The Daily Beast: "Fall TV Preview: Grey's Anatomy, Dexter, 30 Rock and More"

With so many new fall series premiering over the next two weeks, it's possible to forget that some of our favorites are heading back to the airwaves as well.

Can’t remember how Grey’s Anatomy or 30 Rock ended? Head over to the Daily Beast to read my latest feature, "Here Comes the TV Season!", in which I round-up 13 cliffhangers for returning shows—and offer previews of what’s to come. (It goes without saying: minor SPOILERS aheads.)

The series in question? Oh, the usual suspects, including Dexter, The Good Wife, Fringe, Grey's Anatomy, Desperate Housewives, Chuck, Private Practice, Brothers and Sisters, Friday Night Lights, Bones, Community, Castle, and 30 Rock, presented in order of premiere dates. (Which means Chuck is up first.) Plus, you can watch video previews for all 22 new network series, to boot.

Which returning series are you most excited about watching this fall? Head to the comments section to discuss.

Channel Surfing: Dark Tower Comes to TV (And Cinemas), Chuck Lands Freddie Krueger, TNT Mines Dallas, The Event, and More

Welcome to your Thursday morning television briefing.

Deadline's Mike Fleming broke the news yesterday that Universal has landed the rights to Stephen King's massive multiple-novel series "The Dark Tower," and is developing an adaptation that will comprise both a feature film franchise as well as a television series element, an unprecedented use of the two platforms. Ron Howard will direct the first film as well as the first season of the television series that would follow on its heels; likewise both elements will be written by Akiva Goldsman, with Universal Media Studios attached as the studio. The first season of the series would use the same actors and focus on gunslinger Deschain after the events of the film, while the second season would revolve around Deschain's past. “What Peter [Jackson] did [with Lord of the Rings] was a feat, cinematic history,” Howard told Fleming. “The approach we’re taking also stands on its own, but it’s driven by the material. I love both, and like what’s going on in TV. With this story, if you dedicated to one medium or another, there’s the horrible risk of cheating material. The scope and scale call for a big screen budget. But if you committed only to films, you’d deny the audience the intimacy and nuance of some of these characters and a lot of cool twists and turns that make for jaw-dropping, compelling television. We’ve put some real time and deep thought into this, and a lot of conversations and analysis from a business standpoint, to get people to believe in this and take this leap with us. I hope audiences respond to it in a way that compels us to keep going after the first year or two of work. It’s fresh territory for me, as a filmmaker.” (Deadline)

[Meanwhile, JJ Abrams--who had previously been attached to The Dark Tower--is said to be shopping yet another television project, this time a crime thriller created by Jonah Nolan (The Dark Knight, The Prestige) that could start a bidding war at several networks, according to Entertainment Weekly's Michael Ausiello.]

Is it just me or is the Chuck casting team on a roll this season? Entertainment Weekly's Michael Ausiello is reporting that Freddy Kreuger himself--make that Robert Englund--is set to guest star on Chick's Halloween-themed episode, set to air in October. "Englund will play Dr. Stanley Wheelwright, an evil scientist who can make your waking life a nightmare," writes Ausiello. "He’ll appear in this season’s sixth episode, titled 'Chuck Versus Aisle of Terror.'" (Entertainment Weekly's Ausiello Files)

TNT announced a slew of pilot pickups, including a remake of nighttime soap Dallas from writer Cynthia Cidre (Cane) and Warner Horizon that will focus on the rivalry between brothers J.R. and Bobby Ewing. Other projects include ABC Studios' Perception (formerly known as Proof), from writers Biller and Mike Sussman, about a neurosurgeon who solves crimes using his unique way of viewing the world and an untitled Allan Loeb drama from Lionsgate Television about a widowed cop whose partner has just gotten married (which is based on Marshall Karp's novel "The Rabbit Factory"). TBS, meanwhile, ordered a pilot for comedy Brain Trust, from Dean Devlin and Marco Schnabel, about a detective who gets a second shot at life. (via press release)

Entertainment Weekly's Michael Ausiello is reporting that Hal Holbrook (Sons of Anarchy) has signed on to NBC's upcoming thriller The Event in a multiple-episode story arc, where he will play "a mysterious character by the name of Dempsey." A press release from NBC that hit the wire shortly thereafter expanded upon the description of Holbrook's character: "Holbrook will play Dempsey, a businessman with shadowy intentions, who will be revealed as an antagonist to President Martinez (Blair Underwood) beginning with his first scheduled appearance on October 11." (Entertainment Weekly's Ausiello Files, press release)

It's officially official: America's Got Talent judge Piers Morgan will headline his own talk show on CNN, replacing Larry King in the 9 pm timeslot beginning in January. (Variety)

Former Battlestar Galactica and 24 star Katee Sackhoff is finally heading to CBS' CSI three years after producers tried to cast her as Jorja Fox's replacement on the CBS crime procedural, according to Entertainment Weekly's Michael Ausiello. Sackhoff has been cast in a "potentially recurring role" as Detective Reed, described as "a smart, tough, and feisty investigator with an acknowledged lack of sensitivity." She'll make her first appearance in November. (Entertainment Weekly's Ausiello Files)

There's still more Jersey Shore on tap for MTV: the cabler has ordered two specials that will air after the second season finale on October 21st; the first will be a reunion special slated to air a week later, while the second will be a behind-the-scenes special. No air date has been announced for the latter. Season Three of the reality juggernaut will air next year. (Hollywood Reporter)

Former House star Jennifer Morrison is said to be in the running to join the cast of CBS' How I Met Your Mother as a "major new love interest for Ted," according to Entertainment Weekly's Michael Ausiello. She's not the only one, however, as Minka Kelly and Jacinda Barrett are also said to be in contention. "I don’t know if she’s the mother we’ve been waiting to meet," writes Ausiello. "However, I do know that the character—a quick-witted, rabble-rousing activist who initially clashes with Ted over the planned demolition of a historic New York hotel—will appear in as many as 13 episodes this season." (Entertainment Weekly's Ausiello Files)

The Watch with Kristin team at E! Online rounded up a ton of information about Season Two of FOX's Glee directly from the horse's mouth as it were, talking to the cast on the red carpet of the premiere party earlier this week and revealing information about duets, romances, Rocky Horror and more. (E! Online's Watch with Kristin)

Deadline's Nellie Andreeva is reporting that Diane Farr and Peter Tolan have separately received script orders for two one-hour dramas at FOX. Farr's project, based on her upcoming semi-autobiographical novel "You Can't Love One of Them," is said to focus on "several interracial couples living in the South in a post-Obama world." Project, from 20th Century Fox Television and Generate, will be written and executive produced by Farr alongside Pete Aronson and Jordan Levin. Tolan, meanwhile, has sold a script for an untitled Glen Mazzara drama with Sony Pictures Television attached as the studio; it will revolve around "a burnt-out doctor who joins a neighborhood medical clinic." (Deadline)

Showtime has ordered a second season of The Green Room with Paul Provenza, with six episodes on tap for 2011. (via press release)

Epix has hired Jill Burkhart as the director of documentary development for the pay cabler. (Variety)

Stay tuned.

Channel Surfing: Psych Has a Twin Peaks Experience, HBO Orders Apatow/Dunham Pilot, SNL, Modern Family Casts Cam's Mom, and More

Welcome to your Wednesday morning television briefing.

I'm not even a Psych fan and this made me blissfully happy. Entertainment Weekly's Michael Ausiello is reporting that USA's Psych is staging a Twin Peaks-inspired episode that will also feature original cast members Sheryl Lee, Sherilyn Fenn, Dana Ashbrook, Catherine Coulson, Ray Wise, Lenny Von Dohlen, and Robyn Lively. Um, yes please. The episode, co-written by series star James Roday, will air sometime this fall and will revolve around "a quirky Northern California town that has been rocked by the death of a high school student." Sound familiar? Coulson will even play a "mysterious Woman with Wood," a tongue-in-cheek take on her Log Lady from Twin Peaks. Sign me up. (Entertainment Weekly's Ausiello Files)

Deadline's Nellie Andreeva is reporting that HBO has given a pilot order to an untitled comedy written/directed by 24-year-old Lena Dunham (Tiny Furniture) and executive produced by Judd Apatow and Jenni Konner. Project, which will also star Dunham, revolves around "the assorted humiliations and rare triumphs of a group of girls in their early 20's" and will feature autobiographical elements from Dunham's own life. (Deadline)

Entertainment Weekly's Lynette Rice is reporting that Parks and Recreation leading lady Amy Poehler will host the season premiere of Saturday Night Live on September 25th, with Katy Perry serving as musical guest. Season 36 has added four new players to the mix, including Taran Killam, Paul Brittain, Vanessa Bayer, and Jay Pharoah (Entertainment Weekly's Hollywood Insider)

[Editor: Will Forte, as widely reported, will not be returning to SNL this season. Jenny Slate, who made headlines for the F-bomb heard 'round the latenight world, is also "not expected to return," according to Variety's Michael Schneider.]

TV Guide Magazine's Will Keck is reporting that Celia Weston (Desperate Housewives) has beat out Delta Burke, Dianne Wiest, and Kathy Bates (along with others) to play Barb Tucker, the mother of Emmy Award winner Eric Stonestreet's Cam, on ABC's Modern Family. Weston is expected to turn up around the holidays for a visit this season. (TV Guide Magazine)

Entertainment Weekly's Michael Ausiello is reporting that Alan Ritchson will reprise his role as Arthur "AC" Curry on the final season of the CW's Smallville during November sweeps. "AC was last seen in season 8, when his secret identity was discovered by LuthorCorp," writes Ausiello. "I’m told the Justice Leaguer will resurface in this season’s ninth episode." (Entertainment Weekly's Ausiello Files)

MTV is getting back into the live daytime game with new daily countdown show The Seven, according to The Hollywood Reporter's James Hibberd, who reports that the show, which will launch September 27th, "presents seven stories that MTV viewers need to know, from Hollywood news, music, sex and fashion to other topics." Project, which will also feature interviews and musical performances, will be executive produced by Steve Tseckares. (Hollywood Reporter)

David Nevins has announced his first piece of development business since he took over as president of Showtime. The project in question is an adaptation of Tom Perrotta's novel "The Wishbones," which Perrotta himself will adapt for the pay cabler. Warner Bros. Television-based project, which will be executive produced by Perrotta and John Wells, revolves around a small-time wedding band with plans of rock n' roll stardom. Wells is no stranger to Showtime: his next series, a US adaptation of UK drama Shameless, is set to launch early next year on the channel. [Editor: Having seen the pilot for the US Shameless--twice, no less--and been raving about it for months since, this is one to keep an eye on.] (Variety)

Don't look for Marc Cherry to pull out the stops this sweeps on ABC's Desperate Housewives. Cherry told TV Guide Magazine's Will Keck that the soap will get back to basics this season and ditch the gimmicks. "I'm not doing another big gimmicky natural disaster this year; I'm trying something different," Cherry said. "My big cliffhanger right before we take our Christmas break will have to do with Paul Young. He has a plan for destroying the neighborhood. There will a shocking cliffhanger that effects everyone's lives, and then right before February sweeps, we're going to kill off one of our characters." (TV Guide Magazine)

HBO has acquired rights to Martin Scorsese's documentary Public Speaking, which focuses on writer Fran Lebowitz and which will air on the pay cabler in November. (via press release)

Entertainment Weekly's Michael Ausiello is reporting that FOX's Bones will feature an episode that's loosely inspired by dance competition series So You Think You Can Dance, as Booth and Brennan tackle a case involving street performers. Episode will feature a guest appearance from So You Think You Can Dance Season Four runner-up Stephen "tWitch" Boss, who will play a murder suspect. (Entertainment Weekly's Ausiello Files)

FOX has renewed culinary competition series Masterchef for a second season. (Variety)

Despite the rumors swirling that Simon Cowell will step down from the UK X-Factor in order to focus his attention on the upcoming US launch of the format, his reps have told The Hollywood Reporter that "no decision has been made." (Hollywood Reporter)

Stay tuned.

The Daily Beast: "The Summer's Best (and Worst) TV"

Over at The Daily Beast, you can check out my latest feature as I offer a report card for the Summer TV Season: picking the winners, losers, and draws across broadcast and cable.

Be sure to check out the gallery at "The Summer's Best (and Worst) TV," where I break down the successes and failures of the past season show by show. Where did White Collar, Pretty Little Liars, and Covert Affairs end up? And which shows ended up at the bottom of the barrel?

Head over to The Daily Beast to find out and head to the comments section to discuss your favorite and least favorite shows of the past summer season and why you felt certain programs succeeded or failed.

Channel Surfing: WBTV Developing Sandman, JJ Abrams' Alcatraz, Evil Wheaton Back to Big Bang, Free Agents, True Blood, and More

Welcome to your Thursday morning television briefing.

Hollywood Reporter's Borys Kit and James Hibberd are reporting that Warner Bros. Television is in the process of acquiring television rights to Neil Gaiman's DC/Vertigo comic series "Sandman" with the view of adapting it as an ongoing television series. Among the contenders to tackle the project: Supernatural creator Eric Kripke. It's not the first time that Hollywood has courted the mythopoeic comic series: HBO nearly had a version in development at one time with James Mangold attached; Roger Avery attempted to get a feature film version off the ground in the mid-90s. It's still early days for the project as Kripke is said to be cautious about treading on such hallowed ground and attempting to translate the deeply complex and layered narrative for television. [Editor: Personally, I'd rather that Kripke and WBTV didn't: the plot of "Sandman" isn't a strict narrative in the traditional sense of the word but rather an exploration of stories and myth, strung together with some serialized plots and one-offs about Morpheus of the Endless, a race of eternal beings older than the gods themselves. It would be a very difficult project do justice to, given the strength of Gaiman's work on the series and I can't quite wrap my head around how an ongoing series would function. Would it draw from some of the more linear storylines like "A Doll's House," "Season of Mists," "The Kindly Ones," etc.? Or would it be a procedural about a dream lord who can flit through people's subconscious minds? The latter would make me vomit in rage, really.] (Hollywood Reporter's The Live Feed)

Deadline's Nellie Andreeva is reporting that Warner Bros. Television-based producer JJ Abrams and writer/producer Elizabeth Sarnoff (Lost) are shopping drama spec script Alcatraz, about the notorious San Francisco island prison that once housed the nation's most infamous criminals, including Al Capone and, yes, the Birdman himself. The duo are taking the script--which was written by Sarnoff--to networks. No other details were immediately available, though it seems clear that the Bad Robot-produced project would be a period drama. Or not, as Abrams has been known to throw a curve ball or two. (Deadline)

Entertainment Weekly's Michael Ausiello is reporting that Evil Wil Wheaton will be returning to CBS' Big Bang Theory to resume his feud with Jim Parsons' Sheldon. “We started talking about the idea of minor celebrities cutting in line, and we thought it might be funny to have our [Big Bang] guys waiting in line for a one-time-only midnight screening of something like Raiders of the Lost Ark with restored footage, and Wil Wheaton and his three friends cut the line," executive producer Bill Prady told Ausiello. "When it comes time for our guys to get in, the line stops; Wil took the last four seats and Sheldon is just furious. Because it doesn’t make sense to him. Wil’s celebrity is not applicable here. This is not Star Trek. It’s just wrong.” Should the episode come together, it would likely air in November. (Entertainment Weekly's Ausiello Files)

Another day, another project for Party Down co-creator John Enbom, who has sold a second project to NBC in the last week. Enbom will adapt UK's Channel 4 comedy Free Agents for the Peacock and will executive produce with Karey Burke and Todd Holland and Universal Media Studios. The original UK series, which hailed from Simon Pegg and Nira Park's UK shingle Big Talk, revolved around an agent enmeshed in a very messy divorce. (Variety)

SPOILER! E! Online's Kristin Dos Santos and Megan Masters have the scoop on which actors will be returning for Season Four of HBO's vampire drama True Blood, though the answer might surprise you. According to the duo, Denis O'Hare, Marshall Allman, Kevin Alejandro, and Lauren Bowles will all be back next season, along with the previously reported Joe Manganiello. Yep, Russell will be back in some capacity next season, though he won't be seen initially in Season Four, which will focus--according to reports--on witches. Tommy Mickens will be back as well, as well as Alejandro's Jesus, while Lauren Bowles--who plays Wiccan Holly--has been promoted to series regular. (E! Online's Watch with Kristin)

As expected, Alex Kurtzman and Roberto Orci's adaptation of Joe Hill's comic book "Locke & Key" has landed at FOX, which has given the project a series commitment, though Steven Spielberg will no longer be involved as an executive producer. Project, which revolves around two brothers who live in a strange New England mansion, hails from 20th Century Fox Television and DreamWorks Television. (Variety)

Elsewhere, FOX has handed out a series order to an untitled sketch comedy show from executive producer Jamie Foxx, which will feature "a diverse cast tackling spoofs of movie trailers, commercials, TV shows, music videos and celebrities." Affion Crockett will star and executive produce the series, which comes from Fox Television Studios, Foxx/King Entertainment and The Tannenbaum Company. (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello is reporting that Mekhi Phifer will be leaving FOX's Lie to Me when the Lightman Group breaks its ties with the FBI. "We’re going rogue a little bit,” executive producer David Graziano told Ausiello. “Lightman [Tim Roth] is going to act slightly in the more old-school PI model of a TV protagonist, [so] we’re doing away with the FBI contract [and] Mekhi is unfortunately no longer going to be on the show. The FBI franchise limited our storytelling a little bit because it had to adhere to the FBI structures of ‘Would the FBI take this case or not?’ The character that’s going to be our badge this season is a bent cop, Wolowsky [The Unusuals' Monique Gabriela Curnen], who goes about business in a similar way to Lightman. There’s a mutual respect from the get-go. We’re working hard to make The Lightman Group a dysfunctional family.” (Entertainment Weekly's Ausiello Files)

E! Online's Megan Masters has an interview with The Office executive producer Paul Lieberstein, in which he floats another possible replacement for Steve Carell, who is set to leave the NBC comedy at the end of the season: Harvey Keitel. "He's probably the only guy who can do it, and he's doing TV now," said Lieberstein. "I haven't started any talks with his people, but Harvey would do a great job—a very different energy. And we don't want to bring in another Michael, having someone play a very similar character because we have such a high regard for Steve." Lieberstein goes on to say that Keitel could play a former salesman who comes out of retirement in order to oversee the Scranton branch. (E! Online's Watch with Kristin)

HBO has ordered a third season of dark comedy Hung, with ten episodes likely to air in summer 2011. (Entertainment Weekly's Hollywood Insider)

In other renewal news, Deadline's Nellie Andreeva reports that TNT said to be close to giving Memphis Beat a second season order. Elsewhere, Lifetime has passed on that Army Wives spin-off that was to star Brigid Brannagh and Gabrielle Union and USA has slashed the episodic budget for legal drama Facing Kate from twelve to ten episodes and pushed the premiere into early 2011, due to scheduling issues. (Deadline)

Syfy has announced the cast for its upcoming four-hour miniseries Nerverland, a prequel to Peter Pan, which will star Rhys Ifans (Pirate Radio), Anna Friel (Pushing Daisies), Bob Hoskins, Raoul Trujillo (Tin Man), and Charlie Rowe (Pirate Radio). Project, from writer/director Nick Willing, will air in 2011. Here's how Syfy describes the project: "Raised on the streets of turn-of-the century London, orphaned Peter (Rowe) and his pals survive by their fearless wits as cunning young pickpockets. Now, they've been rounded up by their mentor Jimmy Hook (Ifans) to snatch a priceless--some believe, magical--treasure which transports them to another world. Neverland is a realm of white jungles and legendary mysteries of eternal youth, where unknown friends and enemies snatched from time welcome the new travelers with both excitement and trepidation. These groups include a band of 18th century pirates led by the power-mad Elizabeth Bonny (Friel), and the Native American Kaw tribe led by a Holy Man (Trujillo), which has protected the secret of the tree spirits from Bonny and her gang for ages--and that has meant war. But as the fight to save this strange and beautiful world becomes vital, Hook, Peter, and the ragamuffin lost boys consider that growing old somewhere in time could be less important than growing up right here in their new home called Neverland." (via press release)

TV Guide Magazine's Will Keck reports that Cybill Shepherd will be guest starring on ABC's upcoming dramedy series No Ordinary Family, where she will play Barbara Crane, the mother of Julie Benz's Stephanie. (TV Guide Magazine)

Following yesterday's news that Eddie Izzard would be appearing in eight episodes of Showtime's United States of Tara, the pay cabler has announced that Frances Conroy (Six Feet Under) will be guest starring in one episode of Tara next season, where she will play "Max Gregson’s (John Corbett) mother, a recluse with a compulsive hoarding problem." (Entertainment Weekly's Hollywood Insider)

Former Heroes star Jack Coleman has been cast in an upcoming episode of CBS' The Mentalist, where he will play Max Armstrong, described as "wealthy, regal, arrogant, self-important man who becomes the prime suspect in a murder," according to TV Guide Magazine's Will Keck. Coleman's episode is slated to air October 14th. (TV Guide Magazine)

Nickelodeon has announced that Jane Lynch's episode of iCarly will air on Saturday, September 11th at 8 pm ET/PT. Lynch guest stars as the "never-before-seen, eccentric" mother of Sam, Pam Puckett. (via press release)

Alyssa Milano will star in Lifetime original telepic Sundays at Tiffany's, based on the book by James Patterson. Milano will star opposite Eric Winter and will play a "bride-to-be visited by the adult incarnation of her childhood imaginary friend" who "begins to re-examine her life." (Variety)

Stay tuned.

Channel Surfing: Syfy Renews Eureka, Lone Star Lands Chad Faust, Teri Polo to Law & Order: Los Angeles, True Blood, and More

Welcome to your Wednesday morning television briefing.

It's official: Syfy has renewed drama Eureka for a fifth season. The news of the renewal--no surprise given the ratings and the creative resurgence of the series this summer--was announced by Mark Stern, EVP of Original Programming for Syfy and Co-Head of Content for Universal Cable Productions, which produces the series. “Eureka remains a steadfast performer for Syfy with its superb cast and perfect blend of drama, comedy and eye candy,” said Stern in an official statement. "Given what Jaime, Bruce and their entire team have done collectively to reinvent the show this year, we can't wait to see what's in store for season 5." (via press release)

Entertainment Weekly's Michael Ausiello is reporting that Chad Faust (The 4400) has been cast in a recurring role on FOX's upcoming drama series Lone Star, where he will play Harrison, the ex-husband of Adrianne Palicki's Cat. Ausiello, per unnamed sources, confirms the casting and offers up an official description of Faust's character. Harrison is described as "[Cat's] mistake carried over from high school. What was charming about him at seventeen is less than attractive in a grown man with adult responsibilities that until now, he has not wanted to shoulder. But his motorcycle-riding, noncommittal, unfaithful-husband ways are behind him, or so he claims, and he’s back in town now, ready to prove that he’s changed.” Lone Star premieres September 20th. (Entertainment Weekly's Ausiello Files)

Teri Polo (Little Fockers) has been cast in a "major recurring role" on NBC's upcoming procedural drama Law & Order: Los Angeles, where she will play Casey Winters, the wife of Skeet Ulrich's Detective Rex Winters. Her character is described as "a former hard-nosed cop who retired to start a family." (Deadline)

MAJOR SPOILER! Entertainment Weekly's Michael Ausiello has confirmed that Season Four of HBO's True Blood will feature Hallow Stonebrook, learning from series creator Alan Ball that the "were-sorceress" will turn up in Bon Temps next season, though Ball maintains that Hallow is a necromancer, and said that she is "actually a medium. She communicates with the dead, and she’s interested in developing further powers." No word yet on who will be playing Hallow, though Ausiello has already put in a bid for Buffy's Juliet Landau to take on the role. (Entertainment Weekly's Ausiello Files)

Good news for UK fans of Mad Men: Season Four of the period drama will now launch next month on BBC4, several months ahead of the anticipated launch. While the exact launch date is yet to be announced, The Guardian is indicating that it will launch the week of September 4th. (Guardian)

The Hollywood Reporter's James Hibberd is reporting that CBS is developing a companion reality series for Undercover Boss, handing out a pilot order for an untitled project from the producers of Boss that would "feature two employees who work at the same company competing against one another for a major promotion." (Hollywood Reporter's The Live Feed)

Kevin Spacey and Rod Lurie's cult drama is heading to HBO. Reports are swirling that the pay cabler is close to finalizing a deal to pickup Spacey and Lurie's cult drama The Crux, which revolves around the leader of a billion-dollar global cult. Project is being written by Lurie and Marc Frydman and will star Spacey as said leader. (Variety)

Lainie Kazan (My Big Fat Greek Wedding) has been cast in a multiple-episode story arc on ABC's Desperate Housewives, where she will play "a self-employed business owner and neighbor to Teri Hatcher’s character, Susan." Kazan will make her first appearance in the seventh season premiere. (Hollywood Reporter's The Live Feed)

Showtime's series debut of Laura Linney-led dark comedy The Big C brought the pay cabler their highest rated original series premiere in eight years, luring 1.154 million viewers at 10:30 pm on Monday and an additional 429,000 during the 11:30 pm airing, bringing the night's total to 1.583 million viewers. (via press release)

AMC has promoted Ben Davis to VP of scripted programming and Susan Goldberg to VP of production. Davis will report to Susie Fitzgerald, while Goldberg will report to an as-yet-unnamed SVP of production. (Variety)

Disney Channel will launch Shaun the Sheep spinoff Timmy Time with a sneak peek on September 7th, followed by the official premiere on September 13th. "Timmy, the baby lamb drawn into misadventures on Shaun, becomes the centerpiece of stories about initial preschool experiences in his new show," writes Variety's Jon Weisman. "Gestures and animal sounds are emphasized rather than human dialogue." (Variety)

Sony Pictures Television has promoted Kim Hatamiya to EVP, where she will now have oversight of worldwide marketing for the television division. Her role now encompasses the duties of Robert Oswaks, who left the studio in April. (Variety)

Stay tuned.

Talk Back: Showtime's The Big C

Now that Showtime's new Laura Linney led dark comedy The Big C has premiered, I'm wondering just what you thought of it.

You can read my thoughts on the first three episodes here, but I'm curious to know your take on The Big C.

What did you think of the pilot episode? Does Linney's Cathy anchor the humor and pathos of the subject matter? What did you think of Oliver Platt as Cathy's supremely immature husband Paul? Or their outrageously ill-behaved teenage son?

Were you turned off at all by Cathy's homeless brother and did it seem one step too far to go this early in the show? Was there enough of a throughline for the episode or did it seem too detached and episodic at times?

And, most importantly, will you tune in again next week?

Talk back here.

Next week on The Big C ("Summertime"), the reality of how little time she has left leaves Cathy with an inclination to explore and appreciate her body for the first time; Cathy's husband Paul asks her to see a couples therapist; Adam attempts to escape to his soccer camp.

Channel Surfing: HBO Renews Tim, Prison Break's Chris Vance Targets Dexter, The Good Wife, 90210's Gay Character Revealed, and More

Welcome to your Tuesday morning television briefing.

Sometimes the networks taketh and sometimes they give back. Deadline's Nellie Andreeva is reporting that HBO has had a change of heart about animated comedy The Life and Times of Tim, which it cancelled two months ago. The pay cabler has now reversed its position on the cult hit, ordering a third season of Tim, with ten episodes slated to air sometime next year. Media Rights Capital, the production company behind the project (along with Good Humor TV), attempted to shop Tim to other networks--including Comedy Central, Adult Swim, and TBS--but no buyer materialized... and now the project has headed back to HBO. [Editor: I'm relieved as I was really upset when I heard earlier this year that the series wasn't going to get picked up.] (Deadline)

Entertainment Weekly's Michael Ausiello is reporting that Chris Vance (Prison Break) has been cast in a multiple-episode story arc on Season Five of Showtime's Dexter. Vance--most recently seen in FOX's short-lived drama series Mental and on Burn Notice--will play Cole, described as "a meticulous, physically fit, well-spoken personal aide to a famous businessman," and is set to appear in at least three installments of the serial killer drama. (Entertainment Weekly's Ausiello Files)

Deadline has an interview with The Good Wife creators Robert and Michelle King about their Emmy nominated CBS drama series, which will compete with several cable-based series in the Best Drama category. "It’s hard not to look at cable with envy at times, for sure," said Michelle King when asked if she wishes The Good Wife were on cable rather than broadcast television. "The tradeoff is we get to tell more stories and usually have a bigger budget, so it probably evens out." And don't call the show a procedural. "We prefer to be seen as a hybrid," said Robert King. "It’s a polite way of saying we want to have our cake and eat it, too. Mind you, we don’t hate procedurals. There’s nothing better when you’re sick in bed at home than taking in a Law & Order marathon. We’re not trying to run away from that, but we work to stuff the procedural aspect so tightly bound into a script that there’s a lot of room left to show the impact on our characters. We don’t feel hampered by the label, but we hope people can get past it and any angst they may have over it." (Deadline)

SPOILER! Entertainment Weekly's Michael Ausiello has confirmed just which one of the boys of 90210 will come out this season on the CW teen soap. Actor Trevor Donovan--who plays Teddy--revealed that he'll be playing the famous zip code's gay character. “I read all your tweets and know you are all curious about the ‘gay’ character this season," said Donovan via Twitter. "Let me say, gay or straight, relationships are relationships. Everyone goes through the same kind of troubles and joys. A gay storyline will have an added issue of dealing with judgment from others. Acceptance, by family, friends, society, and self is just one of the concerns the character will be going through. It is a part of life, and it should be portrayed. I was told, and am confident, [that] the storyline will be written very well and the change in the character will be organic, NOT overnight. It’s going to be a great season 3. I look forward to chatting with you all as we progress.” Ausiello, for his part, confirmed that Donovan's Teddy is gay. Thus, the speculation can now end. (Entertainment Weekly's Ausiello Files)

FlashForward's Michael Ealy--who will next be seen on CBS' The Good Wife--has been cast as one of the leads on USA's buddy cop pilot Common Law, where he will play LAPD officer Travis Marks, described as "charismatic, casually attired, and unshaven—the polar opposite of his police partner, Wes Mitchell," who, unlike Wes, is "a freewheeling, impulsive maverick, not to mention an avid womanizer who is extremely successful with the ladies." (Entertainment Weekly's Ausiello Files)

Among the presenters at this year's Primetime Emmy Awards: January Jones, Ricky Gervais, Julianna Margulies, Matthew Morrison, Sofia Vergara, and John Krasinski. (Hollywood Reporter)

Spike has renewed Deadliest Warrior for a third season, with ten episodes on tap for Summer 2011. (Variety)

Looks like you've gotten there. TBS has ordered an additional 90 episodes of comedy Are We There Yet? The series, which debuted on June 2nd, will wrap up its initial ten-episode order this summer and then return with a massive reorder. (Hollywood Reporter)

David Madden has been named the successor to outbound Fox Television Studios president Emiliano Calemzuk, who is departing the studio to become the CEO of Shine Group Americas. Madden, meanwhile, has been promoted to the position of president and will report to Dana Walden and Gary Newman. [Editor: congratulations, Dave!] (Variety)

Stay tuned.

Over the Edge: Brief Thoughts on Showtime's Weeds and The Big C

It's only fitting in a way that Showtime would schedule Season Six of Weeds with the new dark comedy The Big C, both of which kick off tonight on the pay cabler.

In their own way, both series deal with the efforts of two women to survive in any way possible when faced with the insurmountable obstacle of death. On Weeds, Mary-Louise Parker's Nancy Botwin has spent the last five seasons attempting to keep her family together, getting deeper and deeper into treacherous waters after the untimely death of her husband, willing to literally get in bed with dangerous people in order to survive.

While the drama isn't as (soapily) high on The Big C, which airs a half an hour later, it's just as powerful as Laura Linney's Cathy receives a terminal cancer diagnosis and attempts to create a new way of living when faced with death itself, embarking on a journey in which she discovers her crazy again. For an uptight and controlling woman like Cathy, her last chance at living means living free: it means spilling wine on the couch, getting a pool put in her backyard, and attempting to reconnect with her loathsome teenage son.

In both cases, there's a lot of darkness going on but also a lot of humor to be mined from these extreme circumstances. Season Six of Weeds picks up moments after the cliffhanger ending from last season, where Shane killed Pilar with a croquet mallet blow to the head, knocking her into the pool. Wisely, the writers have realized that there's no time jump necessary here, finding both pathos and humor in Shane's new role as a "killer" and in Nancy's efforts to stay one step ahead of everyone likely to be on their tail.

It's a strategy that not only means that they ditch their new lives to hit the road but also removes Justin Kirk's Andy from the love triangle he was enmeshed in with his girlfriend Audra (Alanis Morrisette) and her obsessed, pro-life stalker. While Nancy selfishly doesn't allow Shane or Silas to pack any of their belongings, they hit the road with more than enough baggage--both physical and emotional--of Nancy's to last them a lifetime.

While Weeds has proven itself more than willing to shake up its foundations every few seasons (remember when she burned down their Agrestic home and they ended up by the Mexican border?), I have to say that I'm far more intrigued with this new on-the-lam picaresque than I was with the last two seasons. Publicity materials promise new identities, bizarre disguises, and odd jobs as the Botwins--plus Andy and Doug (Kevin Nealon), of course--attempt to stay alive and out of the hands of the Mexican drug cartel hungry for their blood.

The first episode--the only one sent out to press in advance--gave the series yet another jolt of adrenaline, quickly establishing the high stakes for this season and refocusing the viewpoint onto the Botwins as they attempt to get the hell out of their predicament and, more than likely, encounter a colorful menagerie of eccentrics, deadbeats, and kooks along the way. If you haven't been watching Weeds for whatever reason, this is the perfect opportunity to jump on board right now.

Showtime did, however, send out the first three episodes of the Laura Linney-led dark comedy The Big C, which is a good thing as it takes about that long for things to begin to click into place. The pilot episode, which airs tonight, has a few strong spots, one of which is--unsurprisingly--Linney herself, who stars here as the supernaturally uptight Cathy, a school teacher who keeps her terminal cancer diagnosis to herself and instead kicks her immature husband (Oliver Platt) out of the house and attempts to find new ways to remind herself that she's alive. For the time being, at least.

She sets out to wave her freak flag loud and proud, attempting to build a pool, spending the summer with her son (even if it means chasing down his soccer camp-bound bus with a paintball rifle), and reconnecting with that thing that she forgot how to do: live.

Cancer comedy is a hard thing to pull off and the pilot episode has the danger of becoming maudlin at times, particularly in scenes where Linney's Cathy interacts with her homeless brother Sean (John Benjamin Hickey) or her bitchy neighbor Marlene (Phyllis Somerville)... or Marlene's dog. A scene with plucky student Andrea (Gabourney Sidibe) crackles with nasty wit (just wait until you see what Cathy says to her) but seems separate from everything else.

Which is why the third episode seems to unify the various threads into something cohesive and enjoyable, as Cathy arranges a dinner party that brings together Sean, his new Whole Foods employee girlfriend, Andrea, and Cathy's supremely awful son (Gabriel Basso). Which, in true Showtime fashion, sort of goes horribly awry, really.

Episode Three is also the first episode where I began to see just what the series was capable of achieving and it's also the first installment where the show itself seemed to relax a little bit and, like Cathy herself, stop being so controlled and uptight. For a series about life, The Big C needs to embrace the messiness, humor, and emotion that this episode encapsulates.

If it does, The Big C, despite its subject matter, might just transform into a series that I hope lives for some time to come.

Season Six of Weeds premieres tonight at 10 pm ET/PT, followed by the series premiere of The Big C, on Showtime.

TCA Diary: Season Five of Dexter About "Atonement"

At today's Dexter session at the Television Critics Association Summer Press Tour, the cast and crew of the Showtime serial killer drama united on stage--a week after appearing in San Diego to promote the series--to discuss the fifth season, how Julie Benz's Rita fits into the overarching storyline, whether there will be another season-long big bag, and other bloody good fun coming up on the series.

Joining the panel: Michael C. Hall, Jennifer Carpenter, James Remar, C.S. Lee, executive producers Sara Colleton and John Goldwyn and newly minted showrunner Chip Johannessen, who took to the stage after a teaser trailer that showed the bloody aftermath of the carnage in the fourth season finale.

"No," said Sara Colleton answering a question as to whether Seasons Four and Five were planned in concert with one another. "We rarely go beyond one year because we have to have a season arc that has a beginning and a finish... At the end of Season Four, it quickly became clear to us what Season Five was about... The audience had to see what the blowback would be for his culpability in Rita's death. To cheat that would be to cheat our audience."

Will Vince Masuka (Lee) gain any insight about Dexter's secret this season?

"I certainly think it’s a possibility," said Lee. "He works in close proximity with Dexter, and we share labs. That certainly can happen. I certainly hope he doesn’t get too close to that. He will have to be the next one to go."

So will Dexter reveal himself to anyone else in the department?

"The short answer would be no," said Hall. "I think Dexter relishes opportunities to reveal himself covertly and say things that are true on one level but only experiences true on another level by whoever he’s talking to. But, no, I don’t think so. I certainly hope not."

Other than Dexter, Carpenter's Deb had the craziest story arc in Season Four. Carpenter herself agreed.

"I think her arc has been extreme," she said. "I spend a lot of time justifying how she’s not in a straitjacket at this point, and what I’m learning is that life on this show happens not only in TV time, but also in Dexter time. So the healing process is really rapid, and it’s hard to not — because I am so much more emotional than Dexter is, it’s hard to not carry pieces of that into every scene."

"How it unfolds this year, I look at the other cops in the bull pen, and I’m one of them now. Like, they all have this sort of wretched experience they walk around with. And I think she’s sort of playing the game. It’s a new strength, but it’s also just compartmentalizing in a way that she hasn’t before."

This season, the task force gets closer than ever to catching Dexter. How often can the producers go to that well and have him slip away?

"The last time it happened, there was, on the one hand, the big investigation, but there was also the personal version of that, which was the character Doakes, who was going after Dexter, but he wasn’t armed up with a lot of information,
right?" asked Johannessen. "He just had a sense that this guy was bad. [The task force is] going to be spearheaded by Quinn in some form this year, and it’s really going to
look a lot different because, first of all, he’s going to have more actual information. He’s not going to be this bull in a china shop just going after Dexter. And the other thing is, because he isn’t the bull in a china shop, this sort of outsider in the bull pen, Quinn has found a home there, which is one of the nice things about this show, that there’s this kind of work environment that feels very family-like. He’s going to have a much, much more difficult time eventually pushing forward with this investigation as kind of the personal relationships around him weigh on him. So it’s going to look a lot different."

"I guess anybody could find out [about Dexter], but the one that really, really matters, I think, is Deb, the one that matters to all of us emotionally," he said. "So
that’s the important person to track, I think, in terms of finding out more about him, having suspicions about him."

As for the change at Dexter's helm, the producers were quick to play up the seamlessness of the handover between Clyde Phillips and Chip Johannessen.

"Clyde was a fabulous addition and will always be sort of part of the emeritus part of the Dexter family," said Sara Colleton. "He was our showrunner, and now we have Chip. And it has been about as seamless as these things go because we have the remaining pillars in the writing room. And the central idea of Dexter is so strong and so provocative, and we feel that as long as every year we feel there is a new human territory to push Dexter through that mine field, rather than is he going to get caught, is really what brings our audience to us, and so — and particularly after the season arc last year. It was the perfect time, after four years, to bring a fresh view and some new blood. So it’s been about as seamless as it can be."

"The one thing I want to add to that, to Sara, is we were very lucky to get Chip because Chip was a fan, and so he knew the show well," added John Goldwyn. "He knew all of the intimate aspects of the characters, and so he came to it with this wealth of knowledge about Dexter and about all of the characters in the show and the important themes and that sense of discovery that Dexter goes through in every season. So we weren’t starting off with somebody who didn’t have an intimate knowledge of the show and real appreciation, but we were very lucky in that regard."

The producers weren't, however, so keen to offer information about who the huge guest cast will be playing this upcoming season, other than Katherine Moennig, who will play Masuka's friend Debra.

"She plays a tattoo artist, and I take Debra to meet her," said Lee. "We just shot it yesterday, and she’s a wonderful actor and we had a good time."

"Because there’s a tattoo that is a part of the big crime that Miami Metro is solving this year," added Colleton, "Deb has found a clue and so they need to go
to a tattoo artist to get more information."

Meanwhile, Peter Weller's character was actually informed by, er, Peter Weller himself.

"Well, Peter Weller was part of the original pitch to Showtime," said Johannessen. "He’s going to be a big problem for Dexter, especially in the back parlor. We called him Weller when we originally conceived him, and then we had to change the name once we got the guy we had actually wanted. So he’s kind of an ex-cop, a kind of Cocaine Cowboys-era guy who gets into some trouble with the corruption thing and ends up kind of posing a problem for Dexter."

"One of the things to help you understand, we are taking a break this year from what has been the way we’ve plotted out our seasons in the past four years, which is to have one, sort of, season-long adversary for Dexter," added Coletton. "And we thought this was the perfect year, because of what Dexter has gone through, to take a break from that. And so, as he’s going through different stages of his grief, really, even
though, for Dexter, it’s completely unarticulated and it’s a range of human emotion that he doesn’t know what he’s feeling, but as he goes through different stages,
there will be different characters who will come in, who will interact. And so, as the season progresses, some of these characters interlock, but the through line is, this year, Dexter’s atonement, and different people help him along the way in different
capacities. And that’s why we have a very interesting array of new actors."

(So no details there.)

"We have an ensemble this year with Johnny Lee Miller and obviously Julia Stiles and others that help illuminate what Sara is talking about, which is this
discovery of atonement," said Goldwyn.

"One of the things we wanted to do this year was shake up that single big bad, especially in the wake of John Lithgow, and it did seem like the thing to do was try to top the baroque serial killer thing," said Johannessen. "And also, given where Dexter was coming from, it does become a series about atonement. He’s not a character who experiences guilt or grief like any of us would. So it’s not his intention starting out, but the season kind of becomes about this as he slides into it. As Michael sometimes says, he trips into it, this kind of oddly human experience, at a time where he just feels that everything that he has done that had to do with connecting with humanity has melted down in this horrible, horrible way. And the last thing he wants to do is be involved with people, and yet part of the amazing thing about this character, who is so outside of everybody and so alienated, is that he keeps trying to claw his way back in. In the wake of Rita’s death, you see that over the course, really, of the whole season."

Hall said that he did tried to approach what was coming without advance knowledge of Rita's death at the end of last season.

"I really tried, while I consciously knew that’s where things were headed — I really tried to approach everything that led up to it without that foreknowledge and decided I’d just cross that acting bridge when it revealed itself," Hall said. "But what’s
interesting is this idea of atonement, this idea that Dexter is forced, through what’s written, into those situations where he has to step into waters that he never anticipated stepping in, and it starts out subterranean, but there is some sort of appetite to address his maybe not even consciously acknowledged sense of guilt or remorse or need for atonement, and the circumstances of his life sort of manifest an
opportunity to do that in a way that he doesn’t create consciously."

Just don't expect Dexter to lose his hold on his sanity this season.

"No," said Colleton. "Don’t forget he’s now a single dad, so he has some responsibilities that are really serious. And like all single dads, they don’t know until the wife is gone just how much that means."

"I think one of the things that Dexter is examining this season, though, is his involvement in some way, or perhaps even a little bit his culpability, in the death of Rita," said Goldwyn, "which leads to what Sara mentioned earlier which is the theme of atonement, which is illuminated and dramatized over the course of this year."

"The forum that Dexter takes to achieve atonement is not in a forum that is conventional by any means," added Colleton, "and it will be through the very unique prism of Dexter’s special needs, and that’s what makes it very original."

"[Dexter] saw his mother sawed up in front of him in this container," said Johannessen. "He was born in blood. He now has this adult origin story in a way in the way he brought his own life into this horrible mess that it’s turned into, which is very relatable the way we all kind of melt down our existences, so we’re trying to give it kind of the huge cosmic space it deserves, which is this is almost like a second origin thing in his life and that event at the end of Season Four will kind of... filter through it in the same way that his original story filtered through Season One."

So how will Rita be appearing in Season Five? Will she be handled in the same way that Dexter's dad (Remar) is?

"In this show Harry serves a very unique purpose," said Colleton, "and to dilute that in any way would, I think, fundamentally harm the DNA of our show."

"He’s the only one with keys to that room," added Hall.

"You’ll be seeing her more than dead in a bathtub, for sure," teased Johannessen.

Season Five of Dexter premieres Sunday, September 26th on Showtime.

Crossing the Pond: Showtime's Episodes Session at TCA

On the comedy front, if there's one series that I'm anxiously awaiting, it's Showtime's Episodes, co-produced with Auntie Beeb. The Hollywood skewering series--which stars Matt LeBlanc, Tamsin Greig, Stephen Mangan, John Pankow, Mircea Monroe, and Kathleen Perkins--was created by former Friends writer/producers David Crane and Jeffrey Klarik and executive produced by British television god Jimmy Mulville.

Episodes explores just what happens to a pair of British television creators when an American broadcast network brings them over to Los Angeles to create a US version of their hit show... and saddles them with Matt LeBlanc.

For LeBlanc, he maintains that he's not playing himself. At all.

"It's not really myself," said LeBlanc. "It's a character that David and Jeffrey wrote that happens to have the same name as me. There are some similarities. For the most part, it's a fictitious character."

"Things go from bad to worse," said Mulville about the journey that the fictitious producers go on when they arrive in Los Angeles. "I mean, the journey of taking an English hit show to America, believe or not, things can go
wrong."

"I think what happens to the couple is not about television," he continued. "This whole thing is about a triangle. Beverly and Sean come to Hollywood. He wants to go there. She’s reluctant, but she loves him. So she goes, and they try and make this work. Enter Matt LeBlanc. There the triangle is formed, and it’s about that, really. It’s about a comedy about these three people and the characters at the network, the brilliant characters very beautifully drawn at the network, and they all conspires to make a mess of these people’s lives. So a marriage goes through a real crisis, and the backdrop is this crazy world of network TV, which apparently Jeffrey and David know quite well."

But don't ask them about whether Hollywood-centric television shows have a tendency to crash and burn.

"How many seasons did Entourage go?" said Tamsin Greig (Black Books). "I mean that was a show about the business, and I think it was pretty successful."

"Generally, people think that the TV and film industry is right up its own ass, and, you know, rather like looking into a badly run crash, and who would be interested in that?" continued Greig. "But what part of life isn’t and doesn’t look like a badly run crash? Maybe that’s why it’s interesting and funny and dramatic."

After all, the show business aspect isn't the whole series, said the creators.

"It’s sort of about show business like I Love Lucy was about show business," said Jeffrey Klarik. "It’s really on the periphery of all of our stories. The story’s really about the three of them and their dynamic."

"Hopefully that’s what the audience will invest in because if it were just satire television, you’re right," David Crane chimed in. "Then after awhile, fine. But it’s really about what happens between the people."

Why did it take LeBlanc so long to get back on television post-Joey?

"There was a few network shows that came and went that crossed my desk, and I said no to," said LeBlanc. "I just took the time [off]. 12 years, every day, was a lot. It was a great time, but I wanted to take some time off and spend time with my daughter and just sort of take some time away from the business. It’s nice to be back now in something... with writing that I have real faith in, with a cast that’s really talented, and it was a lot of fun. It was a little different. This is single camera versus multi-camera in front of an audience. So when the punch lines come up and you say the punch line and there’s no crowd laughing, it’s a little unnerving. But aside from that, I think we had a really good time, and I think it shows."

LeBlanc isn't the only one a little out of his comfort zone. For Klarik and Crane, who co-created the short-lived CBS comedy The Class, it was disconcerting to contemplate going back to the television business.

"David was bored and wanted to go back to work, and I said, 'No,'" recalled Klarik. "I said the only way I’ll go back to work is if we can do it someplace where we’re under the radar and we don’t get pummeled like we did last time. The last time
I felt like a puppy in a dryer, in a clothes dryer. I mean, it was just torture. So I said, 'Okay. Let’s do this, but let’s go to England where they leave you alone and let you do what you want.' So we met Jimmy."

"It started out as a project for BBC, and then it became a project for both Showtime and the BBC," said Crane. "We never for a minute considered taking it to a network. What we were really looking for was a creative freedom, and it’s been amazing from both networks just how much they’ve let us do the show that we wanted to do. It’s been wonderful and a little scary."

Best line of the panel? LeBlanc on whether Klarik and Crane had him in mind when writing the series: "Schwimmer said, 'No.' So did Perry. So did Lisa."

Second best line? Mulville on the language barrier between the US and the UK. "We
had a very in-depth analytical conversation about whether p*ssy-whipped would play in the U.K., and we had to do a sort of round thing of the crew. Most of the crew had heard of the words 'p*ssy' and 'whipped,' but never together." Jeffrey Klarik's rejoinder? "They actually thought it was a dessert topping."

Asked whether the writers have, after seven episodes, hit upon why it's so difficult to translate English series for American television, Mulville had a lot to say.

"I think they’ve used that as a template. I think it’s about the crass interference in the creative process by people who are driven by forces not really concerned with what’s funny, but what’s going to play, what’s going to sell, what’s going to appeal," he said. "The character that John Pankow brilliantly plays as the head of network, he has an attention span of about 15 seconds. And all the work is done by his assistant, which is beautifully played by Kathleen [Perkins]. And between them they conspire to make each wrong decision. They make a wrong decision and then fix that decision by an even worse decision. We’re watching the edits, and we’re nodding away because that’s our experience too, is that you — part of producing is to get your baby through the labyrinth, without it being completely destroyed, and onto the air. And I think that the English experience of bringing an English show is just multiplied by ten. But you talk to any American writer about getting a show on the network, and they’ll say it’s a very similar thing. You don’t have to be English to have that experience. That’s a
pretty universal experience."

"But the truth is the heart of the show is not about the minutia of getting a show
onto TV. That’s just the thing that they happen to be doing whilst their marriage goes through an incredible crisis and while they’re dealing with the madness of being
in Hollywood as well, just going to parties and having to make nice and saying the right thing to the right people. It’s stressful. And she, in particular, doesn’t want to do it. She doesn’t want to play the game. And he’s more compliant and just wants to make things nice. And when you see it on screen, you see the chemistry between Stephen and Tamsin, who have huge reputations back in the UK — and I think they’re going to really break out in America here — and then you’ve got Matt in that, the playing with them. And then you add in the network... We've watched the scenes at the network, and we’re laughing and we’re chilled at the same time. When Julian, the knight of the theater, who’s been playing this role in Britain for five years to great acclaim, is made to audition for his own part because the head of the network can’t be bothered to watch the show and makes him audition because he wants him to audition, and he dies, he dies in the audition — we’re watching it again and again, and it’s chilling. I could pick up the chair with my buttocks and walk out."

Episodes will air next year on Showtime.

TCA Diary: Showtime's The Big C Session

Showtime kicked off the second official day of the TCA Summer Press Tour with a session for its upcoming comedy The Big C, which launches next month.

After screening a selection of scenes from the first few episodes, Laura Linney, Oliver Platt, Gabourey Sidibe, executive producer Jenny Bicks, creator Darlene Hunt, and executive producers Vivian Cannon and Neal Moritz took to the stage to answer questions about the series, which revolves around the life changes undertaken by a woman after receiving a terminal cancer diagnosis.

"When this script came to me, what hit me the most was the theme of time," said Linney about what attracted her most about the project. "What do you with time? What are the choices that we make, how we spend our time? How much time to we get? It's a privileged to grow old... It was meaningful to me."

"Everyone who shows up is so happy to be there," said Linney about shooting the series in Connecticut. "It was important to me that the show be shot on the East Coast in order to take advantage of the theatre community there."

The series has given Linney more than a little in-depth knowledge about melanoma.

"I certainly know a lot about melanoma at this point," admitted Linney. "There's that bit of research. I'm going on the journey with Cathy, actually. I'm at the age where relatives are growing older, friends are dying, sometimes in very unexpected ways... Every once in a while, I'll be filming and I shot a scene with Oliver... and something hit me in that scene and I started to [cry] because it hit me that she's really going to die."

"She's a woman who doesn't really know who she is and she gets the opportunity to find out," she said later. "She's been functioning really well but she hasn't been living. She has a huge growth spurt throughout this."

The early episodes focus on Linney's Cathy attempting to find a new outlook on the time that she has left as she connects--and reconnects--with various people in her life, from her immature husband, horrid son, homeless brother, and her misanthropic neighbor, Marlene. We'll learn more about Marlene and her own family as the season progresses.

"Marlene has two daughters," said Jenny Bicks. "One is a lesbian, the other lives with her 'Jewish white witch of a husband,' as Marlene calls him. They will be showing up and interacting with Cathy." (Bicks said that that two roles have been cast but declined to name who would be playing the daughers.)

Meanwhile, Cynthia Nixon will play Rebecca, who is "Cathy's best friend from college who shows up at a very specific moment for Cathy," according to Bicks. "She is a wild, loose woman who never grew up and will do the same for Cathy now."

"I did," said Linney when asked if she helped broker the deal with Liam Neeson, who will play a character called the beekeeper. "He's from the alternative medicine world. He's doing two days with us [though scenes will be limited to] one episode for now."

"This should not be your go-to-place if you have just been diagnosed with cancer and are looking for how to live," said creator Darlene Hunt in response to a question about whether people suffering from cancer should use the series as a handbook for living. "It's a show about living and not dying. It's a show for everyone because we are all living on borrowed time."

"Laura really is executive producing," said Bicks about Linney's involvement in the series. "She was showing up for conceptual meetings and production meetings long before her call... She wears many hats."

An earlier comment about New York actors seemed to rub one critic the wrong way. "They're not better," clarified Linney. "There's something about filming on the East Coast that was important for me to be a little removed from all of the business... during this first season, in an undertaking that is new and foreign to me," said Linney about New York actors vs. Los Angeles actors. "There is a depth of field in New York for actors, a generation of theatre actors that have never been on screen... There's a tremendous resource there that hasn't been taken advantage of on television."

So is there an inherent shelf life on the series, given the ticking clock on Cathy's condition?

"Every season is a season," explained executive producer Vivian Cannon. "In the pilot episode, it's the first day of summer so the first season of the show would be summer, the following would be fall, and so on."

"Six seasons of television would only equal 18 months of Cathy's life," added Hunt.

"Cathy has a very interesting, mysterious response to her diagnosis, in that she doesn't want to tell the people closest to her," said Oliver Platt, who plays Cathy's husband. "This goes on for a while... My hat's off to the writers to keep it going forward. To me, what I love about the show... this very modern relationship, when Cathy gets the diagnosis--like a lot of things in your life--you take a very stark look at your life and she decides that this relationship isn't what she wants in her life. How do we describe Paul? Emotional maturity might not be the top line of his resume but he grows up fast and what a smart thing to put him in a hole to begin with."

"Why do we start to live beautifully when we get a death sentence," pondered Platt. "It's remarkable. It's a very delicate bandwidth. The only person who is allowed to make a cancer joke is Cathy... It's got a very healthy sense of irony and the absurd. It's very truthful. Who knows how someone is going to behave when they get this kind of proclamation on their life?"

But the producers insist that the series won't be all doom and gloom nor will it be a sunny comedy. There's an inherent balance within The Big C when it comes to Cathy's life and her impending death.

"The thing that we wanted to do is just to be truthful about the disease and melanoma--Cathy has Stage-IV melanoma--there's a truth to how long you will live but there's been a huge amount of clinical trials," said Bicks, who herself survived cancer. "We're not so concerned about whether or not we're going to kill her. But we are not going to be afraid of it. The nice thing about being Showtime is that we don't have to sugar-coat it."

So does Linney expect that the writers will kill off Cathy at the end of the season? She's up for anything.

"The fullness of the time that she has is so wonderful," said Linney. "I'm sort of game for whatever happens, as long as it's honest."

Academy Award winner Gabourney Sidibe plays Andrea, one of Cathy's summer school students who she pays to lose weight. Despite the fact that Andrea is unaware of Cathy's condition, the sarcastic girl forms a strange sort of friendship with Cathy over the course of the summer.

Sidibe admitted that she's had quite a journey over the last year.

"It's been a strange year," said Gabourey Sidibe. "I thought I'd be a receptionist... I'm still very normal. I take the subway, I take the bus... It goes to show you that whatever plan you have for your life, you're wrong."

"The way that the writers handle the delicacy of this woman's life was so strong and so smart," said Sidibe about what lured her to the project. "I really wanted to be a part of it."

"I'm a selfish liver, I guess," said Sidibe. "My character doesn't know about Cathy's diagnosis at so, I wonder how many people in my life that I don't know are suffering."

"She's learning from the mistakes that she makes," said Linney about Cathy's journey. "More than having a bucket list, she's trying to figure out who she wants to be."

"Cathy will explore her options this season but we wanted it to be more about her being almost in a state of denial," said Bicks.

"We wanted to turn some expectations on their ear," said Hunt about how they handled Cathy's diagnosis. "Some things that we wanted to explore were, what would be a knee-jerk reaction to just wanting to feel good and live life differently?"

Showtime has scheduled The Big C with Weeds, which is also about a woman who makes some radical choices when faced with life's difficulties. How does Linney feel about being paired with the very differently toned Weeds?

"I'm thrilled," said Linney about being paired on Mondays with Weeds. I love Mary-Louise. We're friends. We shot some promos together and had a blast. I'm thrilled to be following Weeds... Our show is a really nice complement to their lineup and different."

You can watch the first episode of The Big C in full below:



The Big C launches August 16th at 10:30 pm ET/PT on Showtime.

TCA Diary: Showtime's Matt Blank Teases Upcoming Programming

Showtime's Matt Blank kicked off the festivities on Day Two of the Television Critics Association Summer Press Tour by offering a look at what's coming up for their slate of original programming over the next six months or so.

"Showtime continues to thrive in every part of our business," said Blank. "We received more 2010 Emmy nominations for our original series than any other premium cable network."

Here are some highlights from the very brief session, during which Blank acknowledged the behind-the-scenes changes going on at the pay cabler, where Robert Greenblatt has stepped down and will be succeeded by David Nevins.

Weeds comes back in August. Guest stars this season will include Richard Dreyfus, Alanis Morrissette, Mark-Paul Gosselaar, Linda Hamilton, and Peter Stomare.

The Big C, which launches on August 16th as well, will feature Idris Elba, Cynthia Nixon, and Liam Neeson, whose participation was announced earlier this week.

Dexter's latest season will feature Peter Weller, Maria Doyle Kennedy, Julia Stiles, Shawn Hatosy, Johnny Lee Miller, and more.

Showtime has renewed Nurse Jackie and United States of Tara for third seasons and Secret Diary of a Call Girl for a fourth and final season.

The American adaptation of UK drama Shameless is set for a January 9th launch. A promo package that was screened had very good response from the collective critics. [Editor: having scene the pilot three times now I can say that it's one of the few series that I feverishly anticipating. Amazing, amazing pilot.]

The network offered a look at period dram The Borgias, which stars Jeremy Irons as Rodrigo Borgia and hails from Neil Jordan, who serves as creator/writer/director/executive producer. The series premieres Spring 2011. Production begun last week in Budapest. The network is positioning the series, set in 15th century Rome, as "the original crime family."

Channel Surfing: Damages Season Four Details, Susan Sarandon Gets Miraculous, RTD Teases Torchwood, Fringe, and More

Welcome to your Tuesday morning television briefing.

Now that the ink has dried on Damages's DirecTV deal, Entertainment Weekly's Michael Ausiello talks to executive producers Todd A. Kessler, Glenn Kessler, and Daniel Zelman about whether the format for the serpentine legal drama will be altered for its fourth and fifth seasons, whether the budget will be affected, why Ellen has gotten past the fact that Patty tried to have her killed, who will be returning, and a host of other issues. "DirecTV wants us to do the show that we’ve been doing," said Zelman. "If anything, they want us to push what we’ve been doing even further. They’re encouraging us to be as bold as possible, which is something we strive for anyway. There have been no discussions about altering the show in any fundamental way." Except for the fact that the episodes will be longer, that is. "What’s exciting for us as creators is that on the 101 Network there are no commercials, so it’ll be an uninterrupted hour," said Todd A. Kessler. "And that lends itself to the type of storytelling we do." Production on Season Four begins in January. (Entertainment Weekly's Ausiello Files)

The cast of HBO's drama The Miraculous Year--from writer John Logan and director Kathryn Bigelow--just keeps getting better and better. Susan Sarandon (The Lovely Bones) will join Norbert Leo Butz, Frank Langella, Hope Davis, Lee Pace, Patti LuPone, Eddie Redmayne, and Linus Roach, among others in the cast of the drama pilot, which follows the lives of a wealthy Manhattan family. Sarandon, who will guest star in the pilot, will play Patty Atwood, the director and choreographer for the new show that Norbert Leo Butz's Terry is mounting. (Deadline)

Russell T Davies has teased information about the upcoming fourth season of Torchwood that will air in the US on Starz next year, telling a journalist from SFX that it will be very dark indeed, if not darker than Torchwood: Children of Earth. "Actually, this story is also very dark," said Davies. "I think with that, Torchwood found its feet. People found something very compelling and very chilling about it. I love the way people got on their high horse saying, 'Oh, he killed his grandson!' Hello! He saved every single child in the world! If you would fail to do that then you're the monster, frankly. It's this extraordinary treatment that only science fiction heroes get You find that. If ever a word is said out of place by the Doctor or Captain Jack, or even by Sarah Jane sometimes, people throw their hands up in horror, whereas in any other drama any character is capable of any thing at any time. That's the only way to write, and it's the same for these people as well. I thought it was fascinating and challenging what he did there, but hard—it was so hard. I do think with the whole of Children Of Earth we found a new heartland for Torchwood." (via Blastr)

Entertainment Weekly's Michael Ausiello has a video interview with the stars of FOX's Fringe, in which Anna Torv, Josh Jackson, and John Noble discuss Season Three, the romance between Olivia and Peter, and familial bonds. Well worth a look if you don't mind vague spoilers. (Entertainment Weekly's Ausiello Files)

The Chicago Tribune's Maureen Ryan talks to Bruce Miller and Jaime Paglia, the producers of Syfy's Eureka about Felicia Day and Wil Wheaton's upcoming turns on the dramedy series as well as about James Callis' Dr. Grant. According to Paglia, Day will play a "very eccentric scientist, someone who was invited to be at Eureka but turned it down," when the series returns for the back half of its season in 2011. According to Ryan, Day's character will be "brought in to consult on a problem and Day's character and the character played by Wheaton, who will appear in several episodes, will be involved in a love triangle with a Eureka regular. The producers wouldn't say who it is, but I'd bet money that it's Fargo." (Chicago Tribune's The Watcher)

Glee fans, say goodbye to Coach Tanaka. TV Guide Magazine's Will Keck is reporting that Patrick Gallagher--who plays the surly high school coach/gym teacher, is not expected to return for the second season of Glee this fall and the producers will be introducing a new character--Dot Jones' Shannon Beiste--as the new football coach at William McKinnley High. "As he has not been written into the show's first few episodes," writes Keck, "it appears that Tanaka ran his course after failing in his attempt to marry Emma." (TV Guide Magazine)

Liam Neeson is set to guest star on an upcoming episode of Showtime's Laura Linney-led dark comedy The Big C, where he will play Bee Man, an eccentric man whom Cathy consults for a possible cancer treatment. (via press release)

Nigel Lythgoe is said to be thisclose to finalizing a deal that will see him return to FOX's American Idol as an executive producer for the tenth season. Lythgoe is widely expected to close the deal and serve alongside Ken Warwick, Simon Fuller, and Cecile Frot-Coutaz. "Fox is seeking to bring back Lythgoe to work on the hit series as part of a master plan to reboot the show following the exit of top judge Simon Cowell," writes The Hollywood Reporter's James Hibberd. "In addition, Idol fans can add pop star Justin Timberlake to the list of potential Cowell replacements. Timberlake, along with legendary singer Elton John, is on Idol producer 19 Entertainment chief Simon Fuller's wish list." (Hollywood Reporter's The Live Feed)

Deadline's Nellie Andreeva is reporting that Common (Date Night) has been cast in AMC period drama pilot Hell on Wheels, the first talent attachment to the drama, which depicts the construction of the Transcontinental Railroad. Common will play Elam, described as "a freed slave who comes west seeking work on the railroad and his place in the world" and who, "as a half black, half white man... does not completely belong to either world." (Deadline)

G4 has purchased four anime-inspired series based on Marvel characters from Sony Pictures Entertainment. The cabler has ordered twelve episodes each of X-Men, Wolverine, Iron Man and Blade, which it will launch in 2011. Marvel Entertainment will produce with Madhouse and each of the anime series will have some thread connecting it to Asia in some way. [Editor: the inclusion of Wolverine here then makes sense, given his history in Japan, but X-Men? Interesting.] (Variety)

It's thought quite elementary that BBC One's new mystery series Sherlock--a modern-day version of Sir Arthur Conan Doyle's sleuth from Steven Moffat and Mark Gatiss--will be recommissioned for a second season after 7.5 million viewers tuned in on Sunday to watch the first episode. (Broadcast)

In other UK news, British viewers will be able to watch the CW's Nikita and NBC's Chase, following a deal between studio Warner Bros. Television and The Living TV Group (a division of BSkyB) that will bring the series to Living. Nikita will air this fall on the channel, while Chase will jump across the pond in 2011. (Hollywood Reporter)

Deadline's Nellie Andreeva is reporting that Jeff and Jackie Filgo have left ABC's comedy pilot Awkward Situations For Men, which is being reworked and will be reshot. The cast of the original pilot--Danny Wallace, Tony Hale, and Laura Prepon--will return for the redone pilot though studio Warner Bros. Television will have to find a replacement for the Filgos, who wrote the pilot with Wallace and served as executive producers on the project. (Deadline)

TV Guide Magazine's Will Keck is reporting that an earthquake will rock Los Angeles in the September 13th season premiere of 90210. "We wanted to open the season with an event that has both physical and emotional ramifications for several people," co-executive producer Jennie Snyder Urman told Keck and added that the incident will seriously affect one character. "One of them has a very serious injury that takes time to resolve and sort of changes the direction of his or her life." (TV Guide Magazine)

Epix has acquired rights to stand-up comedy film Louis C.K.: Hilarious, which premiered at Sundance earlier this year. The pay cabler will air the film on September 18th on Epix, its website, and its on demand service before Comedy Central gets a second window in 2011. (Variety)

CBS and CBS Studios have signed a talent holding deal with former King of Queens star Leah Remini, who will also serve as one of the hosts of CBS' new mom-centric daytime talk show. Under the terms of the deal, Remini will star in a new half-hour comedy pilot for the network. (Deadline)

Former ITV managing director Lee Bartlett has returned Stateside, where he has moved into the business affairs EVP position at Discovery Communications. He'll be based in Los Angeles and will report to Peter Ligouri. (Variety)

Stay tuned.

Guilty as Sin: Showtime Unveils Dexter Season Five Promo at Comic-Con

"I was not really honest with you. I am a serial killer; that's what I am."

Showtime has released the action-packed video for the trailer for Season Five of Dexter, which it showed to a packed house in Ballroom 20 on Thursday at San Diego Comic-Con.

Missed the panel? No worries as you can check out the full trailer for Season Five of Dexter below. But warning: it contains serious SPOILERS if you haven't seen the fourth season finale... and you might want to lower the volume for the first bit.



Season Five of Dexter launches Sunday, September 26th at 9 pm ET/PT on Showtime.

Channel Surfing: Olivia Munn Tackles Chuck, Scott Porter Investigates The Good Wife, Chris Isaak Could Replace Simon, and More

Welcome to your Wednesday morning television briefing. A few things to get through before I hit the road for San Diego and Comic-Con.

Entertainment Weekly's Michael Ausiello is reporting that Olivia Munn (the newly minted Daily Show correspondent) will guest star on NBC's Chuck this fall when the series returns for its fourth season on September 20th. Munn, who is a series regular on NBC's midseason comedy Perfect Couples, will play "an impossibly cool, smart, and pretty CIA agent who intimidates and schools Chuck and Morgan" in the same installment that features Dolph Lundgren. (Entertainment Weekly's Ausiello Files)

In other scoop, Ausiello writes that former Friday Night Lights star Scott Porter will be joining the cast of CBS' The Good Wife this fall. Porter, whose CW pilot Nomads was not ordered to series, will play Blake, described as "Kalinda’s private-eye counterpart at the D.C. firm that’s merging with Lockhart & Gardner" who "offsets his cynical attitude with lots of hidden humor and sexual charisma. He is disguised as a landlord when he first encounters Kalinda, who doesn’t appreciate being taken in by this ‘master of disguise.’ However, underneath their fractious interactions, there’s definite chemistry between these two." Porter is expected to appear in at least ten episodes of The Good Wife's second season. (Entertainment Weekly's Ausiello Files)

Wicked Game? Singer Chris Issak is among the frontrunners to replace Simon Cowell on FOX's American Idol, as is Harry Connick Jr. while Bret Michaels and Donald Trump have each lobbied to replace Cowell for the tenth season of Idol. "The network is determined to land a widely known music industry figure for the post, and THR has learned that singer Chris Isaak has met twice with the network," write James Hibberd and Kim Masters. "Also, at least one desirable candidate has set off a tug-of-war between Idol executive producer Simon Fuller and Cowell -- whose upcoming Fox singing competition The X Factor is similarly seeking judges." Hmmm... (Hollywood Reporter)

Syfy has announced that the back half of Season One of Caprica will not air until January 2011, a sizable delay given that the first half of the season wrapped in the end of March. Here's how Syfy is positioning the remainder of the season: "In season 1.5, the once idyllic world of Caprica – as well as life across the colonies – falls prey to an explosive chain reaction of consequences set off by the characters’ many questionable actions in the season’s first half. Tensions rise, power shifts and the line between reality and the virtual world becomes increasingly blurred as everyone struggles to learn – and conquer – the stakes in this volatile setting. As the season races towards its stunning conclusion, events of each episode lay the framework for the inevitable (and brutal) clash between the newly-created Cylon race and their human creators." (via press release)

Universal Media Studios has signed a deal with The Office writer/co-star B.J. Novak that will keep him aboard the NBC comedy series for two more seasons and will be bumped to an executive producer title halfway through the series' upcoming seventh season. He'll also develop new projects for the studio as well. "B.J. has been an integral part of The Office since the launch of the show," said Angela Bromstad, NBC's president of primetime entertainment. "Whether he's in the writing room or appearing on screen, we always get the smart, sophisticated, ridiculously funny humor from him that the fans have come to love." (Variety)

Mark your calendars: HBO has announced that Bored to Death and Eastbound and Down will return for their second seasons on Sunday, September 26th at 10 pm and 10:30 pm ET/PT respectively. (via press release)

TVGuide.com's Denise Martin is reporting that Katherine Moenning (The L Word) will guest star in the upcoming season of Showtime's serial killer drama Dexter, where she will play a tattoo artist appearing in one episode. "How she'll become embroiled in the serial killer's world remains unknown," writes Martin. The fifth season of Dexter launches Sunday, September 26th at 9 pm ET/PT. (TVGuide.com)

Doris Roberts (Everybody Loves Raymond) will be dropping by ABC's The Middle for the second season premiere, airing September 22nd. She'll play a new teacher for Brick who is "an intimidating force to be reckoned with" and "'strong' opinions about Frankie's parenting methods." (Entertainment Weekly's Ausiello Files)

File under strange but true: CBS' drama pilot Chaos, the subject of a lively back and forth between the network and studio 20th Century Fox Television, is allegedly alive again, according to Deadline's Nellie Andreeva. "The resurrection process took a step forward yesterday when CBS' entertainment president Nina Tassler had lunch with 20th TV chairmen Dana Walden and Gary Newman to discuss the matter," writes Andreeva. "I hear the Brett Ratner-directed Chaos is now back on track for a midseason series order at CBS, possibly as a co-production between 20th TV and CBS TV Studios. The only major obstacle is bringing back the cast, led by Freddy Rodriguez, which was released on June 30 when the actors' options expired. I hear the actors have been approached about returning and things look optimistic on that front." (Deadline)

If you were worried that the cast of MTV's Jersey Shore wouldn't be back for a third season, you can rest easy today: the entire cast has renegotiated their contracts and will be approximately $30,000 per episode for Season Three. [Editor: the sound you hear? Me gagging.] (The Wrap)

ABC Family is launching new comedy Melissa & Joey on Tuesday, August 17th, with two back-to-back episodes at 8 and 8:30 pm ET/PT. (via press release)

Cinemax is resurrecting the thriller anthology genre with a new latenight series Femme Fatales, based on the magazine. Format will be a half-hour anthology, airing in a latenight slot with a narrator introducing short-form thrillers. Project, which has received a series order, is executive produced by Mark A. Altman and Steve Kriozere. (Hollywood Reporter)

Bert Salke will replace Chris Carlisle as the president of Fox21, the subdivision of 20th Century Fox Television that specializes in cable and reality programming. He is expected to start in August and will report to Dana Walden and Gary Newman. (Deadline)

FremantleMedia has teamed up with Mark Sennett Entertainment and Headline Pictures to develop period racing drama The Drivers, which will be based on Wallace A. Wyss' book, "Shelby: The Man, the Cars, the Legend." Series will revolve around a group of drivers from US and Europe who race for the top prize at Le Mans and will be set in either the 1950s or 1960s. (Variety)

Stay tuned.

Meet the Newmans: Showtime Releases Weeds Season Six Trailer

"The Newmans will succeed where the Botwins failed. They will find jobs, have hobbies. They will have a normal life."

Showtime has released a new trailer for Season Six of Weeds, which returns to the lineup on August 16th.

On the run after Shane took a croquet mallet to Pilar's head at the end of last season, the Botwins hit the road in an effort to evade both the long arm of the law and the less than merciful killing hand of the Mexican drug cartel run by Nancy's husband. It's a trip that takes them through the heartland of America as they blow through a number of cities, trailing identities in their wake.

But as much as it represents an effort to escape death, it's also a new chance at life for Nancy and the gang. Hence the above quote from Mary-Louise Parker's Nancy, looking at this messed-up road trip as a chance at a clean slate. Sort of, anyway.

You can watch the entire three-minute trailer for Season Six below. "You can take the girl out of the business but you can't take the business out of the girl..."



Season Six of Weeds begins August 16th at 10 pm ET/PT on Showtime.

Channel Surfing: Melina Kanakaredes Leaves CSI: NY, Game of Thrones Lands Aidan Gillen, Peter Weller Joins Dexter, True Blood, and More

Welcome to your Tuesday morning television briefing.

Another one bites the dust: Melina Kanakaredes is the latest star to leave their CBS drama series, following in the footsteps of A.J. Cook, Eddie Cibrian, and Liz Vassey. Kanakaredes, who has starred on CBS' CSI: NY for six seasons, has announced that she will not be returning for a seventh go-around as Detective Stella Bonasera. "We hoped Melina would return to CSI: NY for another season, but we respect her decision to move on," said CBS Television Network and CBS Television Studios in a joint statement released yesterday. "Her amazing talent and invaluable contribution to the success of the series are greatly appreciated and will not be forgotten. She will forever remain a friend to the network and studio and we wish her the very best." (E! Online's Watch with Kristin)

Meanwhile, yesterday's rumor appears now to be a fact: Sela Ward is joining CSI: NY, following Kanakaredes' departure. (Entertainment Weekly's Ausiello Files)

Aidan Gillen (The Wire) has signed on as a series regular for HBO's upcoming George R.R. Martin drama series Game of Thrones, where he will play Littlefinger, described as a scheming "adviser to King Robert who manipulates those in power to fit his own agenda." Production on Game of Thrones is set to begin later this month in Northern Ireland, with a launch expected in the first half of 2011. (Hollywood Reporter)

Deadline's Nellie Andreeva is reporting that Peter Weller (Robocop) has been cast in Season Five of Showtime's Dexter, where he is slated to appear in eight out of the twelve installments as "a troubled Miami Metro police officer who gets caught up in an internal affairs investigation." Season Five is set to premiere September 26th on Showtime. (Deadline)

MAJOR SPOILER! TV Guide Magazine's Will Keck is reporting that a panther will be appearing on the set of HBO's vampire drama True Blood, fueling speculation that Jason Stackhouse could be transforming into a werepanther at some point this season. "I've been working with the panthers and they're a lot cooler than the wolves," True Blood creator Alan Ball told Keck. "We have shot some scenes with actual panthers in the same way we have shot with actual wolves. But I won't say there are or aren't werepanthers on the show." [Editor: the reveal of the panther would fall in line with what Ball told me a while back for my True Blood set visit and feature for The Daily Beast: that someone's love interest this season is secretly a were. Hmmm...] (TV Guide Magazine)

SPOILER! Entertainment Weekly's Michael Ausiello has some major dirt on a huge plot twist planned in the "game-changing" second season opener of CBS' The Good Wife, as the series' law firm, Lockhart & Gardener "will be in the midst of merging with another firm," according to Ausiello. "Everyone [will be thrown] for a loop,” Good Wife executive producer Robert King told Ausiello, “[especially partners] Will [Josh Charles] and Diane [Christine Baranski]. And Alicia [Julianna Margulies], who thought she was [in the clear], once again has to prove herself in new surroundings." (Entertainment Weekly's Ausiello Files)

MAJOR SPOILER! TV Guide Magazine's Will Keck reports that Booth and Brennan will finally get to close the book on the murderous Gravedigger, Heather Taffet (Deirdre Lovejoy), this season on FOX's Bones... but the same episode that features Heather's final appearance will introduce a new nemesis for the team who creator Hart Hanson said is "someone much worse, who will dog us for the season." What else did Keck manage to get out of Hanson about this new big bad? ""It's someone highly motivated to do great harm to our people — a personal vendetta," said Hanson. "One of our characters will be a victim." (TV Guide Magazine)

Not only did TVGuide.com's Denise Martin moderate last night's Glee event at the Paley Center but she also has an exclusive interview with co-creator Ryan Murphy about the second season of the musical-comedy in which he confirms that the upcoming Britney Spears tribute episode will in fact revolve around Heather Morris' addled cheerleader Brittany, who will sing two of the pop singer's songs. (TVGuide.com)

Fancast's Matt Mitovich is reporting that former Melrose Place star Shaun Sipos is joining the cast of the CW's Life Unexpected, where he will recur as Eric, a new teacher at the high school where Lux attends. (Fancast)

Entertainment Weekly's Michael Ausiello and Andy Patrick are reporting that Arielle Kebbel (Gilmore Girls) and Amy Price-Francis (The Cleaner) have joined the cast of the CW's Life Unexpected, where they will play respectively Paige, described as "the new hottie in town who may well wind up tending more than bar for Baze (Kristoffer Polaha)," and Kelly, described as "a conservative author/chatterbox who becomes a partner on the radio show that Cate (Shiri Appleby) and Ryan (Kerr Smith) front." (Entertainment Weekly's Ausiello Files)

File this under random recastings: Timm Sharp ('Til Death) has been cast in HBO comedy series Enlightened, where he will play the new boss of Laura Dern's formerly self-destructive character who returns to work after a spectacular meltdown. Sharp replaces Mos Def, who exited the series due to "deal issues," according to Deadline's Nellie Andreeva. Production began yesterday on the project, from executive producers Dern and Mike White. (Deadline)

The title for the season opener of ABC's Grey's Anatomy? “With You I’m Born Again," according to Entertainment Weekly's Michael Ausiello. (Entertainment Weekly's Ausiello Files)

In a move that will surprise absolutely no one, ABC has renewed its Canadian summer drama series Rookie Blue for a second season. (Hollywood Reporter)

Among the actors lending their voices to Adult Swim's Robot Chicken: Star Wars Episode III: Zac Efron, Donald Glover (Community), and Mike Henry (The Cleveland Show), who will join an already burgeoning voice cast that includes Seth Green, Matthew Senreich, Breckin Meyer, Seth MacFarlane, Dan Milano, Abraham Benrubi, Donald Faison, Rachael Leigh Cook, Adrianne Palicki, Eden Espinosa, Hugh Davidson, Bob Bergen, Keith Ferguson, Tom Kane, Zeb Wells, Anthony Daniels, Billy Dee Williams, and Ahmed Best. The special will air December 12th. (Variety)

Reveille and Jack Black's shingle Electric Dynamite Prods. have jointly optioned the rights to A.J. Jacob's non-fiction book "My Life As An Experiment," with the aim to adapt the work as a half-hour comedy series. (Deadline)

Joe Jonas will guest star on TV Land's Hot in Cleveland, where he will play the son of Valerie Bertinelli's character. (Entertainment Weekly's Ausiello Files)

Sony Pictures Television has promoted James Canniffe to SVP of US alternative development. He will report to Holly Jacobs. (Variety)

Stay tuned.

Showtime Announces Launch Dates for Shameless, Episodes and Californication

Showtime today announced launch dates for its two newest series Shameless, Episodes and the return of Californication.

The absolutely fantastic US adaptation of British drama series Shameless will kick off on Sunday, January 9th at 10 pm ET/PT.

The following evening, Showtime will launch the fourth season of Californication at 10 pm ET/PT, immediately followed by the launch of the Matt LeBlanc-led comedy series Episodes.

Here's how Showtime is positioning these two new series:

SHAMELESS, a new drama series from John Wells (“ER,” “The West Wing,” “Southland”) and Paul Abbott (“State of Play,” “Touching Evil”) is based on the long-running hit UK series and stars Emmy® Award winner and Oscar® nominee William H. Macy (Fargo, Pleasantville, The Cooler) and Emmy Rossum (The Phantom of the Opera, Mystic River). Macy plays a far-from-stellar working class patriarch of an unconventional Chicago brood of six motley kids (headed by eldest sibling Rossum) who keep the home afloat while he’s out drinking and carousing. SHAMELESS is from Bonanza Productions Inc. in association with John Wells Productions and Warner Bros. Television. Wells and Abbott are executive producers; Andrew Stearn (“The West Wing,” “Southland”) is co-executive producer.

New comedy series EPISODES stars Matt LeBlanc (“Friends”) and is executive produced and created by David Crane (“Friends”, “The Class”) and Jeffrey Klarik (“The Class”, “Mad About You”). The series focuses on a British couple whose hit, erudite UK show is turned into an Americanized sitcom starring LeBlanc (as himself). Jimmy Mulville executive produces through his successful Hat Trick production company ("Whose Line Is It Anyway?," "Worst Week"). EPISODES is a co-production of SHOWTIME and the BBC.

The full press release from Showtime can be found below.

SHOWTIME ANNOUNCES JANUARY PREMIERE SCHEDULE
 SHAMELESS, EPISODES & CALIFORNICATION Kick off 2011
 
LOS ANGELES, CA – (July 12, 2010) – SHOWTIME® will bring in the New Year in a most spectacular way with the premieres of new drama series SHAMELESS (Jan. 9th at 10pm) with William H. Macy and Emmy Rossum; new comedy series EPISODES starring Matt LeBlanc (Jan. 10th at 10:30pm); and the fourth season premiere of the hit comedy series CALIFORNICATION starring David Duchovny (Jan. 10 th at 10pm).
 
SHAMELESS, a new drama series from John Wells (“ER,” “The West Wing,” “Southland”) and Paul Abbott (“State of Play,” “Touching Evil”) is based on the long-running hit UK series and stars Emmy® Award winner and Oscar® nominee William H. Macy (Fargo, Pleasantville, The Cooler) and Emmy Rossum (The Phantom of the Opera, Mystic River). Macy plays a far-from-stellar working class patriarch of an unconventional Chicago brood of six motley kids (headed by eldest sibling Rossum) who keep the home afloat while he’s out drinking and carousing. SHAMELESS is from Bonanza Productions Inc. in association with John Wells Productions and Warner Bros. Television. Wells and Abbott are executive producers; Andrew Stearn (“The West Wing,” “Southland”) is co-executive producer.
  
New comedy series EPISODES stars Matt LeBlanc (“Friends”) and is executive produced and created by David Crane (“Friends”, “The Class”) and Jeffrey Klarik (“The Class”, “Mad About You”). The series focuses on a British couple whose hit, erudite UK show is turned into an Americanized sitcom starring LeBlanc (as himself). Jimmy Mulville executive produces through his successful Hat Trick production company ("Whose Line Is It Anyway?," "Worst Week"). EPISODES is a co-production of SHOWTIME and the BBC.
 
Finally, SHOWTIME will premiere the fourth season of hit comedy series CALIFORNICATION, starring David Duchovny in his Golden Globe®-winning role as hedonistic novelist Hank Moody who struggles to raise his teenage daughter Becca (Madeleine Martin), with on-again, off-again girlfriend Karen (Natascha McElhone). This season, Hank will have to deal with the fall-out from his one-night stand with then-underage pseudo step-daughter Mia (Madeline Zima) going public. His epic legal troubles force him to enlist the aid of hot, high-powered defense attorney Abby (Carla Gugino) to keep him out of the big house. Rob Lowe (“Parks & Recreation”) special guest stars. Guest stars include  Michael Ealy (“Flash Forward”), Zoe Kravitz (“Twelve”) Stephen Tobolowsky (“Glee”), Callie Thorne (“Rescue Me”), Addison Timlin (“Cashmere Mafia”) and rocker Tommy Lee. Duchovny executive produces alongside creator and EP Tom Kapinos.
 
Premiere Schedule is as follows:
 
Sunday, January 9th
SHAMELESS (10pm)
 
Monday, January 10th
CALIFORNICATION (10pm)
EPISODES (10:30pm)
 
All times Eastern/Pacific

Channel Surfing: Mark Pellegrino Bites into Being Human, Weeds Snares Richard Dreyfuss, Marg Helgenberger Staying on CSI, and More

Welcome to your (slightly delayed) Thursday morning television briefing. A few headlines to get through on Emmy nomination day...

Score another genre hit for Mark Pellegrino. The former Lost and Supernatural co-star is heading to Syfy's US adaptation of supernatural drama Being Human, where he will play Bishop, described as the "charismatic and menacing mentor" to Sam Witwer's vampire Aidan. Pellegrino's casting nearly rounds out the cast for the American adaptation, though there's still one role outstanding (that would be Josh, the werewolf, though there have been rumblings about several actors auditioning for the role). Elsewhere, Patrick J. Adams (Friends With Benefits) has been cast as the lead in USA legal drama A Legal Mind, where he will play Mike Ross, described as "a brilliant but unmotivated college student who gets recruited by a top Manhattan corporate law firm despite not being a lawyer" and who must "use his book and street smarts and hustling skills to keep the charade." (Deadline)

In a bit of absolutely amazing casting, Richard Dreyfuss will appear in at least four episodes of Showtime's Weeds, which returns for its sixth season on August 16th. While the pay cabler is keeping a tight lid on just who Dreyfuss will be playing, Showtime revealed that he will play "an unexpected character" who previously crossed paths with Mary-Louise Parker's Nancy Botwin. Hmmm... (via press release)

Entertainment Weekly's Michael Ausiello is reporting that Marg Helgenberger is staying put on CBS' CSI following the successful conclusion of her new contract. "With Helgenberger’s deal done, the spotlight shifts to fellow CSI vets George Eads (Nick), Eric Szmanda (Greg), and Paul Guilfoyle (Jim), all of whom are negotiating new deals ahead of the show’s 11th season," writes Ausiello. "Jorja Fox is also in talks to return in some capacity. Liz Vassey, meanwhile, will not be back." (Entertainment Weekly's Ausiello Files)

Alec Baldwin has reiterated his claims that he'll be leaving the cast of NBC's 30 Rock in 2012, when his contract with the Universal Media Studios-produced comedy expires. "As much as I like acting,I know that I would love to have a different life," Baldwin told CNN's Alina Cho. "A private life... I think that doing this now for a living has become really, really hard. I would rather go do other things, and [with] whatever amount of time I have left in my life, have a normal life." (via Vulture)

Which shows aren't going to be at San Diego Comic-Con this year? The Hollywood Reporter's James Hibberd rounds up the few television series that won't be making the trek down to San Diego, including Undercovers, Game of Thrones, $#*! My Dad Says, Haven, Doctor Who, Torchwood, and Conan O'Brien. And, oh, the reasons why they won't be down there. (Hollywood Reporter's The Live Feed)

Skeet Ulrich (Jericho) has been cast as one of the leads in NBC's upcoming Law & Order spinoff Law & Order: Los Angeles. Production on the series, from executive producer Dick Wolf, is slated to begin later this month. (Hollywood Reporter)

Vulture's Josef Adalian is reporting that ABC has opted to drop the mockumentary format from its upcoming cop drama Detroit 1-8-7. "The idea of dropping Detroit’s faux doc format was first brought up even before ABC officially ordered the show in May (though as recently as Tuesday, the network's online press materials still included the conceit in the show's description)," writes Adalian. "ABC is also launching another mockumentary-style series in the fall — My Generation, a soapy relationship drama which revolves around a group of pals who've been harassed by documentary makers since they were high school seniors back in 2000 — so one wonders if the network decided that three such shows (counting Modern Family) might test viewers’s patience. Detroit executive producers Jason Richman and David Zabel, however, say that wasn’t the motivating reason for the decision." As for the actual reason, the producers say that ABC found the narrative strong enough without the documentary conceit... and film crews are now banned from accompanying police officers on ride-alongs in Detroit, as of May. Art imitates life? (Vulture)

TV Land has ordered 20 additional episodes for its comedy Hot in Cleveland, a major sign of confidence in the series, which stars Jane Leeves, Valerie Bertinelli, Wendie Malick, and Betty White, as the initial commitment was only for ten installments. (via press release)

CBS has signed a blind script deal with writer Tom Spezialy (Desperate Housewives) through CBS Television Studios, under which he will write a new series project for the network... and won't be able to take the project elsewhere should a similar situation emerge as it did with Spezialy's last project, the 20th Century Fox Television-produced Chaos. (Variety)

Eric Lange (Lost) has been cast in a recurring role on Season Six of Showtime's Weeds, which launches next month. Lange will play Ellis Tate, described as "an old classmate of Nancy's." Further details were not immediately available as the pay cabler is keeping casting information very close to the vest this season. (Hollywood Reporter)

TeenNick's Degrassi will return to the schedule for its tenth season on July 19th (with a two-hour opener) and will then air Mondays through Thursdays before wrapping on August 26th. (Variety)

Stay tuned.