best possible advantage. Bryan once again fell short by underseasoning his dish and also by playing it too safe; there was no boldness in his dish and everything seemed muddled by a lack of distinct texture. Kevin's fault was that matsutake mushroom, which he roasted and rendered too chewy and dense. Advantage to Michael here.

Third Course (Chef's choice):
  • Bryan: venison saddle with puree of sunchokes and orange-juniper sauce
  • Kevin: slow-roasted pork belly with Brussels sprouts, broccoli, and caramelized ham jus
  • Michael: fennel-scented squab breast, pistachio cassoulet, and textures of mushrooms
All three looked absolutely divine and I would have been happy to pull up a plate of any of them. Bryan shined in this round, in my opinion. He wisely went for seasonality, serving up a dish of venison that not only allowed the protein to shine but also gave the supporting members--the vegetables--equal time in the spotlight, giving them two preparations and proving to the judges that he is a skillful and passionate chef capable of delivering a knock-out meal. Michael was let down slightly by that cassoulet, which some of the judges complained about, and that gimmicky mushroom mold, which was too playful and blunt at the same time. Kevin, the pork king, was staggered later to learn that the judges weren't crazy about his pork belly dish. Yes, it should have been cooked more and I agree that he could have perhaps pared it with another preparation of pork but I understand what he was going for here: the clear, pristine quality of pork belly presented on its own. But he was perhaps let down by the tightness of the time frame and by the, rather ironically, simplicity of his dish. Advantage to Bryan, I'd say.

Fourth Course (Dessert):
  • Bryan: Sheep's milk and white chocolate "dulce de leche" cheesecake with fig sorbet, dry caramel, poached pear, and basil
  • Kevin: roasted banana, toasted peanut, with chocolate-bacon mousse, and bacon brittle
  • Michael: chocolate-caramel coulant, butternut squash brulee, toasted seeds, and butternut ice cream
While Michael's dessert did get overcooked and dried out (thanks to not setting the timer), I think it was easily the most ambitious dessert of the three. His use of fall vegetables here, presented in brulee and ice cream form, and seeds was unexpected and nicely counterbalanced the rich earthiness of chocolate and caramel in his coulant (which, yes, should have had more of a liquid center). While it wasn't perfect, it was the most assured and ambitious of the three plates in this round and showed a real sense of vision; this is a dish one would expect to find in a Michelin-starred restaurant. I'd give a very close second place then to Bryan for his cheesecake and dry caramel; it showed some innovative techniques (the dry caramel, the liquid nitrogen-frozen fig sorbet) and some nice flavor combinations. I love the use of the sheep's milk cheese here instead of say cream cheese or ricotta and I think the dish was gorgeous and well thought out. (Though considering Michael's coulant was dry, Bryan could have taken this course.) Kevin's dish failed to hit its mark, sadly. Like Gail, I don't mind bacon in my dessert (LA restaurant Animal does an amazing and addictive chocolate-bacon bar, for example) but it was the banana that really let him down the most; the roasted banana just looked rather sad and didn't have enough texture or body to anchor the plate in the way Kevin desired.

I knew, even before the judges deliberated, that it would come down to one of the brothers rather than Kevin. And I got a little teary-eyed when Padma told Kevin that he wasn't Top Chef. He's played a good game and cooked some amazing dishes and changed my preconceptions about Southern cuisine. Sadly, this wasn't his night.

I wasn't surprised then when Michael Voltaggio was named the ultimate winner. I wondered if it would come down to a final showdown between the two rather intense siblings and sure enough they were the last two standing this season. Of the two, I think Michael is the more self-possessed, bold, and assured chef; Bryan is more thoughtful, more introspective with his cooking (and his personality).

Sure enough, the judges felt the same way, giving the win to Michael. I'm actually happy with the decision (though I would have loved for Kevin to win): Michael Voltaggio is a culinary star in the making and his use of modern techniques, innovative flavor combinations, and pitch-perfect presentation make him a force to be reckoned with. I can't wait to see just what the chef, currently at the Langham Dining Room in Pasadena, gets up to next...

What did you think of the season finale? Would you have awarded Michael the title of Top Chef? Where did Kevin and Bryan go wrong? Discuss.

Next week on Top Chef ("Watch What Happens Reunion"), host Andy Cohen brings together Season Six chefs and judges, who cook up more culinary drama while dishing on the highs and lows of the season. (Note: the reunion special will air at 9 pm ET/PT rather than in the series' typical timeslot.)

Top Chef Preview: It's the Top Chef Las Vegas Reunion:

"Top Chef" Crystal Ball: Who Will Win Tonight's Season Finale?

Only three chefs remain.

With the season finale of Top Chef: Las Vegas set to air tonight, I'm curious to see just who you think will walk away the ultimate victor of this season of Bravo's deliciously addictive culinary competition series. (I'm still bummed that Jennifer Carroll is out of the running, however. Sigh.)

Personally, my money is on Kevin. He's proven himself more than capable of not only dealing with the intense pressure of the competition but also staying true to his culinary ethos and style and his deceptively "simple" dishes have wowed the judges and diners alike throughout the course of the season.

Of course, Bryan and Michael Voltaggio are both extremely talented competitors and either of them could create the winning dish. But I have a feeling that the sibling rivalry that's marked the competition so far could be their ultimate undoing. Will the Voltaggios cancel each other out? Are they more focused on beating one another than on beating Kevin?

Who do you think will walk away with the title of Top Chef and why? Discuss.

The season finale of Top Chef: Las Vegas airs tonight at 10 pm ET/PT on Bravo.

Through the Grapevine: Competition Cut Down to Three on the Season Finale of "Top Chef: Las Vegas"

And then there were three.

This week's episode of Top Chef: Las Vegas ("Season Finale: Part One") had me on the edge of my seat, not just for the inherent tension (believe me, I was on pins and needles by the end) but also because I'm a huge admirer of Napa Valley cuisine and produce. The region itself holds special meaning for me: it's where I proposed to my wife and was married (on the same spot in both cases), just a few hundred feet from Rutherford Hill Winery, where the Elimination Challenge took place.

Napa is a magical place where food and wine are celebrated in the most exquisite way and this week's challenges for the final four contestants had the chefs putting local produce on a pedestal as they were tasked with creating a grape-centric dish aboard the Napa Wine Train for their Quickfire Challenge and with creating two dishes (one vegetarian, the other protein-based) with local ingredients for Rutherford Hill's annual crush celebration.

I have to say that I was impressed with the chefs overall, despite some pretty widespread seasoning issues throughout this week's episode. But considering that they had to deal with both a rocking train and devising and executing two dishes for 150 guests, I thought they all did a brilliant job and should be commended.

While I hoped that the judges would allow all four chefs to make it through to the final round, such wasn't the case. (Sadly.) So which three chefs will compete head-to-head for the title and the grand prize? And how did each of them perform? Let's discuss.

As I mentioned before, there's no better place to stage the season finale of Top Chef than in California's famed Napa Valley and this week's installment celebrated the bounty of ingredients that are found in the region, from wine grapes to gorgeous produce and proteins.

In both the Quickfire Challenge (a high-stakes one, no less) and the Elimination Challenge, the chefs would have the ability to use the freshest ingredients from the region and were under strict orders to keep it all (save salt and pepper) local. As a proponent for localized cuisine, I think it was a nice touch and fully warranted: why not make use of what's right there in front of the chefs?

I had fully expected the producers to pull in former Top Chef Masters contestant Michael Chiarello (of Yountville's Botega) to judge this week's challenges and I have to say that he was less abrasive than he was in the latter parts of the spin-off series, offering some astute critiques and generous compliments to the participating chefs. (Perhaps he went back and saw how he came across in that final round of Top Chef Masters.)

For their Quickfire Challenge, the chefs had thirty minutes and use of a full pantry to prepare a grape-focused dish for Padma and Chiarello aboard the Napa Valley Wine Train. But it wasn't quite a subpar dining car en route to somewhere else: it's a culinary destination in itself and was fully stocked with fantastic local produce, a slew of grapes, and a gorgeous kitchen area. And, oh, there was a 2010 Third Generation Prius up for grabs.

Here's what the final four chefs prepared for the final Quickfire Challenge:
  • Kevin: honey and fromage blanc mousse with glazed grapes, olive oil, thyme, and sea salt
  • Michael: grape leaf stuffed with couscous and ras-al-hanout, vinegar-glazed grape and Bay scallop kabob
  • Bryan: roasted hen with bacon, Brussels sprouts, Concord grape reduction with verjus, ruby quinoa, and arugula
  • Jennifer: sauteed chicken livers with clams, macerated Cabernet grapes, wild mushroom salad, and wild tendrils

While I thought that they all did beautifully, especially given the limitations of the space they were working in, I had a feeling that the win would go to either Michael or Jennifer, both of whom turned out creative and inspired dishes. Kevin's dish, sadly, lacked the necessary seasoning (which is an odd and unexpected misstep for Kevin) and didn't quite place the grape front and center. As for Bryan--who hasn't won a single Quickfire all season--he made a big error in selecting Concord grapes; the grape isn't local to Napa and has an overly jammy, grapey quality (which is why it's traditionally used in grape jelly and grape juice) but lacks the subtlety and finesse of wine grapes; Chiarello also called him out for allowing the bacon to overpower the dish rather than take a back seat to the grape. Chiarello clearly loved Jennifer's chicken liver and clam dish (he made a joke about stealing it for Botega) but it was Michael's dish that really celebrated the grape itself, using all of the product--from vine to leaf to fruit--in an ingenuous and fitting way. No surprise then that he walked away the winner of the challenge... and the owner of a brand new Prius, to boot.

For their Elimination Challenge, which would determine which three chefs would move onto the final round of competition, the chefs would shop at Long Meadow Farm and create two locally focused dishes for 150 guests at the Rutherford Hill Winery's crush celebration. One dish would be vegetarian (smart, considering the strength of the local produce) while the other would use a locally reared protein as its basis. With such fantastic ingredients at their disposal, I fully expected to see each of these four create dishes that sang. And I have to say that, while there were some mistakes, they did quite well overall and certainly significantly better than many final four contestants have done in the past.

Here are the dishes the final four chefs presented to the judges:
  • Kevin (vegetarian): salad of roasted beets and carrots with honey vinaigrette, carrot top puree, and San Andreas cheese
  • Kevin (protein): braised grass-fed beef brisket with pumpkin polenta and marinated root vegetable salad
  • Michael (vegetarian): vegetable pistou, heirloom tomato coulis, 63-degree egg, and fennel, with raw squash flowers
  • Michael (protein): turnip green soup with foie gras terrine, red wine-braised pear, and glazed turnip
  • Bryan (vegetarian): goat cheese ravioli with delicata squash puree, maitake mushroom fondue, and bronze fennel
  • Bryan (protein): fig-glazed short ribs with celeriac puree, ragout of cranberry beans, haricots verts, and yellow wax beans, and wild arugula
  • Jennifer (vegetarian): Sky Hill chevre mousse with creme fraiche and lemon zest, honeycap mushrooms, braised breakfast radishes, and basil
  • Jennifer (protein): braised duck legs, confit of duck breast, delicata squash puree, and brown butter-foie gras vinaigrette

Kevin has proven throughout this competition that he is the master of plying intense flavor out of the most simple of preparations. There's nothing wrong with allowing your ingredients to take center stage and not dress them up in elaborate costumes or visual trickery. Here, his salad of roasted beets and carrots is a transcendent celebration of fall flavors: forward, powerful, and beautifully seasoned. He even coaxes intense flavor out of carrot tops in his puree. His brisket, on the other hand, was definitely "ropey," "toothsome," or whatever word you'd like to use to describe the meat's toughness. Granted, he didn't have enough time to tenderize the meat as it should be, but neither did Bryan. And while Gail raved about the pumpkin polenta, Tom described the brisket as having a "tinny" quality. Hmmm...

Michael's dishes definitely showcased local ingredients but he also stayed true to the Michael Voltaggio ethos: gorgeous food displayed with some cutting-edge technology and some innovative ideas. Sometimes those ideas soar and other times they come crashing down to earth. Here, I liked the idea of the 63-degree egg with the pistou but the egg was almost too large for the serving vessel and overwhelmed the pistou itself (possibly doing the vegetables as a strict brunoise instead of leaving them rustic didn't help matters), while Padma's egg white was runny and liquidy. However, the concept of his protein dish was clever, even if the execution didn't quite match up. The pieces of turnip, pear, and foie were so tiny and there was so much bitter turnip green soup and it deflated the dish in the end. If there had been more thought to the plating and the size of the elements, the dish could have succeeded more.

Bryan definitely impressed me here. Despite the lack of a Quickfire win, his Elimination Challenge dishes have always been strong (so much so that he's never been up for elimination) and that was the case here. I would have killed to taste his goat cheese ravioli with delicata squash puree, maitake mushroom fondue, and bronze fennel. He nailed that dish in every way from the concept to the seasoning and his pasta dough was universally lauded. Likewise, while there was some moaning about the lack of figginess in his fig-glazed short ribs, it was clear that the dish was a hit. Perfectly cooked, tender, and luscious, the short rib was nicely counterbalanced with the produce on the plate: a celeriac puree, a gorgeous ragout of cranberry beans, haricots verts, and yellow wax beans, and that little addition of wild arugula as a garnish. Nicely done.

I was very worried about Jennifer once those coals went cold. She was originally going to grill the Sonoma duck rather than confit them but I was happy to see that she didn't let the situation defeat her; she quickly changed plans and went in an alternate direction. While the finished dish--braised duck legs, confit of duck breast, delicata squash puree, and brown butter-foie gras vinaigrette--lacked the smokiness that would have been imparted by the grill, I thought it was a masterful dish that utilized the "whole duck" (as Jen called the dish), perfectly in keeping with the theme of the challenge, and I thought her use of all of those elements (and particularly the "unctuous" brown butter-foie gras vinaigrette) sounded divine. As for her vegetarian offering, she used too heavy a hand with the seasoning, rendering her chevre mousse with mushrooms, radishes, and basil into saltiness. Still, her nerves didn't get the better of her and I was very proud of the way she handled herself in this leg of the competition.

Not surprisingly, Bryan took home the win here. I thought his two dishes were both perfectly executed and did celebrate the Napa ingredients in a pitch perfect way. I'm glad that he got this boost going into the final round as the rivalry between him and Michael reaches a fever pitch. And the look of irritation on Michael's face made the win even more worthwhile, I am sure.

As I said earlier, I was really hoping that there was some way all four of these exceptionally talented chefs could move on the final round but the judges (or the producers) stuck by their guns and opted to eliminate one. Sadly, it fell to Jennifer. She's more then redeemed herself of late after some shakiness in the middle of the season and I am really, really sad to see her go before the end. (You can read the interview I did with Jennifer Carroll back in August at the start of the season here.)

What did you think of this week's episode? Sad to see Jennifer go? Who will win next week when Kevin goes head-to-head with the Voltaggio Brothers? Will their intense sibling rivalry cancel each other out? Or will one emerge the victor? Discuss.

Next week on the season finale of Top Chef: Las Vegas ("Season Finale, Part Two"), the final three contestants vie for the title of Top Chef as they're tasked with cooking the best meal they've ever made... and one walks away the ultimate winner of the culinary competition.

Top Chef Preview: Final Breakfast Table:



Top Chef Preview: Three Chefs Clash in the Final Showdown:

Gold Medals: Culinary Olympics Put the Chefs to the Ultimate Test on "Top Chef"

"Welcome back."

No truer words were ever spoken than on this week's episode of Top Chef: Las Vegas ("Culinary Olympics") in which the five remaining chefs faced their toughest challenge--a scaled down mini-version of the famed Bocuse d'Or--before getting cut down to the four chefs who would travel from Las Vegas to Napa for the season finale.

To say that anything was possible is a gross understatement. It literally came down to the wire as the judges decided which of the five was the most relatively weak. To make it this far is no small feat in and of itself, especially given the caliber of chefs this season (overall, anyway) and it was clear that the judges had quite a lot of affection for each of the remaining competitors.

Likewise, this week's installment was also a reminder of just how innately talented each of the remaining chefs is. I can't think of another season where all five remaining chefs were at the same level of skill as they are here. I don't think that the producers would have given them a Bocuse d'Or-like challenge if they didn't think the contestants were up to the challenge.

So how did they perform? Let's discuss.

First, I have to begin by saying how pleased I was that Jennifer got it together this week and was able to put aside her nerves, her exhaustion, or whatever it was that was preventing her over the last few weeks from succeeding in the competition. Her fall from grace was swift but she was able to step it up this week and get back to the Jen we all know and love, delivering confident, thoughtful, and deeply layered (quite literally this week) cuisine.

I'm not quite sure just what went wrong with Jennifer over the course of this competition but it was clear that something was distracting her from focusing on the individual challenges. Whether that was a time issue (she herself indicated last night that she's not quite as swift as the other remaining competitors) or just sheer and utter exhaustion from being put through a physical, mental, and emotional ringer, we'll likely never know.

So when Padma told Jennifer, "welcome back," and did so with a genuine smile, it was a joyful return of the Jennifer Carroll from the early days of the season. I think the taste of Jennifer's seafood ballotine pleasantly surprised Padma in the same way that it did those of us watching at home: it announced that a confident and level-headed Jennifer had returned to Top Chef and that the slips of the past few weeks had been uncharacteristic and wouldn't happen again. In other words: whew.

For their Quickfire Challenge, the chefs were tasked with creating a ballotine, a complicated preparation which essentially means layering a deboned protein inside of protein... inside of protein. (The apex of such a preparation might be the vaunted turducken, in which turkey is stuffed with a duck, which is itself stuffed with a chicken.) But with only ninety minutes, none of these chefs would be insane enough to attempt something as complex as that with the limited time they had.

Here's what they prepared:
  • Bryan: rack of lamb and Merguez sausage wrapped in caul fat with a medley of purees
  • Eli: bacon-crusted Scotch egg with a six-minute egg center
  • Jennifer: calamari steak, scallops, salmon, shiitake, and shiso with rice noodle salad
  • Kevin: cornmeal-fried fillet of catfish with scallop and shrimp
  • Michael: "poultry terrine" of chicken with turkey and bacon mousseline

Michael complained that they were never told to actually create a ballotine, but somehow the other four chefs seemed to understand the directions of the Quickfire and delivered dishes that met the brief. Michael did not; his dish was essentially exactly as he described it, a poultry terrine. Which looked beautiful and likely tasted sinfully good but it wasn't what the judges asked for. Bryan's dish looked good but I think he overdid it with the amount of purees on the plate; sometimes less is more and more is just... more.

Eli's Scotch egg looked incredible and he managed to get that six-minute egg just right; he's stuck to his guns this season and produced food that's true to himself and his down-home culinary ethos. I'm glad that he hasn't thrown that out the window to suddenly start cooking in a classical French style or something. The same holds true for Kevin. While his catfish was deemed overcooked, he wasn't defeated or deflated by the criticism and maintained that it was a matter of personal taste.

But it was Jennifer's elegant and refined seafood ballotine that won over the judges, and rightfully so. Due to the use of the calamari, unless it was perfectly cooked, it could have been a rubbery mess of a dish but Jennifer executed it perfectly and walked way with a sizable advantage in the elimination challenge, earning herself an extra half-hour of cooking time.

As for the Elimination challenge itself, I was glad to see that the producers weren't letting the final five contestants rest on their laurels, instead forcing them to compete in a pared-down version of the grueling Bocuse d'Or competition. They'd have to prepare a dish of protein paired with two exceptional accompaniments, all of which would have be served up tableside after being transported to the judges--who included The French Laundry's Thomas Keller, Daniel Boulud, Paul Bocuse, and others--on traditional mirrored platters. And, oh, the winner would get $30,000 and an amazing opportunity, to boot.

I have to say that I was impressed overall with the concept of the dishes overall, even if the execution of the majority of them was found wanting. Granted, this was a difficult challenge of the highest order and there were a lot of moving parts to get under control and the stress of cooking for some extremely respected chefs would have added an additional layer of pressure to the proceedings as well.

So what did the individual chefs offer up? Let's take a look.
  • Bryan: parsley-crusted lamb loin, lamb shank crepinette with garlic chip, and orzo au gratin with sheep's milk cheese
  • Eli: sausage-wrapped lamb loin, carrot puree with ras-el-hanout and yogurt foam, and tomato-piquillo canape
  • Jennifer: unilaterally-cooked salmon and caviar, shrimp flan and black truffles, celery root square and shiitake
  • Kevin: poached lamb loin, sherry-glazed beet and asparagus in sunchoke cream, red chard
  • Michael: salmon with cauliflower chickpea tart and zucchini tzatziki

I was a little confused by the judge's reaction to Bryan's dish. At first, they seemed very pleased with the thought and concept behind the dish, even though some of the execution was a little shaky but they seemed to appreciate some of the technical skill he showed with the garnishes (such as that garlic chip). But later at judges' table, they suddenly seemed to be of the mind that the dish wasn't good after all. Huh? What happened in between there? I think he could have gone a little more high-end than the orzo au gratin, which was his play on mac and cheese, but I thought the crepinette looked beautiful and the dish showed cohesion and thought behind it. Bizarre.

Eli's dish, I knew, would land him at the bottom. He did a terrible job of carving that lamb tableside and the fact that he left way too much fat in the loin made it unappetizing and difficult to eat. Which is a shame as his accompaniments looked fantastic. That yogurt cream alone, with the ras-el-hanout-spiced carrot puree was one of the better accompaniments of the night. But I had a feeling that he would be the one to pack his knives and go.

Jennifer, despite having an extra half-hour, still could have done with some more time in this challenge. Her salmon wasn't very evenly portioned, so some pieces ended up being cooked perfectly, while others were overcooked. And her shrimp flan suffered from the same problem: some of the portions were executed perfectly while others weren't, resulting in quality inconsistencies from judge to judge. I do think that her platter was the best looking of the evening and she turned out a gorgeous looking plate. It was just the details that she needed to pay a little more attention to.

Kevin's dish was simple but that was the point: he let the flavors and the quality of the ingredients speak for themselves. I don't think he played it safe at all, as Gail suggested. He decided to sous-vide the lamb loins, which was something he had never done before and he managed to coax a hell of a lot of flavor out of that red chard. Kevin's always been about the ingredients and a rustic simplicity but that's hard to pull off, much less under intense pressure.

As for Michael, I'm not sure what went wrong here. Perhaps it was arrogance or overconfidence. But he delivered one of the most underwhelming dishes of the evening. Sure, it was executed well overall but that cucumber and tzatziki accompaniment was an underseasoned mess and the entire dish lacked any cohesion, despite his efforts to somehow link them with a Mediterranean theme, which sort of fell apart once you looked at the individual elements on the plate. An odd performance, to say the least, as this was really his challenge to lose, given his style of cooking and his technical abilities.

But ultimately, it was Kevin who was crowned the winner of this challenge and earned himself $30,000 along with the chance to compete with the US Bocuse d'Or team, which is a rare honor in itself. And I wasn't surprised when the judges opted to send Eli home. I will admit, however, that I got a little teary-eyed watching Eli cry and say goodbye to his fellow competitors.

Only four chefs remain going into the first part of the season finale. Happy with the Final Four we long ago predicted would ascend to the final rounds? Which chef will emerge victorious? Who will be the next fall before the last challenge? Discuss.

In two weeks on Top Chef: Las Vegas ("Season Finale, Part One"), the contestants leave Las Vegas behind to travel to Napa, where they will complete in challenges (including one aboard the Napa Wine Train) that will winnow them down from four to three before the final competition.

Casino Royale: Breakfast in Bed on "Top Chef"

I have to give the producers of Bravo's addictive culinary competition series Top Chef some major credit: they know how to apply just the right pressure on the contestants to have some of them take risks and succeed while others crack under the strain.

This week's episode of Top Chef: Las Vegas ("Strip Around the World") was no exception and, at this point in the competition, I would expect nothing less from the reality series' challenge organizers than some seriously arduous challenges that put these chefs through their paces. After all, the point of a reality competition isn't to create an easy environment for success but to force contestants to succeed beautifully in spite of the many obstacles being thrown at them.

This week found the chefs preparing breakfast in bed for Padma and the always lovely Nigella Lawson... and they would have to do so under a tight deadline and in a remarkably cramped kitchen that only allowed two of them to cook at a time. Later, they had to use specific casinos as inspirations for a dish served to 175 people at a party. These were some pretty damn tough challenges, I have to say, and some of them came through with flying colors while others... Well, let's just say that they didn't quite hit the jackpot.

So how did the chefs perform this week? Let's discuss.

No discussion of this week's episode can start without me saying how incredibly, profusely, and ecstatically happy I am that Robin was sent packing this week. Every now and then there is a contestant who is so woefully underqualified to compete with the rest of the pack but who, through sheer luck or just not being quite as bad as someone else that week, manages to stick around way past their sell-by date. This season that was Robin.

I have nothing against Robin personally though her on-screen persona left a lot to be desired; she came across as an abrasively verbose person who couldn't articulate her concepts or follow through on their execution and she managed to rub just about every single person the wrong way during her stay in the competition.

I've been outspoken about my distaste for certain contestants but never has a Top Chef participant proven him- or herself so unworthy of being there as Robin. She should have been eliminated any number of times but managed to make it to the Final Six. Yes, the Final Six. I honestly think that if she had managed to squeeze past elimination again this week (which would have resulted in either Jennifer or Eli going home), I would have followed through on an earlier threat and thrown my television out of the window.

But I am getting ahead of myself with respect to this episode, which had the chefs creating a take on breakfast in bed for Padma and Nigella Lawson, who arrived in Vegas jetlagged after a flight from London. In matching robes and nestled under the blankets in two double beds at the Venetian, Padma and Nigella were looking for something inventive, restorative, and delicious. Did the chefs deliver?

Let's take a look at what they made:
  • Bryan: four-minute egg with vanilla beurre fondue, crab, asparagus, and soft corn polenta
  • Eli: fried egg reuben benedict with thousand island hollandaise sauce
  • Jennifer: "S.O.S." creamed chipped beef with toast and potatoes
  • Kevin: steak and soft-scrambled eggs with creme fraiche, aged cheddar, and green onions
  • Michael: huevos Cubana with banana puree, rice, bacon, and arugula salad
  • Robin: blintz with goat cheese, caramelized pineapple and blueberries

I think Bryan would have probably won this challenge... if he hadn't sabotaged himself with that vanilla beurre fondue; I have to admit that I would have been put off that as well, given that it was juxtaposed with the savory crab. I thought that Eli and Kevin both pulled off superlative dishes here with both of them offering a new take on American classics. Ultimately, Nigella awarded Eli the win for his inventive take on a reuben, translated for breakfast.

A brief aside: I'm extremely worried about Jennifer. Her performance this week once again followed her late trend and she once again managed to sink to the bottom of the pack after performing so strongly in the first half of the competition. I don't know if it's nerves, exhaustion, or stress but I haven't been impressed by any of her dishes these last few weeks and I find that utterly heartbreaking. I keep hoping that she'll turn it around the following week but she's consistently now performed rather poorly the last three or so installments. If she has any reserves of energy, inspiration, and strength, I'm hoping she can tap into them ASAP.

Sigh.

For their elimination challenge, the chefs were assigned a specific casino on the Vegas Strip and told to explore their location for an inspiration for a dish they would have to prepare for 175 hungry diners at a rooftop party at the World Market Center. Interestingly, this was the first time I believe that we didn't see the chefs head to Whole Foods to pick out produce and protein for their dishes, instead cutting straight to them at the Top Chef kitchen beginning their prepwork. Odd, that.

Some of the chefs took to the task and created dazzling sophisticated and intriguing dishes while others weren't quite able to get a handle on what was being asked of them. And there was a lot going on after all: preparing 175 dishes and serving them is no small feat into itself, much less when said dish has to be inspired by a casino's motifs, mood, and theme.

Thus, the six remaining chefs offered up the following dishes:
  • Bryan (Mandalay Bay): escabeche of halibut with bouillabaisse consomme, parsley coulis, and garlic chips
  • Eli (Circus Circus): caramel apple peanut soup with popcorn raspberry froth
  • Jennifer (Excalibur): New York strip steak with red wine reduction, beets, truffles, and herbs
  • Kevin (Mirage): sugar-and-salt-cured wild Alaskan sockeye salmon with compressed napa cabbage and cucumber and tomato water
  • Michael (New York, New York): boneless chicken wing confit with curry and blue cheese disc
  • Robin (Bellagio): panna cotta

It was no surprise that Kevin and the Voltaggio brothers ended up placing in the top half. Each of their dishes was a masterpiece of concept and execution, thoughtful, playful, and sublime. I selected Kevin as one of my two players to watch in the very first round of this season and I'm glad I did; his dishes are refined without being ascetic, comforting without being messy. (Despite what disparaging comments the seemingly jealous Michael would make about them.) Likewise, Bryan seems to excel at the elimination challenges while never quite being able to pull off successful performances in the Quickfires; here his dish is controlled and elegant but also exuberant and self-assured. I'm not quite sure what the hell judge Toby Young was trying to say about Michael's food (was it just me or did he call his dishes "effeminate"?) but the judges did award Michael the top prize this round for his deconstructed take on Buffalo wings, done in true Michael Voltaggio style. Well done.

As for the three chefs landing in the bottom, that wasn't a surprise either. Eli's dish was a mess in terms of concept and execution and he didn't do himself any favors by adding caramelized white chocolate to the soup, which only served to make even MORE grainy than it already was. I don't disagree with Nigella who said that she was terrified to take a bite as it sounded absolutely revolting. Additionally, Eli seemed to not quite get a bead on any inspiration from Circus Circus in the first place; rather than throw together traditional circus fare, this was his opportunity to create something spectacular and raucous. But, alas... Jennifer didn't fare any better with the Excalibur; granted, medieval cuisine is a specialty than few can pull off these days but she did miss a trick by not using spices like mace to create an ornate and astounding carnivorous dish.

And then there was Robin... While the other chefs attempted to use innovative techniques and high-end ingredients, Robin created... a panna cotta. A rubbery one at that which used far too much gelatin and rendered itself about as sumptuous as a hockey puck. Even if she had been able to pull off the stained glass-effect sugar glass (and that was a rather huge IF), it wouldn't have elevated the dish at all.

Ultimately, it was well past due that Robin should be the one to pack her knives and go and I'm glad that the judges finally saw fit to cull her from the pack. Only five chefs remain going into the final elimination challenge. Which four will make it to the finals and who will be the next to get cut? Discuss.

Next week on Top Chef ("Culinary Olympics"), the five remaining chefs participate in an elite cooking competition established by notable French chef Paul Bocuse and are tasked with creating a ballotine in an extreme tight time frame; Thomas Keller of French Laundry and Bouchon stops by as this week's guest judge.

Confrontation and Cuisine: Another Look at the "Top Chef Reunion Dinner"

Where there's Marcel, there's drama.

Last night's Top Chef Reunion Dinner, a nice twist on the culinary series retrospective, offered both Marcel and drama in equal measure. After all, there's been maybe one other Top Chef contestant (cough, Tiffany, cough) who has stirred up as much conflict and confrontation as Marcel has.

From the head-shaving almost-incident to the post-series bottle-throwing, Marcel has been at the heart of some memorably tense moments, including one from the Season Five finale that had never before been aired in which he suddenly becomes involved in a verbal battle with supercilious judge Toby Young.

While I already hinted at my thoughts about the Top Chef reunion special (you can read my advance review here), now that the episode has aired we can discuss some specific details from last night's special.

Personally, I really enjoyed watching the reunion. While it was a break from the competition itself (as well as the current series), it offered not only a breather but also a look back... and I'd have much rather had some new Top Chef content this week than face an evening of repeats, as we often have to during the course of the series' run.

Given that there have already been five iterations of the series to date, Top Chef has produced some memorable contestants, including some that are known for more than just combative personalities; I was glad to see that the producers brought back not only the most dramatic cheftestants (and thank goodness Spike wasn't there!) but also some extremely talented competitors.

It was interesting to see what all of the previous contestants were up to, how they had changed, and whether their time on the series had shaped them. Marcel, of course, hasn't changed all that much. He's still cocky, combustive, and has an innate way of rubbing people the wrong way. I was beyond confused why he would agree to return for this reunion if he had no intention of discussing his past. Isn't that the very point of a reunion? Did he honestly believe that no one, not the producers, not host Fabio Viviani, would bring up any controversy?

I'm glad Fabio did say something to Marcel at the table. No one forced any of them to sign up for this reunion or rehash things on camera. Marcel could have politely refused the invitation and gone on his way. But he chose to participate. And choosing to participate means having to discuss unpleasant or uncomfortable things. With the others. On camera. Of course, the head-shaving thing is going to come up, especially as Ilan is there. Of course, Fabio is going to ask about the guy who threw a bottle at Marcel's head. It's all on the record and it has to be asked.

Likewise, I'm glad that Casey and Carla were able to talk about what went wrong in the season finale that cost Carla her shot at the grand prize. But Carla being Carla, she's not harping on it or even blaming Casey, who clearly feels some guilt over what happened in that final challenge. They were able to bring their feelings into the air and move on. And that's really what a reunion should be all about, in the end.

Of course, it wasn't all accusations and haughty glares across the table as the chefs prepared a beautiful five-course menu for themselves to enjoy... without the stress of elimination, immunity, or wacky restrictions about only using food from the vending machine or a particular aisle of the grocery store. It was all about the food.

So what did the chefs prepare? Let's take a look course-by-course:
  • First Course (Season Three's Casey, Dale, and Hung): Fanny Bay oyster puree, puffed forbidden rice, cilantro, pickled watermelon, cucumber, green bean, and red onion; crab pierogi with mushroom and asparagus ragout and curry hollandaise; sardines with a black pepper- caramelized sugar pork broth and scallions
  • Second Course (Season One's Harold and Tiffany): seared scallop with scallop sashimi noodles and tom yum broth
  • Third Course (Season Two's Marcel and Ilan): sea salt-encrusted Thai snapper (stuffed with basil, lemongrass and lemons) served with ratatouille
  • Fourth Course (Season Four's Richard and Lisa): corn-fed beef, duck pate, and corn puree with Captain Crunch air, spicy pickled radish salad, and savory root beer caramel
  • Fifth Course (Season Five's Stefan and Carla): raspberry panna cotta, rhubarb sauce, chocolate mousse, and almond crisp

Other than Dale's disastrous crab pierogies (dubbed a "trainwreck" by Tiffany), I have to say that I was impressed by the other dishes and how well the chefs worked together after all of this time apart. Loved that Marcel cooked the Thai snapper in a salt crust; besides for being ideal for family style serving it's also a dramatic showcase and allowed him to fillet and bone the fish tableside. Likewise, Hung's sardines sounded incredible and bowed the chefs into a shared silence. Harold and Tiffany's scallops were simple but focused the attention on the flavors... and they spend the majority of their $500 budget on wine and champagne.

All in all, a fun look back before the competition on the current season really heats up. Reunion episodes can be overly formatted and at times snidely shocking. This was one dinner that I wished I was at and which played an equal amount of weight on the confrontation as it did the cuisine.

Next week it's back to the competition on Top Chef: Las Vegas ("Strip Around the World"), as the day begins with a Quickfire Challenge that tasks the chefs to create the perfect breakfast in bed for guest judge Nigella Lawson and Padma in their hotel suite; the chefs visit casinos to gain inspiration for their Elimination Challenge.

Top Chef Preview: Breakfast in Bed:



Top Chef Preview: Casino Inspiration:

Eat, Drink, and Be (Not So) Merry: An Advance Review of "Top Chef Reunion Dinner"

It's hard to believe at times that we're nearly almost done with the sixth season of Bravo's addictive culinary competition series Top Chef.

What better time then to take a look back than just before we anoint another new Top Chef to join the ranks of the blessed few?

Tomorrow night, Bravo will take a break from the current competition for the Top Chef Reunion Dinner, which will offer audiences a chance to see cast members from previous seasons of Top Chef come together for an evening of conversation, competition, and confrontation.

And, yes, those three things play an equal weight in the unfolding of the evening, which is hosted by Top Chef: New York competitor Fabio Viviani at Social Hollywood. Joining Fabio for the reunion are such noteworthy former competitors as Harold Dieterle, Tiffany Faison, Marcel Vigneron, Ilan Hall, Dale Levitski, Casey Thompson, Hung Huynh, Richard Blais, Lisa Fernandes, Carla Hall, and Stefan Richter.

I had the opportunity to watch the reunion dinner episode and have to say that I was not only completely captivated by what these accomplished chefs created in the kitchen but also the way that they interacted. Tensions run high as do emotions and this episode showcases both haute cuisine as much as hot tempers.

Yes, there are certain tough topics from Top Chef history that are dredged up rather uncomfortably for all involved. The head-shaving incident that ensnared Marcel, Ilan, Elia, and Cliff back in Season Two comes to mind. Tiffany's interactions with, well, everyone. Heated stew room arguments. Marcel getting hit over the head with a bottle by a detractor. Carla's decision to listen to Casey's advice to sous-vide her beef, a decision that cost her a shot at the grand prize last season.

These are all touched upon over the course of the alcohol-fueled evening, which features the chefs teaming up with their competitors from their individual season to produce a five-course meal for themselves. There are no judges, no dietary restrictions, no vending machine challenges, and a $500 per course budget. Just good, honest, and delicious food cooked without the added pressure of elimination. Given that no one is going to pack their knives for their performance, each of the chefs wants to dazzle their peers and produce dishes that impress, engage, and tantalize.

Which is a nice change from the rigors and stress of the competition, really. Richard Blais, for example, says that he misses the energy and thrill of competing but when that knife block comes out, there are groans all around. (What did they expect, after all? That the producers would let them just sit back and drink all night?) Others are more keen to cook in the kitchen than dish about the past. (Look for Fabio to make a rather stunning declaration during the dinner about this fact.)

Ultimately, Top Chef Reunion Dinner is a fantastic glimpse at where the former competitors are now, which wounds still sting years later, and which contestants can rise above the fray and attempt to make the evening about camaraderie rather than reheating old vendettas. It's a reminder of the passion, dedication, and vision of the contestants that have come before as well as a delicious offering of drama, served piping hot.

Top Chef Preview: An Angry Dinner:



Top Chef Preview: Marcel vs. Everyone:



Top Chef Reunion Dinner airs Wednesday night at 10 pm ET/PT on Bravo.