The Last Waltz: An Advance Review of Season Five of Friday Night Lights

Well, this is it: the beginning of the end.

After four seasons of emotionally resonant drama, a nuanced exploration of life in small town Texas, and one of the most realistic portrayals of marriage ever, television masterpiece Friday Night Lights is heading towards the its final days, beginning with this week's thrilling and evocative season premiere ("Expectations"), written by David Hudgins and directed by Michael Waxman.

It's not surprising that "Expectations" had me getting choked up no less than four times over the course of 40-odd minutes, as characters made their farewells and prepared to leave Dillon behind. While their goodbyes might be temporary, it was a canny way of signaling to the audience that the final parting is still to come, that with just a dozen or so episodes left, there would be no going back to Dillon.

The first two episodes of the fifth and final season--"Expectations" and next week's installment ("On the Outside Looking In"), written by Kerry Ehrin and directed by Michael Waxman--contain an aura of both sadness and hope.

Which is fitting as there is a lot of change afoot in just the first hour alone, as Landry (Jesse Plemons) and Julie (Aimee Teegarden) prepare to leave for college and Eric (Kyle Chandler) and Tami (Connie Britton) grapple with new professional challenges (including, for Tami, one hell of a high-risk student), while also attempting to come to terms with Julie growing up and leaving home.

But everyone has to deal with some new circumstances, some of which are inherently challenging. There's trouble at home for Becky (Madison Burge), who has to deal with a sudden change in her family life as well as feelings of isolation and abandonment. Jess (Jurnee Smollett) attempts to raise her little brothers now that her dad is on the road launching multiple franchises of his BBQ restaurant. Billy (Derek Phillips) and Mindy (Stacey Oristano) have troubles of their own, not the least of which is Billy's crushing guilt over Tim (Taylor Kitsch) still being in prison and further changes at the Riggins household.

What else did I think about the first two episodes of Season Five? Read on, but, as always, please do not reproduce these thoughts in full on any websites, message boards, or the like.

Given the emotional complexity of Friday Night Lights, it's not surprising that the writers tackle the pride and sorrow of Eric and Tami as they say goodbye to Julie, clinging to the small final moments they have as a family living under one roof.

In the hands of writer David Hudgins, a fruit cobbler becomes emblematic of something larger, something lost that can't be regained. An argument between mother and daughter--one of countless ones that Tami and Julie have engaged in over the years--isn't a point of anger for Eric but a symbol of what's about to change: their daughter is leaving home. (But before she does leave, look for an extremely touching final scene between Teegarden and Chandler, set against a very fitting backdrop.)

Julie's departure from Dillon is indicative of a larger change among the series, as Julie is the only remaining series regular from the younger generation of Dillon. The first episode also marks a goodbye for Landry, leaving to attend Rice University and there are several scenes that celebrate his relationships with Julie and with Matt's grandmother Lorraine Saracen (Louanne Stephens). Small moments--both tender and hysterical--that pay homage to the role that both Plemons and Landry have played in the series since the very beginning.

Before viewers get upset: Teegarden's Julie isn't going to disappear.

The second episode of the season follows her to university, where we get a glimpse of her new surroundings and her own sense of isolation, one that neatly mirrors her mother's, as both Tami and Julie attempt to fit in among strangers in new situations, with Tami attempting to snap her fellow East Dillon teachers out of their apathy. Both mother and daughter get a lifeline as it were, an offer of friendship, but I can't help but wonder whether Julie's new friend--whom I'll leave unnamed for now--isn't quite the lifeline he appears to be. In fact, he might prove to be just the opposite.

Viewers also get the chance to check in with poor Tim Riggins, who has three months left on his prison sentence after taking the fall for brother Billy. It's safe to say that the Riggs glimpsed here is vastly different from the smooth-talking charmer we last saw. Prison changes people and it's certainly changed Tim. I'm curious to see just how his story will play out this season and just what his eventual return to Dillon will mean for him and his family.

But, in the meantime, there are other issues at hand. The new season for the East Dillon Lions is underway and Coach Taylor is attempting to assemble a team with a real shot at making it to the playoffs. Which means engaging in some less than, uh, altruistic behavior when it comes to poaching a basketball player whom he believes will be an asset to the Lions.

Enter Hastings Ruckles (Grey Damon), the basketball player in question. But rather than repeat the Vince (Michael B. Jordan) storyline from Season Four, Eric's pursuit of Hastings is entirely different... and Hastings himself is as far from Vince as possible. He's a self-styled "free spirit," a "hippy" who wears a woolen hat and spouts off about football celebrates the worst elements of American society.

But Coach Taylor, that molder of men, doesn't ever like to take no for an answer and he makes it his duty to try and lure Hastings to the team, using whatever methods necessary, including leaving it up to Vince and Luke (Matt Lauria). Hastings is a wild card, one that will likely wield an influence on the plotlines of Vince and Luke this season. Meanwhile, look for some intriguing twists to some of the romantic subplots, such as the Jess/Vince relationship and the tensions between Luke and Becky Sproles.

I don't want to give away too much of the plot of these fantastic first two episodes of the season, but I will say that Season Five is already off to a cracking start and the scenarios engineered by the writers not only feel organic but begin to position the characters for a season of, well, great expectations.

It likely will prove to be a season that examines our own expectations as viewers, as well as the hopes and dreams of characters that we've come to know and love over four seasons of stories. Saying goodbye is never easy, but with the final season actually here, I'm finding it even more difficult than I thought to bid farewell to Dillon.

At least we've got an entire season before Friday Night Lights heads to that great Alamo Freeze in the sky. But, if the first few episodes are any indication, it's going to be an intense and emotional season of hope and loss, wounded hearts and renewed friendships, conflict and victory. Clear eyes, full hearts, as they say, can't lose.

The fifth and final season of Friday Night Lights begins Wednesday evening at 9 pm ET/PT on DirecTV's The 101 Network.

When the Lights Go Out: Friday Night Lights Season Five Promo

Yes, it's Clear Eyes, Full Hearts time...

DirecTV has unveiled its first promo trailer for the fifth and final season of Friday Night Lights, which kicks off at the end of the month on the 101 Network (and will likely air next summer on NBC).

Set to The Black Keys' "When the Lights Go Out," the trailer is light on story but heavy on atmosphere as it depicts the cast of characters--including Kyle Chandler's Eric Taylor, Connie Britton's Tami, Jurnee Smollett's Jess Merriweather, Aimee Teegarden's Julie, Michael B. Jordan's Vince Howard, Madison Burge's Becky Sproles, and Matt Lauria's Luke Cafferty--getting dressed and assembling so that they can walk en masse to some kick-ass beats.

The full promo for Season Five of Friday Night Lights can be viewed below as well as the episode description for the season opener.



Episode 501 ("Expectations"): Coach Taylor tempers high expectations for East Dillon’s impending season as Tami becomes frustrated in her new job. Meanwhile, Vince and Luke work to recruit a new player for the Lions’ squad and Dillon bids farewell to two alumni as they prepare to leave for college.

The fifth and final season of Friday Night Lights premieres on October 27th at 9 pm ET/PT on DirecTV's The 101 Network.

The Daily Beast: "Fall TV Preview: Grey's Anatomy, Dexter, 30 Rock and More"

With so many new fall series premiering over the next two weeks, it's possible to forget that some of our favorites are heading back to the airwaves as well.

Can’t remember how Grey’s Anatomy or 30 Rock ended? Head over to the Daily Beast to read my latest feature, "Here Comes the TV Season!", in which I round-up 13 cliffhangers for returning shows—and offer previews of what’s to come. (It goes without saying: minor SPOILERS aheads.)

The series in question? Oh, the usual suspects, including Dexter, The Good Wife, Fringe, Grey's Anatomy, Desperate Housewives, Chuck, Private Practice, Brothers and Sisters, Friday Night Lights, Bones, Community, Castle, and 30 Rock, presented in order of premiere dates. (Which means Chuck is up first.) Plus, you can watch video previews for all 22 new network series, to boot.

Which returning series are you most excited about watching this fall? Head to the comments section to discuss.

Friday Night Lights Watch: Courage and Conviction on Season Four of FNL

Earlier this week, I finished watching Season Four of Friday Night Lights and, wiping away the manly tears that fell from my eyes, I'm already anxiously awaiting the start of the fifth and final season this fall.

Over the course of the summer, my wife and I have gone back and watched all four seasons of Friday Night Lights and fallen in love with this remarkable and heartfelt drama series, which in its fourth season inverted its premise to present even more complications for the central couple of Eric and Tami Taylor (Emmy Award nominees Kyle Chandler and Connie Britton), who found themselves under attack from a number of directions at once. From the school board, from the townspeople, from parents, from those who would see them fail rather than triumph.

(If you missed my earlier posts about the first three seasons, you can read my thoughts on Season One here, Season Two here, and Season Three here.)

Whereas the first three seasons presented a series of struggles both marital and professional for the Taylors, Season Four pushed the Texas couple--and the town of Dillon itself--nearly to their breaking points, as Eric was forced out of his job as the Panthers coach and handed an impossible task: to form a new football program at the decrepit East Dillon High (recently reopened after Season Three's redistricting) while Tami remained under fire as the principal of Dillon High.

While the show has always been about the invincible nature of the human spirit, Season Four of Friday Night Lights took the series in a different direction, presenting Coach Taylor with a nearly Sisyphean task to overcome. The goal wasn't the state championships anymore nor anything quite so lofty. No, this molder of men would once again have to get his hands dirty shaping a new team, transforming sullen and combative individuals into something resembling a fully functional single unit. And prove to the town at large that both he and this young men were capable of surprising everyone.

The battle lines drawn between the Dillon Panthers and the East Dillon Lions weren't arbitrary. In the hands of Jason Katims and his talented team of writers, the division became one of economics and race, as the show tackled some weighty issues and provided a portrait of a very different Dillon, one that wasn't as idealized and noble as the first few seasons.

Over the course of thirteen outstanding installments, Katims and Co. tackled hot-button issues of drug addiction, abortion, grief, and gang violence as the focus shifted from lily-white West Dillon to the mean streets of the other side of town, a place where a park wasn't an oasis but rather a crime-ridden hellhole, its lights permanently turned off, its purpose forgotten amid a sea of brutality.

Just as Eric Taylor gets the lights turned on at Carroll Park, so too does Friday Night Lights shine a spotlight on the challenges facing East Dillon's residents. Functioning as the new entrypoint to the story is Vince Howard (The Wire's sensational Michael B. Jordan), a young man at a crucial crossroads in his life, one torn between the potential that Eric is offering him and the lure of the street, a decision complicated further by the fact that his mother Regina (Angela Rawna) is a drug addict in need of saving.

While Vince is put through the ringer, there is someone who believes in him: his friend and would-be love interest Jess (Jurnee Smollett), who finds herself drawn towards nice guy Landry (Jesse Plemons), despite the obvious simmering attraction between her and Vince.

But we can't force anyone to take the path we want them to. Vince must find his own way in the world, make the right choices for himself. The same holds true for Zach Gilford's Matt Saracen, who gets one of the most intense and emotionally resonant storylines this season as Matt grapples with the unexpected death of his father, his grief pushing him to make a dramatic change in his own life.

Among a series of innately strong episodes, "The Son"--which focused on the fallout of the death of Matt's father and how it impacts everyone around Matt as he finally has an emotional breakdown at the Taylors' house--stands apart from the rest. Gilford gives a staggering performance that taps into our collective grief, a tricky turn that balances his inability to articulate his emotion with a male rage at a lack of control over the universe. Provocative and compelling, it's a sadly overlooked performance that points towards Gilford's strength as an actor and was impossible to shake after viewing.

It's Matt's story that provides the season with emotional bookends: the kid who stuck around in Dillon to care for his ailing grandmother (Louanne Stephens) and to be with girlfriend Julie (Aimee Teegarden) finally gets out for good, flying back to Chicago with his best friend by his side. Having returned to offer Julie not only an explanation for his departure but an olive branch (a plane ticket to Chicago), he's turned down by Julie but achieves an inner peace. There's an almost beatific expression on his face as he stares out of the plane windows, Dillon receding to a place in his past, not necessarily his future.

It's a fate that's juxtaposed with that of Tim Riggins (Taylor Kitsch), who remains an important focal point within the series' narrative. Reeling after graduation, Tim ditches college and returns to Dillon, where he shakily attempts to find direction in his life. Is he destined to work on cars with brother Billy (Derek Phillips) at Riggins' Rigs? Is he still dreaming of owning a piece of land and achieving that dream of "Texas forever" that he and Jason had once spoken about so reverently? And just what is he willing to do to achieve those ends?

Season Four finds a very different Riggins than we've seen before. No longer a football star yet clinging to his identity as 33, Rigs finds himself aimless. That is, until he meets the precocious Becky Sproles (Madison Burge), a 16-year-old who thinks that she's the perfect thing for Tim. Rather than fall into bed together, however, Tim takes Becky under his wing, protecting her against the lies her father spews at her, supporting her dreams, and supporting her when she discovers that she's pregnant.

(It's Tim's decision to seek the counsel of Tami Taylor that leads Tami to her own personal crucible this season as she's called out for counseling a teenage girl to get an abortion--a spurious claim that nevertheless leads her to step down from her position as principal of West Dillon and head up the counseling unit at run-down East Dillon, professionally reuniting her with Eric in the process.)

While Becky would have their relationship turn romantic, it's important that Tim keeps it absolutely platonic. His decision to do so demonstrates a different side to Tim Riggins, echoes of which we saw in Season Two with Julie Taylor. A protective, gentlemanly presence mixed with something almost paternal.

Which is interesting as it's Billy who becomes a father this season, though his puts his baby and his future with Mindy (Stacey Oristano) in jeopardy when he convinces Tim to begin chopping stolen cars for profit. His intentions are good: he needs money for Mindy's difficult pregnancy and for his family but his decision to commit a series of crimes opens them up for more difficulty.

Tim, however, comes up with an elegant if selfless solution: he'll confess to the crimes and keep Billy out of it. Billy can remain with his family, become the father his family needs him to be, and Tim will do the time. Having lost the land he purchased and lost the makeshift family he created when Becky's mom Cheryl (Alicia Witt) kicks him out, Tim finds meaning and a purpose: he can sacrifice his own freedom to ensure his brother's.

It's a heartbreaking and unexpected twist of fate, one at odds with the very freedom that Saracen achieves at the end of the season. Tim opted to remain in Dillon and his decision leads almost directly to him not being able to leave, a self-created prisoner whose incarceration isn't figurative but quite painfully literal. Yet at the same time, his throwing himself on the fire is an act of courage, of self-sacrifice, and of nobility, an argument against the hateful words of Cheryl. Tim Riggins might be "nothing" in her eyes and those of the law, but he has saved the Riggins family with his gesture, given the severity of Billy's previous charges.

Becky's unwanted child, meanwhile, leads not only to her own personal crossroads but to Tami's as well. Despite her pleas to Luke Cafferty (the fantastic Matt Lauria) to keep her pregnancy a secret, he tells his religious parents that he got a girl pregnant. When his mother learns that Becky had an abortion, she turns her anger against Tami and attempts to have her fired.

While Margaret (Kathleen Griffith) believes what she is doing is right, she's blind to her own child's problems as Luke develops a dependence on prescription painkillers after injuring his hip... and keeping his injury a secret from Coach and the entire team. While she's railing against Tami for offering advice that "killed" her "grandchild," her own son is killing his own body in secret.

Tami's decision not to apologize but to make a statement about how she put the needs of a student--of a scared teenage girl--first and followed protocol reveal the strength of character and conviction that have marked Tami Taylor from the start. This season found her grappling with the political nature of her public job, juggling spiteful boosters and school board members, rather than focusing on what got her into education in the first place: the kids. Her decision to go East Dillon, where she's needed," points too to her own selfless nature.

Just what will the future hold for the Taylors? Will Julie go off to school far away? Will they have to deal with financial issues now that both of their salaries have likely been cut? Eric may not have gotten the Lions to the state championship but that was never in the cards for this scrappy team. But they proved that they had the heart to overtake their rivals, the Panthers, on their own field.

It was a victory not just for Eric and for the team but for the underdogs everywhere, in every battle. It was a reminder of the unbreakable bond between teammates and of the the truth of Eric's early words in the series: clear eyes, full hearts, can't lose.

And in reminding us of such, neither it seems can Friday Night Lights itself.

Season Five of Friday Night Lights begins October 27th on DirecTV's The 101 Network.

Channel Surfing: Kara DioGuardi Leaves Idol, Treadstone Heads to CBS, Ashmore Twins Land Fringe, Glee, and More

Welcome to your Tuesday morning television briefing. With the holiday weekend having just wrapped, no one was breaking too much news. Which isn't to say that there are no key television-based headlines, because, well, there are. Let's get to it.

It's official: Kara DioGuardi will not be returning to FOX's American Idol this season. The singer-songwriter joined the judges table two years ago and FOX has now confirmed the long-gestating rumors that DioGuardi would not be returning for another season of the musical competition series. "I felt like I won the lottery when I joined American Idol two years ago, but I feel like now is the best time to leave IDOL," said DioGuardi in an official statement. "I am very proud to have been associated with American Idol - it has truly been an amazing experience. I am grateful to FOX, FremantleMedia and 19 Entertainment, as well as the cast, crew and contestants, for all they have given to me. I look forward to my next challenge, and want to thank everyone who has supported me. All the best to everyone on Season 10!" Idol creator and executive producer Simon Fuller had this to say about DioGuardi's departure: "Kara is one of the world's best songwriters. She has been passionate and committed to Idol over the last two seasons. I will miss having her on the show, but I look forward to working with her in music for many years to come." (via press release)

Variety's Michael Schneider is reporting that the new Idol panelists, including a replacement for DioGuardi could be announced next week, with Jennifer Lopez and Steven Tyler still expected to join the judging team for the next cycle of American Idol. (Variety)

Has CSI creator Anthony Zuiker found his next smash hit? Zuiker has landed a script order for Treadstone, a series take on the black ops division of the CIA from Robert Ludlum's Jason Bourne novels, at CBS. Project, from CBS Television Studios and Dare to Pass, will be written by John Glenn (Eagle Eye), who will executive produce with Zuiker. (Deadline)

Shawn and Aaron Ashmore--the twin actors known for their roles in the X-Men film franchise, Smallville, and Veronica Mars--are set to appear in Season Three of FOX's Fringe this fall. The duo are set to guest star in an episode slated to air in November and have turned down other invitations to play opposite each other in the past. "It's usually because the stuff that comes along is kind of hokey," Shawn Ashmore told Chicago Now. "But I think the quality of Fringe is really high and the episode is done well and our characters are intelligent. We're going to have some fun." No word immediately on just who or what they'll be playing but it's safe to say that twins will play into the equation in some capacity. (via Digital Spy)

TV Guide Magazine's Will Keck has an exclusive first look at John Stamos' Dr. Carl Howell on Season Two of FOX's Glee. "Just when Will thinks he'll win Emma because he can sing and dance, we find out Carl used to be in an '80s boy band," Stamos told Keck. "I discover Will's chewing his teeth, so the other day I had, like, four fingers in Matthew Morrison's mouth." And Carl will also play a key role in causing those Brittany Spears hallucinations this fall in the Spears tribute episode... and will appear in the Rocky Horror Picture Show-inspired Halloween episode as well. (TV Guide Magazine)

NBC is teaming up with DreamWorks Animated for half-hour holiday specials Scared Shrekless and Kung Fu Panda Holiday Special. The first will air on October 28th as a Halloween tie-in while Panda will air on November 24th. Both will be paired with repeats of last year's DreamWorks Animated specials based around Monsters Vs. Aliens and Madagascar. (Hollywood Reporter)

Bill Lawrence is keeping it in the family: Ken Jenkins (Scrubs) is set to guest star on ABC's Cougar Town, where he will play the father of Courteney Cox's Jules, according to Entertainment Weekly. No airdate has been set for Jenkins' appearance, though it's thought likely that he'll turn up this fall. (Entertainment Weekly's Ausiello Files)

The Office isn't going anywhere, executive producer Paul Lieberstein told E! Online's Megan Masters on Friday... and indicated that there could be an Office movie. [Editor: for the love of all things holy, no.] "There's been no talk at any point of The Office ending," Lieberstein told Masters. "Maybe when the series is done we'd do an Office movie. I'd be up for that... But they're all such big movie stars now, I don't know if we could afford them on set." Lieberstein also advised fans to stick with the series even after Steve Carell leaves at the end of this upcoming season. "This will definitely change the dynamic [of the show]," said Lieberstein. "And we can't just replace Steve because I think that would lead to failure. We have to do something different. This show is really about office life, which so many people live. And changing it up a little will be welcome to the fans. Steve feels he's played almost everything he can with Michael Scott. There isn't a lot of new territory for him to discover. And if he's feeling that, fans must be, at a certain level, feeling that too—it's an opportunity to reinvent The Office." (E! Online's Watch with Kristin)

Kevin Rankin (Friday Night Lights) has been cast in a recurring role on HBO's Big Love), where he will play the son of a fundamentalist polygamists. (Hollywood Reporter)

The Futon Critic is reporting that Syfy will air Felicia Day's telepic Red: Werewolf Hunter on Saturday, October 30th at 9 pm ET/PT. (Futon Critic)

Elsewhere at the cabler, Syfy is developing conspiracy-based reality series UFO: Unbelievably Freakin' Obvious that will feature Billy Ray Cyrus and his son Trace as they "travel cross-country and offer a skeptical solution to many of the theories," according to Variety's Stuart Levine. "The existence of paranormal phenomena is something I've always wanted to explore further," Cyrus told Variety. "Getting the opportunity to take this adventure with my son, who has always had a keen interest in this area, is a dream come true. I hope this series can shine a light on some of the activities we have questioned, and the mysteries that have long inspired us." (Variety)

MTV has given a put pilot order to an untitled scripted comedy from comedian Bo Burnham which will revolve around "a kid fresh out of high school who's pursing the new American dream of being a celebrity without having any talent," according to Burnham, who will write and executive produce the pilot, alongside Dan Lagana and Luke Liacos. (Variety)

Stay tuned.

The Daily Beast: "Give Friday Night Lights An Emmy Already"

Could Friday Night Lights finally win an Emmy Award? Or, more importantly, isn't about time that the Academy recognized the amazing quality of this fantastic series and its lead actors?

That's the question that I'm asking in a new feature over at The Daily Beast entitled "Give Friday Night Lights An Emmy Already" where I talk to stars--and current Emmy underdogs--Kyle Chandler and Connie Britton.

In the piece, which went live this morning, I talk to Chandler and Britton about their nominations, saying goodbye to one another, the end of Friday Night Lights, and what the fifth and final season of FNL holds for Coach Eric and Tami Taylor.

Head to the comments section to discuss why you think this series has been criminally overlooked by the Television Academy and whether you think Chandler and Britton are more than deserving to take home a statuette or two this weekend at the Primetime Emmy Awards.

Season Five of Friday Night Lights begins October 27th on DirecTV's The 101 Network.

Channel Surfing: AMC Finds The Killing, Lotus Caves for Syfy and Bryan Fuller, More Office Rumors, FNL Launch Date, and More

Welcome to your Thursday morning television briefing.

AMC has given a series order to pilot The Killing, which hails from writer/executive producer Veena Sud and Fox Television Studios and is based on Danish television series Forbrydelsen, ordering thirteen episodes which will air sometime in 2011. Series, which will star Big Love's Mireille Enos, revolves around the murder of a young girl and a police investigation that connects several seemingly separate story threads. "We are thrilled to be moving forward with this stunning piece of television," said Joel Stillerman, AMC's senior vp of original programming, production and digital content, in a statement. "It is a crime drama, but it is also a gripping character based story that pulls you in and doesn't let go. The storytelling is completely compelling, and the show is visually breathtaking." In addition to Enos, the project--which will be renamed, sadly--also stars Billy Campbell, Michelle Forbes, Joel Kinnaman, and Brent Sexton, among others. (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello is reporting that Syfy is teaming up with Pushing Daisies creator Bryan Fuller to develop a drama series based on John Christopher's novel, "The Lotus Caves." Fuller and Jim Grey will write the pilot script for The Lotus Caves, which--like the novel before it--will revolve around a group of "rebellious lunar colonists [who] dare to take a peek beyond their borders and discover a bunch of brainiac aliens living in the caves of the title." (Entertainment Weekly's Ausiello Files)

Could Portia de Rossi or Tony Hale be headed to The Office? New York Post's Jarett Wieselman looks at an unconfirmed report that says that Danny McBride will be dropping by Scranton this season but not as the replacement for Steve Carell's Michael Scott, who will instead be replaced by someone who once starred on Arrested Development. Wieselman then goes on to say that the most obvious suspects, should we believe the report, are Tony Hale, Jeffrey Tambor, and Portia de Rossi. (New York Post's PopWrap)

The date you're waiting for: the fifth and final season of Friday Night Lights will kick off on DirecTV on October 27th, according to Entertainment Weekly's Michael Ausiello. No word on when Season Five will turn up on NBC, though it's likely to air next summer on the Peacock. (Entertainment Weekly's Ausiello Files)

The Chicago Tribune's Maureen Ryan has an interview with Sons of Anarchy's Ron Perlman, who plays Clay Morrow on the gritty FX biker drama. "None of us really know where we go from week to week," Perlman told Ryan. "And there's something really exciting about that. I feel if Kurt needed for us to know where we needed to go from week to week, he would tell us if it was going to affect something in our playing of it. The hallmark of his writing is -- he writes in a way that's very vivid and the only thing you ever need to worry about is the moment that you're in. The kidnapping of the child is the event that drives at least the first few episodes. Of course, it's all hands on deck. Whatever is going on in [the characters'] personal relationships is shelved for the moment while we address ourselves to the matter at hand. But beyond that I really can't say. But my guess is -- and I'm like an audience member, in terms of [not knowing] where the show is going to be later in the season -- Kurt is too smart to introduce something without it, at some point, resolving itself. He doesn't feel like he's in any hurry to put all the cards out. That's my guess." (Chicago Tribune's The Watcher)

Vulture has an interview with former Lost star Michael Emerson about the release of the DVD and the twelve-minute epilogue entitled, "The New Man in Charge." "I was so pleased with it," said Emerson of Lost's finale. "Instead of employing some narrative device or science-fiction device or time-travel device, [the writers] humanized the whole affair and brought it back to characters and souls, and so I thought it was really a fine solution and one that I’m onboard with. And I’m especially delighted with the way they wrapped up the Benjamin Linus [story]." Asked about some of the negative reactions to the series finale, Emerson said, "It surprised me a bit because a lot of people who were unhappy had been misunderstanding the show for a long time, so why were they still watching it if they’d mixed up what they were seeing? But I guess that’s the deal: It works magically for all sorts of people at all different levels of understanding." As for the epilogue, he described it as a sort of "dessert" to be enjoyed after the main course. (Vulture)

USA Today's Whitney Matheson also has an interview with Emerson about the finale and the epilogue. Asked whether the epilogue was truly the end, Emerson said, "Yeah, they've always made that clear. I think we can take them at their word. These writers will never revisit the material, or at least not soon. And you'll never get the cast together in one place again. But as some people have noted, you might get a couple of cast members together to do something that takes off on a tangent." (USA Today's Pop Candy)

It looks like Jennifer Lopez won't be taking a spot at the judges table on American Idol after all. Citing a report by People, The Hollywood Reporter has a look at why talks with Lopez fell through: "Her demands got out of hand," an unnamed source told People. "Fox had just had enough." (The Hollywood Reporter)

Which brings us to this gem: Hollywood Reporter's James Hibberd offers seven reasons why there has been such a delay in FOX announcing replacements for the outbound American Idol judges. (Hollywood Reporter's The Live Feed)

20th Century Fox Television has signed a three-year overall deal with Family Guy writers Alec Sulkin and Wellesley Wild, under which they will remain aboard the FOX animated comedy while also developing new projects for the studio. (Variety)

Entertainment Weekly's Lynette Rice reports that CBS will debut its new daytime talk show The Talk, developed by Sara Gilbert, on Monday, October 18th. Series features six female hosts with kids, including Julie Chen, Sara Gilbert, Sharon Osbourne, Holly Robinson Peete, Leah Remini, and Marissa Jaret Winokur. (Entertainment Weekly's Hollywood Insider)

E4 has released the first photo of the cast of Season Five of Skins, featuring an entirely new cast of characters. (E4)

Syfy is planning holiday-themed episodes of its series Warehouse 13 and Eureka and has tapped Judd Hirsch and Paul Blackthorne to drop by Warehouse 13, while Chris Parnell and Matt Frewer will be stopping by Eureka this winter. (via press release)

Jay Mohr is set to guest star in the fourth episode of NBC's new legal drama Outlaw, where he will play Henry Ashford, whom Jimmy Smits' Cyrus Garza will face off with in court in a case involving a mother who accidentally kills her baby after locking it in a car, according to TV Guide Magazine's Will Keck. "NBC is keeping mum as to whether Cyrus or Jay's character, Henry Ashford, will be representing the bad mother," writes Keck. "The network says it will be a weekly guessing game as to which side of the law Outlaw Smits attaches himself." (TV Guide Magazine)

Nick Cannon will remain the chairman of TeenNick through January 2012 under an extension of the deal Cannon has with the Nickelodeon cable network. (Variety)

Stay tuned.

Friday Night Lights Watch: Dreams Deferred (and Achieved) on Season Three of FNL

Last night, we finished watching Season Three of Friday Night Lights. I'm still recovering, emotionally, from the end of a season that brought the promise and potential back to this extraordinary series.

I had no doubts that the series would come back around and be able to find its true creative direction (one without murder conspiracy cover-up plots or capital-D Drama) after the uneven and truncated second season, which screamed of network interference and, no sooner did it finally begin to find its way again, the season was cut short due to the writers strike.

While I had extreme doubts about the second season, I knew that the writers--with Jason Katims at the helm--could bring back the emotional resonance and connection that the groundbreaking first season of Friday Night Lights had so effortlessly pulled off.

My belief wasn't mislaid: with Season Three, the writers not only brought back the very elements that had made the series a success but built upon them, continuing to observe life in this small Texas town through the prism of high school football and wrapping up the storylines of both Smash Williams (Gaius Charles) and Jason Street (Scott Porter), while taking us through yet another season of Dillon Panthers football to create a tremulous and taut final hour that brought a slew of changes for the characters we've come to know and love.

It's these changes that carry some of the most emotional complexity and weight, charting both the naturalistic rites of passage--high school graduation, job hunts, and marriage--as well as some intricate and deft plotting about the intricacies of high school administration.

No other series could pull off a masterful storyline--threaded throughout the entire season--about school budgets, redistricting, and the class war in Dillon, a storyline that culminates in Tami Taylor (Connie Britton, once again electric here) having to tell her husband, Coach Eric Taylor (touchstone Kyle Chandler), that he had been replaced as the head coach of the Dillon Panthers after a coup from wealthy booster and chief nemesis Joe McCoy (D.W. Moffett). But rather than cast Eric into the four winds, the school board hatches a plan that both blatantly punitive and likely their very downfall: they make him the head football coach at the soon-to-be-reopened Dillon East.

The move creates a cascade of potential storylines, splitting a town in two and creating an atmosphere of tension and animosity in a community that was unified and motivated by their local football team. It also setting up the married Eric and Tami as possible rivals, with Tami still the principal of Dillon High proper and Eric having to move over to a school that makes Dillon H.S. look like an Ivy League institution. But Eric has always been motivated by adversity (just look at how he brought home a state ring even after Jason Street's paralysis in Season One) and putting him in charge of some underdogs will likely only push his desire to get even with McCoy and trounce the Panthers next season.

Additionally, Season Three ended on a series of intriguing notes, centering around the wedding of Billy Riggins (Derek Phillips) and Mindy Collette (Stacey Oristano), with the hard work and perseverance of both Tyra (Adrianne Palicki) and Lyla (Minka Kelly) paying off for both of them, as Tyra makes it off of the waitlist and into UT and Lyla finally turns her life around and admits that she still does want to go to Vanderbilt (and Buddy comes through with the money, after having blown her college fund on a bad investment). But it's the fact that Tim Riggins (Taylor Kitsch) actually makes it to college is one surprise that I didn't expect, despite his plans to live together with Lyla.

Riggins, upon seeing Billy purchase that auto repair shop, wanted the life that his brother was having: a wife, a kid on the way, a job that you could leave early from and drink some beer whilst doing, and some "me time" that meant not pushing himself and not leaving Dillon. But Billy, thankfully, doesn't want that life for his brother: he wants Tim to be a symbol of something better, of dreams achieved, of college degrees, and real potential.

It's a tender and emotional scene between the two brothers that reveals the truth depths of their feelings for one another and for the writers' belief that these characters can grow and change. They can reach for the stars, they can falter and even fall, but there is always the possibility of achieving one's potential.

This is also felt in the way that the storylines of Smash and Jason were wrapped up this season. With Smash's off-screen injury between the seasons and Jason's new fatherhood, the duo have been through quite a bit in the time since we had last seen them. While some series would have had them go off to school and disappear, Friday Night Lights would appear to be just as much in love with these characters as the audience and the writers wisely opted to give both Gaius Charles and Scott Porter a handful of episodes each in which to tie up their dangling plotlines and push them into a bright future.

I loved the way that Eric wouldn't give up on Smash until he had gotten him in school and back on the road to pro football, not allowing him to give up on himself and accept anything less than his dream. Through Eric constantly pushing him to get better and better and regain his confidence, there was apparent the real love that Eric has for these kids, even after they leave the Panthers. (Which makes his betrayal by the school board all the more gutting.) These kids are his family, his life, his passion. Tami said it best when she said that Eric was a "molder of men." He absolutely is and his care for both Smash and Jason proves that unconditionally. (It's the small things on Friday Night Lights: the paint in Eric's hair as he shows up late to the school dance, demonstrating that he helped Jason finish painting that house.)

While Smash found a way to reclaim his passion and confidence and find himself again, Jason needed to find a new context for his life, a new identity that had nothing to do with being the injured star quarterback of the Dillon Panthers. With his girlfriend and baby son having left for New Jersey, he launched an ambitious plan that included flipping Buddy Garrity's old house and landing him (along with the Riggins Brothers and Herc) some cash and then set out to Manhattan with Riggins to land a position as a sports agent. While that was not without serious setbacks, Jason proved that he could not only do what he needed to do in order to land the job, but he made good on his promise to be a good father to Noah and to help take care of his young family. (And the look of profound pride and loss that swirl over Riggins' face as he says goodbye to his best friend was like an emotional sucker punch.)

I'm pleased too that Julie (Aimee Teegarden) and Saracen (Zach Gilford) found their way back to each other, even as Matt faced increased pressure on the team from freshman quarterback J.D. McCoy (Jeremy Sumpter) and lost his starting position... though quickly proved himself to Eric in a new role even as his relationship to Julie took a turn towards the sexual. And Matt was also able to come to terms with his abandonment as a child by his mother Shelby (Kim Dickens) and forge a new and adult relationship with his mom.

But it was Matt's relationship with grandmother Lorraine (Louanne Stephens) that proved to be the most fraught with heartbreak. Very few series--particularly those that on the surface appear to be about a high school football team--would dare to offer a gripping and realistic portrayal of dementia. Over three seasons, Lorraine's struggles with dementia has been at the heart of the series but Matt's acceptance into a prestigious art school in Chicago meant that major decisions had to be made as Lorraine's condition worsened. This storyline was handled with such care and reverence that it brought tears to my eyes, particularly in the final episode of the season.

Lorraine finally realized that she couldn't hold Matt back or stand in the way of his dreams and relented about being placed in an assisted care living facility, believing that he should go to Chicago. But for Matt, Billy and Mindy's wedding brings up a lot of unresolved and complex feelings. He dashes off from the wedding to get Lorraine and bring her there, telling her that he's going to take her back home afterwards and that he'll stay in Dillon.

On the one hand, it's a heartrending decision that Matt would put aside college to look after his grandmother. On the other, he's right when he said that she's the only one who never walked out on him. His decision to stay is a sacrifice forged in love. One can only hope that he deferred his admission rather than just abandoned it. After all, Lorraine's condition is deteriorating. But she might only have another year of semi-lucidity before her disease eats away at her mind to the point where Matt can't care for her anymore. Why shouldn't she spend that year surrounded by who she loves? What price is a single year if it means not abandoning his grandmother when she needs him the most?

Meanwhile, the season also offered a storyline that plumbed the intense pressure that parents can put on their athlete children, something that we hadn't seen to date on Friday Night Lights. While J.D. may have a fantastic arm, he lacks the maturity to lead the team and inspire them, particularly as he takes his cues from his overbearing father Joe, a man so determined to brainwash his child and live vicariously through him that he denies him socialization, fraternization, and any free will of his own, separating him so mercilessly from the team to the point where he is made a laughingstock. The storyline culminates in a shocking showdown in the parking lot of Applebee's, where Joe physically assaults his son in view of Eric and Tami, who have no choice but to report the matter to child protective services.

It's a rain-slicked scene that not only rends the already tenuous relationship between the McCoys and the Taylors but also seals Eric's fate at the end of the season, creating a nemesis in Joe who is unrelenting in his determination to make his son a star and make Eric pay for what he did. With one punch, everything in Dillon changed... and not necessarily for the better.

I'm already anxious to watch Season Four of Friday Night Lights (I very luckily have a screener set from NBC of the entire season), but it will have to wait until after Comic-Con as I don't want to rush through the fourth season... and I still want to turn the brilliant, engaging, and emotionally layered third season over in my mind a little more.

Ultimately, this season stands up to the perfection of the freshman season, offering just as many tears, smiles, and laughs as the original did as well as some genuine emotional stakes that don't require stalkers, teen murderers, or student-teacher affairs in order to make it compelling. Sometimes the very best drama not only comes from the heart but from the everyday reality we all live. Thanks for the memories, Dillon.

Channel Surfing: HBO's Miraculous Year Lands Lee Pace, Team Darlton Talk Lost, Friday Night Lights, and More

Welcome to your Friday morning television briefing.

According to Entertainment Weekly's Michael Ausiello, HBO's drama pilot Miraculous Year, from executive producer Kathryn Bigelow just got even more miraculous. The project, which is described as "an examination of a New York family as seen through the eyes of a charismatic, self-destructive Broadway composer," just signed a slew of stars to round out its cast, including former Pushing Daisies star Lee Pace, Linus Roache (Law & Order), and Stark Sands (Generation Kill)... who will join the already high-wattage cast of Eddie Redmayne, Hope Davis, Frank Langella, and Patti LuPone. (Entertainment Weekly's Ausiello Files)

E! Online's Megan Masters spoke to former Lost showrunners Damon Lindelof and Carlton Cuse about the ABC drama's Emmy nominations now that the series has wrapped up its six-season run... and why they chose to break their radio silence. "Every year after the finale we've always gone into radio silence just because we're pretty sick of ourselves, so we can't even imagine what everybody else thinks of us," said Lindelof. "And we've always broken our radio silence at Comic-Con, and this year we're obviously not going to Comic-Con because it's about promoting something to come. The idea of looking back on the show is not something we were particularly interested in, looking back at ourselves. But around a week ago, Carlton and I had both been on vacation and received an email from someone at ABC asking [if we would] be willing to do some press. And that was our first contact with each other where it was like, alright, of course. If the show gets recognized, it feels totally appropriate for us to express out feelings about how awesome that is. There's no reason to not talk about Lost ever again, it's just not in our DNA. Had the show not been nominated for anything, I'm sure Carlton and I would have emerged at some appropriate time over the summer to talk about—" "To begin begging for work at Starbucks," Cuse cut him off, laughing. (E! Online's Watch with Kristin)

Elsewhere, Deadline's Nellie Andreeva also caught up with Team Darlton to discuss the 12 Emmy nominations that Lost racked up yesterday and on the divisive series finale. "I do feel we spent so much time talking about how we were gonna end the show (we started getting questions about that right after the pilot) so the fact that we ended it on our own terms makes us feel absolutely no regrets," said Lindelof. "We acknowledge that it was always a polarizing show that created many theories and made fans passionate about it. It wouldn’t be Lost if everyone loved the finale, but we’re pretty pleased." (Deadline)

Entertainment Weekly's Michael Ausiello caught up with Friday Night Lights's Connie Britton, who received an Emmy nomination alongside her co-star Kyle Chandler yesterday and who thought that "there must be some mistake." (Aw.) Asked whether she had received an interesting phone calls after the nomination, Britton replied, "I just had a really fun phone call with our executive producer Sarah Aubrey. She works with Peter Berg and has been involved with Friday Night Lights since the movie, and is arguably one of the most passionate people ever about this show. She was like, 'I was doing Pilates and I just unabashedly started jumping up and down!' It’s just exciting. We’re about to wrap the show—we’re two weeks away from wrapping the show—and it’s been really melancholy. I’m just feeling it. I’m feeling it approaching—the end is near. So this just feels like such an unexpected surprise and present." (Entertainment Weekly's Ausiello Files)

Remember the rumor floating about the other day that the star of Vicky Cristina Barcelona would be dropping by Glee as a rock star who befriends Artie? Apparently, there's no truth to that story whatsoever, according to Los Angeles Times's Maria Elena Fernandez. A 20th Century Fox Television spokesperson has denied reports that Javier Bardem--and Snoop Dogg--would be appearing on FOX's Glee next season. (Los Angeles Times' Show Tracker)

With Steve Carell set to leave NBC's The Office at the end of next season, one of the show's producers has her sights on his replacement. Entertainment Weekly's Michael Ausiello talks to co-executive producer Mindy Kaling about her pick to take over as the boss in Scranton. "I’d love to see Rainn Wilson in that position,” said Kaling. “Dwight has become so nuanced — you actually care about him now. I think if [we did a good job laying the groundwork] this coming season, he would be a fantastic boss... But that’s my dream. It certainly hasn’t been approved by people that are more powerful than me and who make those kinds of decisions." (Entertainment Weekly's Ausiello Files)

ABC has announced premiere dates for all of its new and returning fall series (except, that is, for Body of Proof and Secret Millionaire):

September 20th:
Dancing with the Stars
Castle

September 21st:
Detroit 1-8-7

September 22nd:
The Middle
Better With You (formerly known as Better Together)
Modern Family
Cougar Town
The Whole Truth

September 23rd:
My Generation
Grey's Anatomy
Private Practice

September 24th:
20/20

September 26th:
America's Funniest Home Videos
Extreme Makeover: Home Edition
Desperate Housewives
Brothers & Sisters

September 28th:
No Ordinary Family
Dancing with the Stars Results Show

You'll notice that while ABC did change the the title of one of its series, that series isn't Cougar Town, which will keep its title going into its sophomore season after all. (via press release)

Comedy Central has ordered a script for multi-camera comedy Brothers From Another Mother, which will feature comedians Ralphie May and Lavell Crawford as long-time friends who discover that, despite their racial differences, they are actually brothers when their father dies and leaves them his barbeque business. (Hollywood Reporter)

Lewis fans, take heart: ITV has ordered a fifth season of Lewis, comprised of four episodes. (Broadcast)

File under litigious: Hayden Christensen is using USA, claiming that the network stole his idea about a concierge doctor who makes house calls to his wealthy patients and turned it into its dramedy series Royal Pains, now in its second season. Christesen and his brother Tove filed the lawsuit in New York District Court. "The brothers allegedly brought the idea for a concierge doctor show titled Housecall to USA and met with Alex Pepiol, who at the time was manager of original scripted series programing at the network," writes The Hollywood Reporter's Eriq Gardner. "They say they also sent him materials including a treatment, character biographies and show ideas." (Hollywood Reporter)

Season Four of reality series LA Ink will kick off on TLC on Wednesday, August 11th at 10 pm ET/PT. (via press release)

Stay tuned.

Emmy Nominations Unveiled: Love for Friday Night Lights, Modern Family, Mad Men, Lost, True Blood, and More

It's that time of year again: Emmy nominations.

Modern Family's Sofia Vergara and Community's Joel McHale were on hand bright and early this morning to announce the Primetime Emmy Award nominations. (I stayed home to watch E! Online's stream of the press conference rather than drive over there bleary-eyed and unable to conceal my frustration about overlooked performances and series in person.)

While Vergara ultimately walked away with a nomination for supporting actress for Modern Family (as did most of her co-stars, in fact), McHale was sadly shut out of the nominations, as was Community, a real slap in the face (along with that for Parks and Recreation) considering that Community and Parks were both streets ahead of The Office and 30 Rock this season. Grr.

So which series did the best overall? HBO's The Pacific walked away with an impressive 24 nominations, followed closely by FOX's Glee at 19 nods, AMC's Mad Men at 17, and 15 nominations apiece for Temple Grandin, 30 Rock, and You Don't Know Jack. Critical darling Modern Family earned 14 nominations, while Lost scored 12.

While it's unlikely to change FX's decision about keeping the series around, Damages walked away with several key nominations including Outstanding Lead Actress in a Drama (Glenn Close), Outstanding Supporting Actor in a Drama (Martin Short), Outstanding Supporting Actress in a Drama (Rose Byrne), Outstanding Guest Actor in a Drama (Ted Danson), and Outstanding Guest Actress in a Drama (Lily Tomlin).

Perhaps seeing the final season as a way of addressing past snubs, the TV Academy issued nominations to Matthew Fox, Terry O'Quinn, and Michael Emerson for Lost. (About time.) And, yes, Elizabeth Mitchell even got in on the action, scoring a nomination for guest actress in a drama series for her role as Juliet Burke in the series finale.

So what do I think about the nominations? A list of nominees and reactions for each of the major category can be found below, while you can download the full list of nominees here.

Academy of Television Arts & Sciences
62nd Primetime Emmy Award Nominations

Outstanding Lead Actor In A Comedy Series
The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Bros. Television
Jim Parsons as Sheldon Cooper

Curb Your Enthusiasm • HBO • HBO Entertainment
Larry David as Himself

Glee • FOX • A Ryan Murphy TV Production in association with 20th Century Fox TV
Matthew Morrison as Will Schuester

Monk • USA • Universal Cable Productions in association with Mandeville Films and ABC Studios
Tony Shalhoub as Adrian Monk

The Office • NBC • Deedle-Dee Productions and Reveille LLC in association with Universal Media Studios
Steve Carell as Michael Scott

30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Media Studio
Alec Baldwin as Jack Donaghy

This was a fairly predictable category, though I have to yawn again at the inclusion of Tony Shalhoub over such other contenders as Parks and Recreations' Nick Offerman in this category, which tends to feature the same actors over and over again. Fortunately, Matthew Morrison edged out a certain actor from CBS' Two and a Half Men and the Academy realized that we're all tired of Entourage. As for who will win, I'd like to see Larry David walk away with the statuette next month for Curb Your Enthusiasm, really.

Outstanding Lead Actor In A Drama Series
Breaking Bad • AMC • Sony Pictures Television
Bryan Cranston as Walter White

Dexter • Showtime • Showtime Presents, John Goldwyn Productions, The Colleton Company, Clyde Phillips Productions
Michael C. Hall as Dexter Morgan

Friday Night Lights • DirecTV • Imagine Entertainment in association with Universal Media Studios and Film 44
Kyle Chandler as Eric Taylor

House • FOX • Universal Media Studios in association with Heel and Toe Films, Shore Z Productions and Bad Hat Harry Productions
Hugh Laurie as Dr. Gregory House

Lost • ABC • Grass Skirts Productions, LLC in association with ABC Network and Studios
Matthew Fox as Jack Shephard

Mad Men • AMC • Lionsgate Television
Jon Hamm as Don Draper

Now this is a very tough category. I'm extremely pleased to see that the Academy opted to shine a light on the compelling work of Friday Night Lights's Kyle Chandler, whose performance as Eric Taylor is the stuff of legends. (Was Chandler not born to play this role?) But he faces some stiff competition from Matthew Fox, Jon Hamm, Hugh Laurie, Bryan Cranston, and Michael C. Hall. This is going to be a very tight race among some supremely talented actors. I don't even dare to hazard a guess here, though I would love it if Chandler did the nearly impossible and walked away the winner. (Clear eyes, full hearts, can't lose!)

Outstanding Lead Actor In A Miniseries Or A Movie
A Dog Year • HBO • Duopoly in association with HBO Films
Jeff Bridges as Jon Katz

The Prisoner • AMC • AMC, ITV Productions and Granada
Ian McKellen as Two

The Special Relationship • HBO • A Rainmark and Kennedy/Marshall Production in association with HBO Films
Michael Sheen as Tony Blair

The Special Relationship • HBO • A Rainmark and Kennedy/Marshall Production in association with HBO Films
Dennis Quaid as Bill Clinton

You Don't Know Jack • HBO • Bee Holder, Cine Mosaic and Levinson/Fontana Productions in association with HBO Films
Al Pacino as Dr. Jack Kevorkian

While I'd love Sheen to be recognized for his role in The Special Relationship, particularly after playing British PM Tony Blair with such incisive nuance for the third time (after The Deal and The Queen), I'd say that Pacino's turn as Jack Kevorkian is the showier role here. Point to Pacino, I think.

Outstanding Lead Actress In A Comedy Series
Glee • FOX • A Ryan Murphy TV Production in association with 20th Century Fox TV
Lea Michele as Rachel Berry

The New Adventures Of Old Christine • CBS • Kari's Logo Here in association with Warner Bros. Television
Julia Louis-Dreyfus as Christine Campbell

Nurse Jackie • Showtime • Showtime Presents, Lionsgate Television, Jackson Group Entertainment, Madison Grain Elevator, Inc. & Delong Lumber; A Caryn Mandabach Production
Edie Falco as Jackie Peyton

Parks And Recreation • NBC • Produced by Deedle-Dee Productions and Universal Media Studios
Amy Poehler as Leslie Knope

30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Media Studio
Tina Fey as Liz Lemon

United States Of Tara • Showtime • Showtime Presents, Dreamworks Television
Toni Collette as Tara Gregson

Don't get me started on the inclusion of Lea Michele here for Glee. I don't consider the series a comedy on really any level (other than the participation of Jane Lynch), nor do I buy Michele as the "lead actress" of anything other than an ensemble player of a middling musical dramedy. My hope is that Amy Poehler walks away the winner here as Parks and Recreation is the funniest comedy on television right now and was unjustly shut out of the nominations. Should Poehler not get the win, I'd also be ecstatic if Edie Falco took home the win for the darkly funny Nurse Jackie. (Ordinarily, I'd be rooting for Tina Fey but this season of 30 Rock was not the show's best or sharpest.)

Outstanding Lead Actress In A Drama Series
The Closer • TNT • The Shephard/Robin Company, in association with Warner Bros. Television
Kyra Sedgwick as Deputy Chief Brenda Johnson

Damages • FX Networks • Sony Pictures Television, FX Productions and KZK Productions
Glenn Close as Patty Hewes

Friday Night Lights • DirecTV • Imagine Entertainment in association with Universal Media Studios and Film 44
Connie Britton as Tami Taylor

The Good Wife • CBS • CBS Productions
Julianna Margulies as Alicia Florrick

Law & Order: Special Victims Unit • NBC • Wolf Films in association with Universal Media Studios
Mariska Hargitay as Det. Olivia Benson

Mad Men • AMC • Lionsgate Television
January Jones as Betty Draper

I am happy to see that someone is recognizing the work that January Jones is doing on Mad Men; for some reason critics and audiences are far too prone to writing off her performance for some reason but her work in Season Three of Mad Men was provocative and powerful, even as Betty Draper became more and more unlikable. I'm thrilled to see Connie Britton listed here for Friday Night Lights as she is more than deserving of a nomination for her stunning turn once again as Tami Taylor. And it's no surprise that Julianna Margulies landed herself a nom for the freshman season of The Good Wife, one of the few breakout hits of the past season, nor that Glenn Close is here for Damages. While I'd love all three women to share the award, that's just not going to happen. If I was a betting man, I'd bet on Margulies for The Good Wife. Though I'd love to hear Britton's acceptance speech, if I'm being heartfelt.

Outstanding Lead Actress In A Miniseries Or A Movie
Capturing Mary • HBO • A talkbackTHAMES Production in association with the BBC and HBO Films
Maggie Smith as Mary Gilbert

Georgia O'Keeffe • Lifetime • Sony Pictures Television for Lifetime Television
Joan Allen as Georgia O’Keeffe

Return To Cranford (Masterpiece) • PBS • BBC/WGBH in association with Chestermead
Dame Judi Dench as Miss Matty

The Special Relationship • HBO • A Rainmark and Kennedy/Marshall Production in association with HBO Films
Hope Davis as Hillary Clinton

Temple Grandin • HBO • A Ruby Films, Gerson Saines Production in association with HBO Films
Claire Danes as Temple Grandin

Two words: Claire Danes. Her performance in Temple Grandin was nothing less than stellar and she not only imbued her turn with heart, strength, and passion, but she also perfectly captured the cadence and rhythm of Grandin herself. (Which I can say, having met and spent time with Temple.) It's a brave and bravura performance that I hope nets the former My So-Called Life star an Emmy Award next month, if there's any justice.

Outstanding Supporting Actor In A Comedy Series
Glee • FOX • A Ryan Murphy TV Production in association with 20th Century Fox TV
Chris Colfer as Kurt Hummel

How I Met Your Mother • CBS • Twentieth Century Fox Television
Neil Patrick Harris as Barney Stinson

Modern Family • ABC • Twentieth Century Fox Television
Jesse Tyler Ferguson as Mitchell

Modern Family • ABC • Twentieth Century Fox Television
Eric Stonestreet as Cameron Tucker

Modern Family • ABC • Twentieth Century Fox Television
Ty Burrell as Phil Dunphy

Two And A Half Men • CBS • Chuck Lorre Productions, Inc., The Tannenbaum Company in association with Warner Bros. Television
Jon Cryer as Alan Harper

Of the Glee nominations, I'm happy to see Chris Colfer and Jane Lynch represented as they are the only things that kept me watching Glee through its first season. Save Ed O'Neill (wrongly overlooked here), the entire male cast of Modern Family earned themselves nominations. While they are all tops at their game, I actually hope that the Academy gives the win to Eric Stonestreet for his hysterical and heartfelt performance as Cameron. I'm hoping Stonestreet walks away the winner here. (Come on, Eric!)

Outstanding Supporting Actor In A Drama Series
Breaking Bad • AMC • Sony Pictures Television
Aaron Paul as Jesse Pinkman

Damages • FX Networks • Sony Pictures Television, FX Productions and KZK Productions
Martin Short as Leonard Winstone

Lost • ABC • Grass Skirts Productions, LLC in association with ABC Network and Studios
Terry O'Quinn as John Locke

Lost • ABC • Grass Skirts Productions, LLC in association with ABC Network and Studios
Michael Emerson as Ben Linus

Mad Men • AMC • Lionsgate Television
John Slattery as Roger Sterling

Men Of A Certain Age • TNT • TNT Original Productions
Andre Braugher as Owen

I'm extremely chuffed to see O'Quinn and Emerson nominated here together for their stunning work on Lost. One can't help but feel that the nod isn't just for the final season of Lost but their collective work over the years on the ABC drama series, which wrapped its run in May. Likewise, Short gave a nuanced and compelling turn on Damages, playing against type and yet not becoming a walking creepshow like Darryl Hammond the season before. And it's always gratifying to see Aaron Paul nominated here for his performance as Jessie Pinkman on AMC's Breaking Bad and John Slattery for his work on Mad Men. Tough category to call but I'm going to give this to Paul.

(Still crushed, however, that Fringe's John Noble failed to get a nomination here for his staggering work as Walter Bishop this season.)

Outstanding Supporting Actor In A Miniseries Or A Movie
Emma (Masterpiece) • PBS • A co-production of BBC Productions and WGBH Boston
Michael Gambon as Mr. Woodhouse

Hamlet (Great Performances) • PBS • production of Illuminations and Royal
Shakespeare Company for BBC in association with Thirteen for WNET.org and NHK
Patrick Stewart as Ghost / Claudius

Return To Cranford (Masterpiece) • PBS • BBC/WGBH in association with Chestermead
Jonathan Pryce as Mr. Buxton

Temple Grandin • HBO • A Ruby Films, Gerson Saines Production in association with HBO Films
David Strathairn as Dr. Carlock

You Don't Know Jack • HBO • Bee Holder, Cine Mosaic and Levinson/Fontana Productions in association with HBO Films
John Goodman as Neal Nicol

Would love to see Gambon take this one home for Emma as he was absolutely perfect as Mr. Woodhouse. Having said that, I also think that Patrick Stewart may walk away for his turn in Great Performances' Hamlet. Hmmm...

Outstanding Supporting Actress In A Comedy Series
Glee • FOX • A Ryan Murphy TV Production in association with 20th Century Fox TV
Jane Lynch as Sue Sylvester

Modern Family • ABC • Twentieth Century Fox Television
Julie Bowen as Claire Dunphy

Modern Family • ABC • Twentieth Century Fox Television
Sofia Vergara as Gloria Delgado-Pritchett

Saturday Night Live • NBC • SNL Studios in association with NBC Studios and Broadway Video
Kristen Wiig as Various Characters

30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Media Studio
Jane Krakowski as Jenna Maroney

Two And A Half Men • CBS • Chuck Lorre Productions, Inc., The Tannenbaum Company in association with Warner Bros. Television
Holland Taylor as Evelyn Harper

I would be amazed if anyone other than Jane Lynch won here. She's the only real reason, as far as I am concerned, that Glee was even able to sneak into the comedy category. You can engrave that statuette now as far as I'm concerned.

Outstanding Supporting Actress In A Drama Series
Burn Notice • USA • FOX Television Studios in association with Fuse Entertainment
Sharon Gless as Madeline Westen

Damages • FX Networks • Sony Pictures Television, FX Productions and KZK Productions
Rose Byrne as Ellen Parsons

The Good Wife • CBS • CBS Productions
Archie Panjabi as Kalinda Sharma

The Good Wife • CBS • CBS Productions
Christine Baranski as Diane Lockhart

Mad Men • AMC • Lionsgate Television
Christina Hendricks as Joan Harris

Mad Men • AMC • Lionsgate Television
Elisabeth Moss as Peggy Olson

So many worthy actresses competing here. Personally, I'd love for Rose Byrne or Christina Hendricks to win here. Normally, I think Elisabeth Moss is tops but she had a much quieter role this past season on Mad Men while Hendricks' Joan Harris (nee Holloway) and Byrne's Ellen Parsons seized their respective seasons by the throat and never let go. Dare I say that I'm rooting for Hendricks here?

Outstanding Supporting Actress in a Miniseries or Movie
Alice • Syfy • A Reunion Pictures and Studio Eight Production in association with RHI Entertainment
Kathy Bates as Queen of Hearts

Temple Grandin • HBO • A Ruby Films, Gerson Saines Production in association with HBO Films
Julia Ormond as Eustacia (Temple's Mom)

Temple Grandin • HBO • A Ruby Films, Gerson Saines Production in association with HBO Films
Catherine O'Hara as Aunt Ann

You Don't Know Jack • HBO • Bee Holder, Cine Mosaic and Levinson/Fontana Productions in association with HBO Films
Brenda Vaccaro as Margo Janus

You Don't Know Jack • HBO • Bee Holder, Cine Mosaic and Levinson/Fontana Productions in association with HBO Films
Susan Sarandon as Janet Good

I'd love this to go to Catherine O'Hara. I love when comedic actors go against the grain and turn in dramatic and moving performances. Ormand was also absolutely amazing in HBO's Temple Grandin but there was such a subtlety and dignity to O'Hara's Ann in the biopic that I hope she's recognized... and starts working more and more in the dramatic arena.

Outstanding Guest Actor In A Comedy Series
Glee • Wheels • FOX • A Ryan Murphy TV Production in association with 20th Century Fox TV
Mike O'Malley as Burt Hummel

Glee • Dream On • FOX • A Ryan Murphy TV Production in association with 20th Century Fox TV
Neil Patrick Harris as Bryan Ryan

Modern Family • Travels With Scout • ABC • Twentieth Century Fox Television
Fred Willard as Frank Dunphy

Nurse Jackie • Chicken Soup • Showtime • Showtime Presents, Lionsgate Television, Jackson Group Entertainment, Madison Grain Elevator, Inc. & Delong Lumber; A Caryn Mandabach Production
Eli Wallach as Bernard Zimberg

30 Rock • Emmanuelle Goes To Dinosaur Land • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Media Studio
Jon Hamm as Dr. Drew Baird

30 Rock • Into The Crevasse • NBC • Broadway Video, Little Stranger, Inc. in
association with Universal Media Studio
Will Arnett as Devin Banks

While I'm loath to root for Glee, I'd love to see Mike O'Malley win for his turn as Kurt's surprisingly supportive father Burt.

Outstanding Guest Actor In A Drama Series
The Closer • Make Over • TNT • The Shephard/Robin Company, in association with Warner Bros. Television
Beau Bridges as Detective George Andrews

Damages • The Next One's Gonna Go In Your Throat • FX Networks • Sony Pictures Television, FX Productions and KZK Productions
Ted Danson as Arthur Frobisher

Dexter • Road Kill • Showtime • Showtime Presents, John Goldwyn Productions, The Colleton Company, Clyde Phillips Productions
John Lithgow as Arthur Mitchell

The Good Wife • Fleas • CBS • CBS Productions
Alan Cumming as Eli Gold
The Good Wife • Bad • CBS • CBS Productions
Dylan Baker as Colin Sweeney

Mad Men • Shut The Door. Have A Seat. • AMC • Lionsgate Television
Robert Morse as Bertram Cooper

24 • 1:00 PM - 2:00 PM • FOX • Imagine Television and 20th Century Fox TV in association w/ Teakwood Lane Productions
Gregory Itzin as President Charles Logan

Let's be honest: is there any way that John Lithgow won't win for his turn as Trinity on Showtime's Dexter? Granted, there's no way that this was a "guest" role but he's in the category and he is almost certain to walk away with the statue next month. Would be shocked if it played out any other way.

Outstanding Guest Actress In A Comedy Series
The Big Bang Theory • The Maternal Congruence • CBS • Chuck Lorre
Productions, Inc. in association with Warner Bros. Television
Christine Baranski as Beverly Hofstadter

Desperate Housewives • The Chase • ABC • ABC Studios
Kathryn Joosten as Karen McCluskey

Glee • The Rhodes Not Taken • FOX • A Ryan Murphy TV Production in association with 20th Century Fox TV
Kristin Chenoweth as April Rhodes

Saturday Night Live • Host: Tina Fey • NBC • SNL Studios in association with NBC Studios and Broadway Video
Tina Fey as Host

Saturday Night Live • Host: Betty White • NBC • SNL Studios in association with NBC Studios and Broadway Video
Betty White as Host

30 Rock • The Moms • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Media Studio
Elaine Stritch as Colleen Donaghy

Two And A Half Men • 818-JKLPUZO • CBS • Chuck Lorre Productions, Inc., The Tannenbaum Company in association with Warner Bros. Television
Jane Lynch as Dr. Linda Freeman

Cough, Betty White, cough. Is there anything this woman can't do?

Outstanding Guest Actress In A Drama Series
Big Love • The Might And The Strong • HBO • Anima Sola Productions and Playtone in association with HBO Entertainment
Mary Kay Place as Adaleen Grant

Big Love • End Of Days • HBO • Anima Sola Productions and Playtone in association with HBO Entertainment
Sissy Spacek as Marilyn Densham

The Cleaner • Does Everybody Have A Drink? • A&E • CBS Paramount Television in association with Once A Frog Productions for A&E Network
Shirley Jones as Lola Zellman

Damages • Your Secrets Are Safe • FX Networks • Sony Pictures Television, FX Productions and KZK Productions
Lily Tomlin as Marilyn Tobin

Law & Order: Special Victims Unit • Bedtime • NBC • Wolf Films in association with Universal Media Studios
Ann-Margret as Rita Wills

Lost • The End • ABC • Grass Skirts Productions, LLC in association with ABC Network and Studios
Elizabeth Mitchell as Juliet Burke

I'm beyond thrilled to see Elizabeth Mitchell in this category for her role as Juliet on Lost in the series finale and it really comes down to her and Sissy Spacek for Big Love. For me, anyway. I'd love it to be one of them, though Tomlin also gave a stirring and vicious performance as Marilyn Tobin this past season on Damages. Hmmm...

Outstanding Host For A Reality Or Reality-Competition Program
The Amazing Race • CBS • World Race Productions Inc.
Phil Keoghan as Host

American Idol • FOX • FremantleMedia N.A., Inc. & 19TV Ltd.
Ryan Seacrest as Host

Dancing With The Stars • ABC • BBC Worldwide Productions
Tom Bergeron as Host

Project Runway • Lifetime • The Weinstein Company, Miramax Films, Bunim-Murray Productions and Full Picture
Heidi Klum as Host

Survivor • CBS • SEG Inc.
Jeff Probst as Host

I'm going for Phil Keoghan all the way for The Amazing Race. Hands down the classiest reality show host and he displays more emotion in one eyebrow lift than many actors do in their entire frames.

Outstanding Comedy Series
Curb Your Enthusiasm • HBO • HBO Entertainment

Glee • FOX • A Ryan Murphy TV Production in association with 20th Century Fox TV

Modern Family • ABC • Twentieth Century Fox Television

Nurse Jackie • Showtime • Showtime Presents, Lionsgate Television, Jackson Group Entertainment, Madison Grain Elevator, Inc. & Delong Lumber; A Caryn Mandabach Production

The Office • NBC • Deedle-Dee Productions and Reveille LLC in association with Universal Media Studios

30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Media Studio

I have to say that I'm really, really irritated that both Parks and Recreation and Community were shut out of this category while The Office, which suffered through its worst season to date, and 30 Rock, which had a middling one, once again landed spots here. While the Glee nod is not surprising, it also took away a spot from a genuine--and actually funny all the way through--comedy like the two named. I am extremely happy, however, that Modern Family and Nurse Jackie earned nominations here... while HBO's Entourage did not. If there's any justice in the entire world (and Hollywood), Modern Family will be crowned the winner for outstanding comedy. I'm keeping my fingers very tightly crossed.

Outstanding Drama Series
Breaking Bad • AMC • Sony Pictures Television

Dexter • Showtime • Showtime Presents, John Goldwyn Productions, The Colleton Company, Clyde Phillips Productions

The Good Wife • CBS • CBS Productions

Lost • ABC • Grass Skirts Productions, LLC in association with ABC Network and Studios

Mad Men • AMC • Lionsgate Television

True Blood • HBO • Your Face Goes Here Entertainment in association with HBO Entertainment

Five very strong series, each with their own bands of devoted viewers, likely going to the mats for their favorite. Breaking Bad delivered some majorly stunning surprises this season, as did Showtime's Dexter, which ended in a literal bloodbath. As for ABC's Lost, I'm one of the few who didn't think that Season Five of Lost was its strongest season... and I would have liked to have seen FX's Justified earn a spot here. (Also missing: Sons of Anarchy.)I'm pleasantly surprised to see HBO's True Blood here (taking the spot for Big Love, I would imagine) but I did think that the second season of the vampire drama transcended its roots to deliver a season that combined the seductive quality of the supernatural with something profound and powerful.

Having said that, my vote goes to Mad Men for its entirely superlative season, which in true Matthew Weiner fashion, changed up the rules of its game, ending relationships and altering the underlying foundation of the series in more ways than one. I'm once again rooting for the period drama to grab that prize.

Outstanding Miniseries
The Pacific • HBO • Playtone and Dreamworks in association with HBO
Miniseries

Return To Cranford (Masterpiece) • PBS • BBC/WGBH in association with Chestermead

Outstanding Made For Television Movie
Endgame (Masterpiece) • PBS • Channel 4, Target Entertainment Group and
Masterpiece present A Daybreak Pictures Production

Georgia O'Keeffe • Lifetime • Sony Pictures Television for Lifetime Television

Moonshot • HISTORY • Produced by Dangerous Films LTD for History

The Special Relationship • HBO • A Rainmark and Kennedy/Marshall Production in association with HBO Films

Temple Grandin • HBO • A Ruby Films, Gerson Saines Production in association with HBO Films

You Don't Know Jack • HBO • Bee Holder, Cine Mosaic and Levinson/Fontana Productions in association with HBO Films

The Pacific may have more ardent supporters, but I'd actually like Temple Grandin to win here. Sometimes it's the smaller films that are just as important as the big-budget miniseries.

What did you think of the nominations? Who earned their nods? Who got wrongly shut out? Who do you think will win? Head to the comments section to discuss.

The Primetime Emmy Awards will be televised live coast-to-coast on Sunday, August 29th on NBC.

Friday Night Lights Watch: Examining the Flawed Second Season

I heard a lot of negative things about Season Two of Friday Night Lights, which I finished watching over the long weekend as part of my Friday Night Lights catch-up.

After the strength of the freshman season, Season Two of Friday Night Lights almost feels like a different series altogether. While there were some beautiful moments that stood out, they were just moments rather than a cohesive season of taut storyelling. It's a stark contrast to the first season of Friday Night Lights, where each episode managed to build on the one prior to create a staggering portrait of a small town that perfectly captured, as I said last week, the ebb and flow of real life.

Not so with Season Two, where the main network note seemed to have been to inject Drama into the series. Yes, Drama with a capital d, rather than the more nuanced and studied drama of the first season. Here, everything had to be bigger, had to be bolder, and had to be broader than ever before.

Yes, watching from the first episode of the season it was blatantly clear that there was some major network interference going on here as the series made an effort to fit in more with nighttime soaps than in keeping the tone and balance of the previous season. Gone were the smaller stories of awkward adolescence, the powerful friendships, the tiny moments on which dreams were built or discarded. Not helping matters was the fact that the truncated season was derailed by the WGA strike.

I do think that Season Two of Friday Night Lights found itself as it went on, which made the decision by NBC not to resume production after the writers strike ended all the more gutting. The back half of the season, particularly the final installments showed the series getting back to its roots and reclaiming its voice once more... before it had to end on a non-cliffhanger that left the rest of the season--including whether the Panthers made it to the playoffs or to the state championships--in the dark. (Also unclear, though all bound to be revealed in Season Three: whether Jason had managed to convince the flame-haired waitress to keep their baby, whether Lila would continue her tentative relationship with Matt Czuchry's Christian Chris Kennedy, and whether Carlotta would return to mend Saracen's wounded heart.)

It helped that that the ludicrous murder cover-up conspiracy plot involving Tyra and Landry was wrapped up halfway through the season. I was well aware of how awful this storyline was ahead of time but I didn't quite appreciate just how much it would completely destroy Landry's character over the course of the season. Could Tyra and Landry have still accidentally killed Tyra's would-be rapist? Sure. Could the incident have still pushed them together into an unlikely romance? Absolutely. Would Landry still be plagued by guilt over what happened? Definitely.

Instead, it took the characters and pushed them into another series altogether, one where characters killed indiscriminately and then didn't feel any semblance of remorse (Tyra) or where a sunny and upbeat character became a dour, haunted individual who stole away some of the comic relief.

By pushing the duo into this OTT murder storyline, the series robbed viewers of one of the more rewarding relationships on the series--that between Matt Saracen and Landry--and curtailed several important story beats along the way. The beginning of the season should have focused on Landry's new role on the Dillon Panthers, his ecstasy at joining a team he cheered from the sidelines, and friction with his best friend but it instead made Landry and Saracen virtual strangers. Landry didn't tell Saracen about losing his virginity to Tyra, nor did Matt tell Landry about his burgeoning relationship with Carlotta. Whereas before there were open lines of communication between the two, they split apart without any real storyline involving their distance from one another, despite them now being teammates.

Likewise, we as an audience lost our entry point to the Panthers as Landry's focus wasn't on football but evading the police and keeping himself out of jail... even going so far as to bring his father into the conspiracy as police officer Chad Clarke destroyed evidence to keep suspicion of his son, a plot point that went unnoticed, as did any reaction from Landry's mother about her son's complicity in the murder of a rapist.

While I also understand why the writers would seek to get Eric back to Dillon as quickly as possible, they also jumped over any reaction from Tami and Julie about Eric moving home, with Eric turning up in the driveway and the twosome acting as though they knew he was coming back. (But what was their reaction? When did they learn about it?) Additionally, the firing of Chris Mulkey's Coach McGregor was handled very quickly, though there were some repercussions as a result of his swift dismissal (namely, Eric taking over as athletic director of Dillon High School).

I will say, however, that Season Two of Friday Night Lights did a wonderful job once again with the core relationship between Connie Britton's Tami and Kyle Chandler's Eric, making the Taylors once again a powerful force to be reckoned with, even as they themselves were beset with problems this season, from the birth of baby Grace and their long-distance relationship to daughter Julie's rebellious streak and some intriguing jealousy on the part of Eric. Their storyline focused on the stresses of everyday marriage and child-rearing, the fear of letting go both of newborns and of teenagers, and the push-and-pull of long-term relationships.

Additionally, I loved the storyline that had Taylor Kitsch's Riggins moving in with the Taylors for a brief spell, after the high drama of his living with a gun-wielding, ferret-loving meth cooker. It was lovely to see Eric and Tim bond over some quality time together, each fulfilling a missing role in the other's life (Eric for the son he never had, Tim for the father he lost) and, in the words of Coach Taylor, balancing the gender teams in the household.

Riggins, meanwhile, saved Julie not once but twice--shielding her body with his during a tornado and rescuing a drunk Julie from a lecherous teen at a party--only to be thrown out by Eric when he walked into Julie's room and caught her and Tim in a compromising position. The scene where he later apologized to Tim and called his actions "honorable" was a nice coda to this storyline, given how stubborn and quick to judge Eric often can be.

Fortunately, nothing happened between Tim and Julie, whose brattiness this season led to both Tami slapping her across the face in frustration and a near affair with a teacher (which fortunately didn't happen). That both the latter storyline and the relationship between Saracen and his grandmother's nurse Carlotta both played out after the Riggins-Jackie romance of Season One made them both feel repetitive. The May-September romance thing just felt forced this season and failed to create any real sparks. In the case of Saracen, it led him to a very dark place where he began to drink and cut class and generally act out... until Coach Taylor throttled him into the shower and talked some sense into him.

That many of these storylines--including the continued battle against adversity for Jason Street--were incomplete, due to the writers strike, means that there was no opportunity to see these play out in full. Yes, Friday Night Lights has used a time-jump between seasons before but in previous years, we at least got to see the end results of the season and the wrap-up of a few storylines.

I don't doubt that these dangling story threads will be dealt with in the third season premiere--just like life, Friday Night Lights goes on even if we're not watching--but I do feel cheated by the fact that we won't get to see these stories continue first-hand, as the time-jump between the second and third years has got to be fairly considerable to get us back to the start of football season in Dillon.

Which is sad, really. Season Two of Friday Night Lights has been plagued by a reputation for being awful that the series itself sought to overcome as it went on. While I won't be in a rush to rewatch it any time soon, it also hasn't diminished my enthusiasm for the series, particularly as I've heard amazing things about the next third and fourth seasons.

But to everything there is a season and to every season an end. That came too quickly for the sophomore season of Friday Night Lights but I for one am happy that I can jump into what promises to be a return to form for this ambitious, intelligent, and heart-felt series. Here's to moving on in the next day or so Season Three...

Clear Eyes, Full Hearts: I Am Now Officially a Friday Night Lights Convert

Confession time: I'm a recent convert to Friday Night Lights.

In the world of television, it's often necessary to make a judgment based on a pilot episode of a series. In fact, one job I held in Hollywood made it absolutely necessary to do just that: determine what would be a worthwhile series based on the pilot script and then the shot pilot. With financial investments on the line, it was imperative that one make a snap judgment based on a single episode of a series.

In a lot of cases, that initial judgment proves to be the correct one. But sometimes, the pilot doesn't quite match the full potential of the subsequent series.

When I originally watched the pilot for NBC's Friday Night Lights, it didn't click with me. I found it preachy, saccharine, riddled with some awkward dialogue, and placing far too much emphasis on the football aspect. I wrote off the series for a bit and then, when I heard about the creative struggles of Season Two, I opted not to go back and catch up.

How wrong I was.

Recently, I watched the entire 22-episode first season of Friday Night Lights in a handful of days, devouring the entire freshman season in the evenings and dreaming of Dillon at night. While the pilot and second episodes still failed to win me over, I persevered through those early episodes and found myself hooked on the series around the fourth installment.

What I had missed out on was a groundbreaking and emotionally resonant series that charted the ebbs and flows of life in a small Texas town. Revolving around a place where high school football was the focus, the residents of Dillon don't just see football as entertainment or sport but rather as an embodiment of Dream, an aspirational activity where the game becomes something akin to communion.

But Jason Katim's Friday Night Lights, while ostensibly about football, isn't really about the nitty-gritty aspects of the pigskin, instead using its importance in the town of Dillon to explore the relationships between the players, the audience, the cheerleaders, the teachers, and the students. Those who are obsessed with the game, those who avoid it, and those who find their fates inexorably intertwined with football itself: Eric and Tami Taylor (Kyle Chandler and Connie Britton), whose nuanced relationship marks one of the most realistic depictions of the joys and pains of marriage; their rebellious daughter Julie (Aimee Teegarden); and new starting quarterback Matt Saracen (Zach Gilford, perfectly cast here).

Then there was the way that Season One of Friday Night Lights handled the paralysis of star player Jason Street (Scott Porter). While most series would have written Jason off after the pilot, the season charted his own recovery, his attempt to regain use of his limbs, and the way that his fractured dreams impacted everyone around him, from his parents to devoted girlfriend Lyla (Minka Kelly) and best friend Tim Riggins (Taylor Kitsch). What developed was a painful and beautiful story of recovery in the face of adversity, of mistakes made, relationships broken, and new dreams created. Porter's compelling performance anchored the season in an unexpected and provocative way as Jason progressed through the difficult stages of acceptance of his new condition and its limitations.

It's a storyline that's built around hope and heartbreak in equal measure and that's true about Friday Night Lights as a whole, really. While the season plots the highs and lows of the Panther's season--from the shock of Jason's accident to their victory at the end of the season--it also follows the emotional state of the entire town as well.

Likewise, the season plunged headfirst into the relationship between Eric and Tami Taylor, setting both up as strong characters in their own right. What other series would take its central characters, in a committed marital relationship, and separate them in terms of space, sending Eric to TMU to pursue his dream of coaching college football while Tami remained--pregnant, no less--in Dillon so that she could continue to work with her high school kids as their guidance counselor and allow Julie to plant some roots in Dillon and continue dating Saracen, who had his own hands full caring for his grandmother, suffering from dementia, while his father served in Iraq.

It also tackled a number of controversial topics including steroid use, bi-polar disorder, pre-marital sex, rape, adultery, Katrina refugees, alcoholism, deadbeat parenting, dementia, the war in Iraq, quadriplegia, and much more, all within 22 episodes that, on the surface, seem to be about a high school football team on the road to the state championships.

It's the rare series that can make this jaded critic cry and yet I found myself wiping away tears during most episodes. That Friday Night Lights managed to do so without resorting to cheap sentimentality is a testament to both the writers and the talented cast, who completely embody these characters to the point that the cinema verite-style hand-held cameras aren't just capturing this drama but recording it as though it were a documentary. Characters cut each other off, talk over each other, and behave as though what's unfolding on the screen is reality, a reality that is impossible to look away from.

I could speak about Friday Night Lights all day, really. I'm perfectly willing to admit when I made an error and wrote off a series too early--though now I am struggling through the creatively uneven second season (and its ludicrous murder conspiracy plot)--but I know that there are much brighter spots ahead. I'll be blazing through the second, third, and fourth seasons all summer long and I'm happy to say that Dillon is a place that pulls me back after each episode, one that has not only captured my imagination but also my heart.

Channel Surfing: ABC to Revamp Edgar Floats, Undercovers Recasts, Weatherly to Return to NCIS, Criminal Minds Cuts Female Cast, and More

Welcome to your Tuesday morning television briefing.

Entertainment Weekly's Michael Ausiello is reporting that Rand Ravich's ABC drama pilot Edgar Floats, which recently received an order for six additional scripts, will be completely reconceived, with nearly all of the original cast--including series leads Tom Cavanagh and Alicia Witt and supporting players Derek Webster, Alex Solowitz, and Raoul Trujillo--getting the axe. (Only Robert Patrick will remain.) Deadline's Nellie Andreeva, meanwhile, has some further insight into the decision made by ABC. "People have been divided on Cavanagh's performance, while Patrick has been almost universally hailed as the pilot's scene stealer," she writes. "I hear ABC brass like the idea of Edgar Floats and the central character but the project is being re-conceived, with the six additional scripts still being written." [Editor: seeing as Edgar Floats was my favorite broadcast pilot of the development cycle, I'm gutted by this news.] (Entertainment Weekly's Ausiello Files, Deadline)

Mekia Cox (90210) has been cast in JJ Abrams and Josh Reims' upcoming NBC drama series Undercovers, where she will play Lizzy, the sister of Gugu Mbatha-Raw's Samantha, who is unaware of her sister's professional capacity as a CIA agent. Cox replaces Jessica Parker Kennedy, who appeared in the role in the pilot. [Editor: while I have nothing against Kennedy, per se, I did think that Lizzy and the catering company was the weakest and most labored part of Undercovers pilot.] (Hollywood Reporter)

It's official: Michael Weatherly has closed his deal to return to CBS' NCIS next season, following a successful renegotiation for Season Eight of the crime procedural. Of the four actors who went into the summer without a deal in place--Pauley Perrette, David McCallum, Michael Weatherly, and Sean Murray--only Murray has yet to finish renegotiating, however, Deadline's Nellie Andreeva said that the two sides are "optimistic" that a deal can be reached. (Deadline, Entertainment Weekly's Ausiello Files)

Deadline's Nellie Andreeva is reporting that CBS' Criminal Minds is gutting most of its female cast for financial reasons, opting not to pick up the option of series regular A.J. Cook, while Paget Brewster will be appearing in a "reduced number of episodes next season." Cook may reprise her role as Jennifer Jereau next season so that the writers can wrap up her storyline, though no deal has been made. Move means that Kristen Vangsness will be the only female cast member to appear in all episodes next season. (Deadline)

Entertainment Weekly's Michael Ausiello is reporting that Adrianne Palicki and Taylor Kitsch have signed on to appear in multiple episodes of Season Five of Friday Night Lights. Ausiello, citing unnamed sources, writes that Palicki will guest star in the final two episodes of the season (likely the series' end), while Kitsch will appear in the final four. (Also set to return, at least for one episode: Scott Porter, Zach Gilford--who will be in four installments--and likely Jesse Plemons.) (Entertainment Weekly's Ausiello Files)

Brian Kirk (Dexter) will direct two episodes of HBO's upcoming fantasy drama Game of Thrones. Production is slated to begin July 26th in Northern Ireland. (Hollywood Reporter)

Christopher Eccleston has broken his silence about why he left Doctor Who after just one season in a new interview with Radio Times. "I was open-minded but I decided after my experience on the first series that I didn't want to do any more," said Eccleston. "I didn't enjoy the environment and the culture that we, the cast and crew, had to work in. I thought if I stay in this job, I'm going to have to blind myself to certain things that I thought were wrong." (BBC News)

SPOILER! TV Guide Magazine's Will Keck is reporting that Fringe producers are looking to cast the role of the mother of Olivia Dunham (Anna Torv), who would appear in a story arc that would last roughly three or four episodes next season. "The character is described as loving, stable and sweet," writes Keck. "She dotes on Olivia since her other daughter died at birth." [Editor: I would assume that this role would be taking place "over there," in the other dimension, since Olivia's sister Rachel is, uh, alive and well in "our" world.] (TV Guide Magazine)

Faran Tahir (Star Trek) is set to guest star in two episodes of Syfy's Warehouse 13 this summer, as the series returns for its second season. Tahir will play Regent Adwin Kosan, described as "one of the mysterious and powerful Regents, the shadowy governing body charged with keeping the Warehouse safe," who turns up at the Warehouse in the midst of a crisis. (via press release)

In other Warehouse 13-related news, TV Guide Magazine's Will Keck has more details about the role that former Bionic Woman Lindsay Wagner will be playing when she guest stars on the Syfy dramedy as Dr. Vanessa Calder. "She's the official doctor for Warehouse agents. She is quite worldly and knows lots of secrets," Wagner told Keck. (TV Guide Magazine)

Stay tuned.

TCA Award Nominees Announced: Modern Family, Glee, Mad Men, Lost, Parks and Recreation, Party Down Represented

The Television Critics Association today announced their short-list nominations for the 2010 TCA Awards, which will be handed out during TCA Summer Press Tour, which kicks off at the end of July.

Among the nominees for Program of the Year, such series as Breaking Bad, Friday Night Lights, Glee, Lost, and Modern Family. In the individual genre categories, Breaking Bad, Mad Men, Lost, Sons of Anarchy, and The Good Wife will compete for the top drama prize, while Glee, Modern Family, Parks and Recreation, Party Down, and The Big Bang Theory are up for comedy kudos and such talents as Eric Stonestreet, Jane Lynch, Aaron Paul, Katey Segal, Nick Offerman, and many others are up for individual honors.

I'm glad to see so many broadcast network series competing side by side with their cable brethren. It almost gives one hope that the network model isn't completely cracked.

Additionally, this year's TCA Awards is also the first time that I'll be voting, as a newly installed member of the Television Critics Association. I was extremely pleased to see so many of my own personal nominations make the list here and I've already gone ahead and cast my ballot. (You can guess who and what I voted for.)

The full list of nominees can be found below.

2010 TCA Award Nominees

Program of the Year:

"Breaking Bad" (AMC)
"Friday Night Lights" (DirecTV/NBC)
"Glee" (Fox)
"Lost" (ABC)
"Modern Family" (ABC)

Outstanding Drama Series:

"Breaking Bad" (AMC)
"Lost" (ABC)
"Mad Men" (AMC)
"Sons of Anarchy" (FX)
"The Good Wife" (CBS)

Outstanding Comedy Series:

"Glee" (Fox)
"Modern Family" (ABC)
"Parks and Recreation" (NBC)
"Party Down" (Starz)
"The Big Bang Theory" (CBS)

Individual Achievement in Drama:

Bryan Cranston ("Breaking Bad," AMC)
John Lithgow ("Dexter," Showtime)
Julianna Margulies ("The Good Wife," CBS)
Aaron Paul ("Breaking Bad," AMC)
Katey Sagal ("Sons of Anarchy," FX)

Individual Achievement in Comedy:

Ty Burrell ("Modern Family," ABC)
Jane Lynch ("Glee," Fox)
Nick Offerman ("Parks and Recreation," NBC)
Jim Parsons ("The Big Bang Theory," CBS)
Eric Stonestreet ("Modern Family," ABC)

Outstanding New Program:

"Glee" (Fox)
"Justified" (FX)
"Modern Family" (ABC)
"Parenthood" (NBC)
"The Good Wife" (CBS)

Outstanding Movie, Miniseries or Special:

"Life" (Discovery Channel)
"The Pacific" (HBO)
"Temple Grandin" (HBO)
"Torchwood: Children of Earth" (BBC America)
"You Don't Know Jack" (HBO)

Outstanding Achievement in News & Information:

"30 for 30" (ESPN)
"America: The Story of Us" (History Channel)
"Life" (Discovery Channel)
"The Daily Show" (Comedy Central)
"The Rachel Maddow Show" (MSNBC)

Outstanding Achievement in Youth Programming:

"Dinosaur Train" (PBS)
"iCarly" (Nickelodeon)
"Star Wars: The Clone Wars" (Cartoon Network)
"Word Girl" (PBS)
"Yo Gabba Gabba" (Nick Jr.)

Career Achievement:

James Garner
Bill Moyers
Sherwood Schwartz
William Shatner
Dick Wolf

Heritage Award:

"24"
"M*A*S*H"
"Law & Order"
"Lost"
"Twin Peaks"

Channel Surfing: ABC Clarifies Lost Wreckage Shots, Julie Benz to Return to Dexter, Friday Night Lights Heads to ABC Family and More

Welcome to your Wednesday morning television briefing.

The Los Angeles Times's Maria Elena Fernandez is reporting that the final shots of the Oceanic Flight 815 wreckage that accompanied the closing credits of the series finale of Lost were not placed there by Damon Lindelof and Carlton Cuse, but rather by ABC executives who wanted to "soften the transition from the moving ending of the series to the 11 p.m. news and never considered that it would confuse viewers about the actual ending of the show," according to Fernandez. ABC went on to release a statement to confirm this fact. "The images shown during the end credits of the Lost finale, which included shots of Oceanic 815 on a deserted beach, were not part of the final story but were a visual aid to allow the viewer to decompress before heading into the news," said an ABC spokesperson in a statement. [Editor: I am hoping this finally puts an end to the misread of the series' ending, as some have taken to believing that the passengers of Oceanic Flight 815 died in the initial plane crash, despite the presence of some lengthy exposition from John Terry's Christian Shephard that spelled out about the nature of the purgatory that they had created... and stated that everything that happened on the island, happened in real life.] (Los Angeles Times' Show Tracker)

[Editor: elsewhere, Movieline attempts to solve as many of the 100 "unanswered" questions from Lost, as raised by a recent College Humor video called "Unanswered Lost Questions."]

SPOILER! Entertainment Weekly's Michael Ausiello is reporting that Julie Benz is set to reprise her role as Rita in the first episode of Season Five of Showtime's Dexter but that Benz won't be playing Rita as a ghost. Confused? "We’re not going to do some ghostly thing with her," said executive producer Chip Johannessen. "We reserve those for Harry," executive producer Sara Colleton told Ausiello. "If you have too many things like that it becomes gimmicky." So just how will the writers bring her back from the dead? That's them mystery, although a Showtime spokesperson told Ausiello that Rita's presence will "help Dexter deal with his newfound feelings of loss and grief — emotions he has never really felt before." So interpret that as you will. (Entertainment Weekly's Ausiello Files)

Looks like Friday Night Lights is heading to ABC Family. The cabler has acquired basic cable rights to all five seasons of Friday Night Lights, which airs on DirecTV's Channel 101 (and has a second window on NBC), and plans to launch repeats of Season One in September. "Friday Night Lights is a perfect fit for ABC Family's sensibility for the modern day family program," said Bruce Casino, senior vp of cable sales at NBC Universal Domestic Television Distribution, in a statement. "ABC Family will introduce this award-winning show to a whole new audience segment where the series can thrive in its new environment." (via press release)

TNT has ruled out saving Law & Order, according to a statement released to The Los Angeles Times. "We are not in current talks, and we are not interested in a Season 21," said the cabler in a prepared statement. News comes even as creator Dick Wolf attempts to find a savior for the cancelled NBC procedural drama. (Los Angeles Times's Show Tracker)

Entertainment Weekly's Michael Ausiello is reporting that ABC drama Castle will relocate to Wednesdays this summer, a temporary move before it reclaims its Monday night timeslot this fall. (Entertainment Weekly's Ausiello Files)

Brett Davern (Desperate Housewives) and Beau Mirchoff (Case 219) have been cast in MTV drama pilot That Girl, about a high school student who becomes the center of attention when she's involved in an accident that everyone believes was a suicide attempt. (Hollywood Reporter)

Variety's Cynthia Littleton takes a look at MGM's television business, which includes the twelve-episode order for drama Teen Wolf at MTV and its This TV movie channel. (Variety)

CBS has announced launch dates for several of its summer series, including Big Brother (July 8th), Flashpoint (June 4th), and the burn-off of medical drama Three Rivers (June 5th). (Hollywood Reporter)

Meanwhile, international co-production The Bridge, which stars Battlestar Galactica's Aaron Douglas, will premiere on CBS on Saturday, July 10th at 8 pm ET/PT. (via press release)

UK's Channel 4 has commissioned a fifth season of comedy The IT Crowd as creator Graham Linehan prepares to assemble a team of writers. (Broadcast)

Style Network has given a series order to docuseries Too Fat for 15, which will center on "four extremely overweight teens and one preteen whose parents bring them to Wellspring Academy, a weight-loss boarding school in North Carolina." Series will debut in August. (Hollywood Reporter)

Warner Bros. Television has expanded the oversight of executive Lisa Gregorian, who will now serve as both chief marketing officer and EVP. The former title was created specifically for Gregorian. (Variety)

Elsewhere, former Channel 4 executive Simon Andreae has been hired as West Coast SVP of development and production for Discovery Channel. (Variety)

Stay tuned.

Channel Surfing: NBC Goes Undercovers, Lost Leaked Finale Pages, Evangeline Lilly on Kate, Katee Sackhoff Talks 24, and More

Welcome to your Tuesday morning television briefing.

NBC has given a series order to spy dramedy Undercovers, from executive producers J.J. Abrams and Josh Reims, the first series pickup for the 2010-11 season. Series, which revolves around the exploits of a married couple who both work in espionage, stars Boris Kodjoe, Gugu Mbatha-Raw, Jessica Parker Kennedy, Carter MacIntyre, Gerald McRaney, and Ben Schwartz. “Having J.J. on our creative team is a great reason for celebration,” said Angela Bromstad, President, Primetime Entertainment, NBC and Universal Media Studios, in a statement. “In Undercovers, J.J. and Josh have found a breakout couple that is rich in character and brimming with romance and action. We feel he’s found the perfect cast.” (Televisionary)

MEGA-SPOILER! I won't be clicking over to read these (and would ask that you not discuss them in any specific detail here) but Italian blog Macchianera has obtained six script pages from the Lost series finale, scheduled to air May 23rd on ABC. While neither ABC nor executive producers Damon Lindelof or Carlton Cuse have commented on their provenance, it's believed by many that the pages are authentic and they are ridden with spoilers for plot twists between now and the season finale. [Editor: again, WARNING, don't click if you don't want to be spoiled! I also have to wonder why no one in Lost's production thought to individually watermark these pages.] (Macchianera via The Onion's A.V. Club)

Vulture's Mike Ryan, meanwhile, talks to Lost star Evangeline Lilly about the imminent end of the mind-bending drama series. Among the many questions posed to Lilly, one was regarding whether the actress had wished she could rewrite a scene that had featured Kate. "There is this one scene that I stand by that if I could have chosen or written it, it definitely would have gone down differently: the scene where Kate watches Jack carry a meal over to Juliet at the survivors camp," said Lilly. "They sit down together and eat and they're laughing and talking, and then Kate subsequently goes to Sawyer's tent and lavishes him. I feel like it was a cheapening of the character. I feel like she was always an emotionally confused women between these two men, but she was never that manipulative sexually, I don't think. I feel like that was something that if I could have rewritten it — and I tried to work with the producers on that one; I tried to change so at least it wasn't a cut. It could have been Kate seeing Jack then maybe a couple scenes go by, time goes by, and then you see her go to Sawyer's tent. It ended up being a direct cut and that she literally went in a snit, and was in a pout, because Jack was playing with another girl and she went and seduced Sawyer. I didn't dig that. I would have rewritten that." (New York Magazine's Vulture)

SPOILER! Entertainment Weekly's Michael Ausiello talks with Katee Sackhoff about last night's recent plot twist on FOX's 24, which saw Sackhoff's Dana Walsh murdered by Kiefer Sutherland's Jack Bauer. "She doesn’t have one redeeming quality," said Sackhoff of Dana. "I tried desperately to give her a redeeming quality. I really tried. The only thing I could come up with was that she didn’t crack when she was tortured... I kind of figured if I couldn’t give her a redeeming quality, I was just going to be the most ridiculously unsympathetic villain ever. I was going to try and make everyone hate her. That was my goal, and I think I succeeded." (Entertainment Weekly's Ausiello Files)

FX has renewed Justified for a second season. (Televisionary)

Deadline.com's Nellie Andreeva is reporting that Battlestar Galactica creator Ronald D. Moore has signed a two-year overall deal with Sony Pictures Television, under which he will develop projects for both broadcast and cable through his Tall Ships Prods. shingle. Moore had previously been based at Universal Media Studios. (Deadline.com)

TVGuide.com's Natalie Abrams talks to V showrunner/executive producer Scott Rosenbaum about what to expect from the final three episodes this season as he offers up eight hints about upcoming plotlines, ranging from V soldiers and alien babies to showdowns, attacks, and betrayal. (TVGuide.com)

Variety's Cynthia Littleton is reporting that NBC might order one or two other projects this week, ahead of its upfront presentations. The likely candidates include dramas The Chase, Kindreds, and The Rockford Files, with The Event and Love Bites also said to be in the mix. On the comedy side, the strongest players appear to be Outsourced, Perfect Couples, Next, This Little Piggy and possibly Beach Lane, which is said to require some reworking. (Variety)

Entertainment Weekly's Michael Ausiello is reporting that Smallville executive producer Brian Peterson is "very optimistic" that Allison Mack will return to the CW superhero drama next season. "We’ve learned the hard way not to say [it's official] until everything is signed and dotted," Peterson told Ausiello. "So the best we can say is we’re really optimistic. And so is Allison." (Entertainment Weekly's Ausiello Files)

Slightly better news for Party Down in its second episode; the Starz comedy scored a 129 percent increase week to week, bringing its ratings to 289,000 viewers. (Hollywood Reporter's The Live Feed)

Look for Adrian Grenier's Vince to cut his hair this season on HBO's Entourage, according to TV Guide Magazine's Will Keck. “It’s for a story line where Vince cuts his hair without telling the director of his new movie,” executive producer Doug Ellin told Keck, denying reports that it had been Grenier who had shorn his locks without telling the producers. “As always with our show, art imitates life.” (TV Guide Magazine)

20th Century Fox Television has signed a multi-year overall deal with writing partners Patrick Masset and John Zinman--who together worked on Friday Night Lights and Caprica--under which they will develop new projects for the studio and be placed on the staff of a new drama series, likely either Midland, Ride Along, or Breakout Kings. (Hollywood Reporter)

Newcomer Jeff Rosick has been cast as Buddy Jr. in Season Five of Friday Night Lights, where he will recur throughout what will likely be the final season of the drama series. (Entertainment Weekly's Ausiello Files)

History Channel has ordered reality series Stan Lee's Superhumans, which the comic book guru and Daniel Browning Smith, will host as the duo meet "people who have remarkable abilities because of being genetically different." The series will be joined by a slew of other new programming at the cabler, including Brad Meltzer's Decoded, Top Gear, The Kennedys, and Chasing Mummies, as well as specials Voices From Inside the Towers, Jefferson, President's Book of Secrets, and Reagan. (Hollywood Reporter)

Deadline.com's Nellie Andreeva offers a look at the rest of the development slate for nascent pay cabler Epix, which includes projects from Todd Field, Todd Holland, and Lawrence O'Donnell. (Deadline.com)

Spike has ordered reality pilot Weapon X, from executive producer Thom Beers, about "whether certain military battles could've been won if the losers had built a high-powered weapon that utilizes today's technology," and has ordered scripted drama pilot Rebel League, from writer Stephen Engel and executive producers Denis Leary and Jim Serpico, about the dysfunctional 1970s World Hockey Association. (Variety)

Syfy will air backdoor pilot (or, er, four-hour mini-series) The Phantom--starring Ryan Carnes--on a single night: Sunday, June 20th, beginning at 7 pm ET/PT. (Hollywood Reporter)

Stay tuned.

Channel Surfing: AMC Sets Mad Men Return Date, Scott Porter Returns to FNL, Laurence Fishburne Staying Put at CSI, Lost, and More

Welcome to your Tuesday morning television briefing.

Mark your calendars, Mad Men fans: Season Four of the period drama is set to launch on Sunday, July 25th at 10 pm ET/PT while new drama Rubicon will launch with two back-to-back episodes on Sunday, August 1st at 8 pm before it moves into its regular 9 pm timeslot the following week. "Sunday nights are where you find the best of premium television so it should be no surprise that AMC -- the home of premium television on basic cable -- is stacking our original dramas there as well," said Charlie Collier, president of AMC, in a statement. "We welcome back Mad Men and look forward to introducing Rubicon all on Sunday nights this summer." Rubicon stars James Badge Dale (The Pacific), Dallas Roberts (Walk the Line), Jessica Collins (The Nine), Christopher Evan Welch (Vicky Cristina Barcelona), Lauren Hodges (Law & Order) with Arliss Howard (The Sandlot) and Miranda Richardson (Sleepy Hollow). (via press release)

Entertainment Weekly's Michael Ausiello is reporting that Scott Porter will be reprising his role as Jason Street in Season Five of NBC/DirecTV's Friday Night Lights. Porter, who will appear in the seventh episode of the season, was last seen during Season Three of the drama series. He'll be joined by fellow former stars Taylor Kitsch and Jesse Plemons and possibly other ex-Friday Night Lights cast members for what is likely the series' last season. (Entertainment Weekly's Ausiello Files)

Hollywood Reporter's James Hibberd is reporting that Laurence Fishburne has renewed his deal and will remain as the lead of CBS' CSI: Crime Scene Investigation through the 2010-11 season. "In the upcoming Season 10 finale, Fishburne will face off against two serial killers in a battle of wits that will conclude in a life-and-death cliffhanger," writes Hibberd. "One villain is played by Matt Ross (Big Love) in a guest-starring role. The other is Bill Irwin, who reprises his role as Nate Haskell, the Dick and Jane Killer. Also in talks to guest star in the finale, veteran actor Marty Ingels." (Hollywood Reporter)

SPOILER! TV Guide Magazine talks to Lost and Supernatural star Mark Pellegrino, whose enigmatic character on Lost, Jacob, is set to get some major reveals in the May 11th episode ("Across the Sea"). "Jacob has a lot of darkness and corners we haven’t explored yet, so the differences between him and Lucifer are not as much as you would think,” Pellegrino told Keck. "With these archetypal characters, the boundary between good and evil becomes blurry. Jacob’s on a mission. It’s your judgment as to whether he’s good or bad." (TV Guide Magazine)

BBC America has announced the launch of Season Three of comedy Gavin and Stacey, set for Friday, May 14th at 9 pm ET/PT, the much-delayed premiere of Season Two of Ashes to Ashes on Tuesday, May 1st at 10 pm ET/PT, and the third season premiere of comedy Not Going Out on Friday, May 14th at 9:40 pm ET/PT. (via press release)

Brannon Braga (24) has come aboard the Steven Spielberg and Peter Chernin-executive produced FOX drama Terra Nova as showrunner/executive producer, according to Deadline's Nellie Andreeva, who reports that the project--revolving around a family from 100 years in the future who return to a pre-historic Earth overrun with dinosaurs--has been given an unofficial pickup, with 13 episodes ordered. (Deadline.com)

Meanwhile, Michael Ausiello is reporting that Friday Night Lights star Kyle Chandler has been made a "very lucrative offer" to star in Terra Nova. (Entertainment Weekly's Ausiello Files)

Gil McKinney (ER) has been cast in a recurring role on Friday Night Lights, where he is set to appear in at least six episodes as a married graduate teaching assistant in the college history department who falls into a relationship with Aimee Teegarden's Julie. In other casting news, Aisha Tyler and Scott Foley (The Unit) have been cast in CBS comedy pilot Open Books; Foley--who is a regular on ABC drama pilot True Blue--will guest star. (Deadline.com)

TVGuide.com's Natalie Abrams has an interview with V star Logan Huffman about why his character, Tyler Evans, is about to change and why he's the real hero of the series. "There is something special going on with him," said Huffman of Tyler. "To be honest, people don't realize it because it's right in front of their face, but Tyler is a hero. Have you read The Hero with a Thousand Faces? He's the only character that fits every criteria. Almost every famous character does not know who his father is. Luke Skywalker! Those characters have huge hearts, but not much of a brain, and through pain they gain a real soul." (TVGuide.com)

David Hasselhoff is returning to CBS' daytime soap The Young and The Restless after an almost three decades-long absence beginning in June. (The Wrap's TVMoJoe)

Entertainment Weekly's Michael Ausiello is reporting that Donnie Wahlberg (Boomtown) has been cast in a two-episode story arc on TNT's upcoming drama series Rizzoli & Isles, opposite Angie Harmon and Sasha Alexander. He'll play Sgt. Joey Grant, Rizzoli's childhood friend who now serves as her boss. Series premieres in July. (Entertainment Weekly's Ausiello Files)

FOX has given a pilot presentation order to animated comedy Heel about "a man and his sociopathic dog who is jealous of his owner's family," from writer/executive producer Chris Cluess, Reveille, and Machinima. (Variety)

Elsewhere, FOX renewed Cops for a 23rd season. (Hollywood Reporter)

The premiere of Matt Smith-led Doctor Who on BBC America scored an average of 1.2 million total viewers, a record-setting telecast for the digital cabler, as well as a record for adults 25-54 (0.9). (Hollywood Reporter's The Live Feed)

TNT has shot a pilot for reality adventure project The Great Escape from executive producers Brian Grazer and Ron Howard, according to Deadline's Nellie Andreeva. "The show, which has a MacGyver-flavor to it, puts ordinary people in extraordinary movie-like situations challenging them to escape using only their everyday skills, team work and what they can find around them," writes Andreeva. Project shouldn't be confused with Michael Bay and Magical Elves' own adventure project, One Way Out, which is being shopped to networks. (Deadline.com)

Starz has begun to reorganize its management under recently installed president/CEO Chris Albrecht, with EVP of development Bill Hamm now out at the network and several others expected to receive pink slips. Former HBO executive Carmi Zlotnik is expected to join the pay cabler. (Variety)

Elsewhere, The Wrap's Josef Adalian takes a look at why Albrecht is shaking up the management structure at Starz and offers some rationale as to why Hamm may have been axed. (The Wrap's TVMoJoe)

Warner Bros. Television has signed a two-year overall deal with Fringe executive producer Jeff Pinkner, under which he will remain on board the FOX sci-fi drama as co-showrunner and will develop new projects for the studio. (Variety)

Stay tuned.

Channel Surfing: AMC Orders "The Walking Dead," Elizabeth Mitchell Talks "V" Return, Big Bucks for "Lost" Finale Ads, and More

Welcome to your Monday morning television briefing.

AMC has ordered six episodes of zombie drama series The Walking Dead, based on the Robert Kirkman comic book series of the same name. Production on the six-episode first season of The Walking Dead is set to begin in June in Atlanta, with Kirkman serving as executive producer alongside writer/director Frank Darabont, Gale Ann Hurd, David Alpert, and Charles "Chic" Eglee. News comes as cabler AMC begins to cast the production, with Jon Bernthal (The Pacific) attached to star as Shane; the cabler has targeted an October 2010 launch date for The Walking Dead. "AMC strives to make original shows that play like movies and The Walking Dead is a perfect complement to the network's celebrated movie franchise, Fearfest, which has always been an important destination for our audience," said Charlie Collier, AMC President, in a statement. "With its depth of story and the remarkable talent attached, The Walking Dead gives us an opportunity to raise the bar significantly within this popular genre, and continue our commitment to being the home of premium programming on basic cable." (via press release)

The Chicago Tribune's Maureen Ryan has an insightful interview with V star Elizabeth Mitchell, who talks about the return of the ABC sci-fi series and her role as Juliet Burke on Lost (as well as whether she will be returning to the series before it wraps up). "In a way, it was such a crazy thing to come into doing [V] after working on Lost," Mitchell told Ryan. "I think it was wonderful for me to be able to take a step back and figure out what I really wanted to do and how I would create this person. I don't feel like we lost momentum -- it was more like, we built excitement to go back to work and we were rested and ready and really charged up." (Chicago Tribune's The Watcher)

That's a lot of Dharma-brand mac and cheese: A single 30-second spot during ABC's series finale of Lost will cost roughly $900,000 when the serialized drama wraps its run on Sunday, May 23rd, according to a report in Advertising Age, a huge leap in price from the $213,000 offered at May's upfront presentation. "There are many advertisers willing to pay a reasonable premium for inventory in programs that generate such a highly passionate and rabid fan base," Kris Magel, exec VP-director, national broadcast at Interpublic Group of Cos.’ Initiative, told Advertising Age. "There is definitely value in that." (via Entertainment Weekly's Hollywood Insider)

NBC has announced that Season Four of Friday Night Lights will launch on Friday, May 7th at 8 pm ET/PT, a week later than originally indicated. No reason was given for the change in scheduling on the series, which has already aired on DirecTV's Channel 101. (via press release)

Tyler Labine (Sons of Tucson) has been cast in CBS multi-camera comedy pilot True Love opposite Jason Biggs and Minka Kelly. Project, from Sony Pictures Television and CBS Television Studios, revolves around Henry (Biggs), a lawyer in a relationship, who falls for a stranger (Kelly). Labine will play Henry's best friend, replacing Dan Fogler. Casting is in second position to Sons of Tucson for Labine. (Hollywood Reporter)

Jon Heder (Napoleon Dynamite) has dropped out of the untitled Will Ferrell-executive produced Comedy Central series that he was attached to, in which he was originally going to play a man who moves back in with his parents (Chris Parnell and Horatio Sanz). No replacement was named and the search is underway to recast the role for the series, which had received a ten-episode order from the network. "Comedy Central, Gary Sanchez Productions and Jon Heder have mutually decided to part ways over creative differences with the character," said Heder's rep in a statement. "Jon wishes the show nothing but success, and is very grateful for the opportunity." (Entertainment Weekly's Ausiello Files, Variety)

Pilot casting roundup: Nick D'Agosto (Heroes) has joined the cast of NBC comedy pilot This Little Piggy opposite Brooke Bloom and Ben Koldyke; Jessica Lucas (Melrose Place) has been added to ensemble comedy pilot Friends With Benefits; and Ashley Madekwe (Secret Diary of a Call Girl) has been cast opposite Katharine McPhee and Michael Cassidy in Josh Schwartz's NBC comedy pilot The Pink House, where she will play Jamie, a husband-hunting neighbor. (Hollywood Reporter)

ABC Family has announced launch dates for its new original series Pretty Little Liars, Huge, and Melissa and Joey. Pretty Little Liars--a mystery series revolving around a missing teenage girl and a group of former friends who come together when they begin to receive eerie messages--will launch on June 8th at 8 pm ET/PT. Nikki Blonsky-led drama Huge, from creators Winnie Holtzman and Samantha Dooley, will launch on June 28th at 9 pm ET/PT. Comedy Melissa and Joey, starring Melissa Joan Hart and Joey Lawrence, will launch in August. (Variety)

BBC Two has commissioned another season of political comedy The Thick of It. [Editor: my heartfelt pleas go out to BBC America to air the batch of episodes that we have still not had a chance to see Statside.] (Broadcast)

FOX is said to be close to issuing a pilot order for comedy prank series My Parents Are Gonna Love You, in which everyday people bring home a celebrity to introduce to their parents as their significant other... but the celeb is utterly obnoxious. The longer they can string the parents along, the more money the marks will win. Project, based on a Banijay Entertainment format, is executive produced by Jean Michel Michenaud and Chris Cowan. (Hollywood Reporter)

TV Guide Magazine's Will Keck is reporting that Demi Lovato (Sonny With a Chance) will guest star in an upcoming episode of ABC's Grey's Anatomy. Lovato will play "a patient at Seattle Grace/Mercy West who will be treated by Alex (Justin Chambers) and Arizona (Jessica Capshaw) for possible schizophrenia" in an episode slated to air in May. (TV Guide Magazine)

Season Seven of FOX's reality competition series So You Think You Can Dance will undergo some format changes, with Mia Michaels set to return as a judge and a choreographer, and 10 dancers would be picked from the contestant pool... who will then be paired with past all-star participants, with one dancer getting eliminated each week. So You Think You Can Dance is set to launch on May 27th. (Hollywood Reporter)

HBO has cancelled sports talk show Joe Buck Live after three episodes. (Broadcasting & Cable)

ABC Studios has signed a two-year overall deal with David Zabel (ER), under which he has come aboard drama pilot 187 Detroit as executive producer/showrunner. Should the project be picked up to series, he'll remain in that role while also developing new projects for the studio. (Hollywood Reporter)

Susan Rovner has been handed oversight of both comedy and drama development at Warner Bros. Television, following the departure of Len Goldstein, who is now heading up television at Josh Schwartz and Stephanie Savage's shingle Fake Empire. (The Wrap's TVMoJoe)

Disney Channel has renewed preschool comedy Imagination Movers for a third season. (Variety)

Stay tuned.

Channel Surfing: Knepper to "SGU," Schwartz and Savage Set up Shop, "Chuck," Knighton FlashForwards to "Happy Endings," Spacek to CBS, and More

Welcome to your Tuesday morning television briefing.

Robert Knepper (Heroes, Prison Break) has reportedly been cast in a villainous recurring role on Season Two of Syfy's Stargate Universe. Citing internet reports, several sites are reporting that Knepper will play Simeon, a mysterious member of the Lucian Alliance, and will appear in a multiple-episode story arc to last between six to seven episodes. (via TV Squad)

Producing partners Josh Schwartz (Chuck) and Stephanie Savage (Gossip Girl) have signed a multi-year deal with Warner Bros. Television and have set up their own shingle, Fake Empire, which will be based at the studio. Pod will develop projects for television, film, digital, videogames, music, and publishing. (Variety)

The Wrap's Josef Adalian, meanwhile, has an interview with Schwartz and Savage, who jointly answered Adalian's questions via email. [Editor: The duo answered the question I had, which was whether Chuck would fall under the Fake Empire umbrella. Answer: it won't.] (The Wrap's TVMoJoe)

SPOILER! Speaking of Chuck, Entertainment Weekly's Michael Ausiello has some major spoilers for the third season finale of NBC's Chuck. You can read them but I am keeping my eyes and ears pure as I don't want to be spoiled about any of the plot twists ahead. Don't say I didn't warn you! (Entertainment Weekly's Ausiello Files)

FlashForward's Zachary Knighton has been cast opposite Elisha Cuthbert in ABC comedy pilot Happy Endings, where he will play Dave, half of a couple that split up at the altar and must decide how to maintain their friendships afterwards. Project, from ABC Studios and Sony Pictures Television, is written by David Caspe and directed by Anthony and Joe Russo. Knighton's participation is said to be in second position to FlashForward, but Hollywood Reporter's Nellie Andreeva states that the latter's "chances for renewal are slim." (Hollywood Reporter)

Academy Award winner Sissy Spacek--who just completed a story arc on HBO's Big Love--has been cast in CBS' untitled Hannah Shakespeare medical drama from executive producer John Wells. Spacek will play Adrianne, a driven visionary who heads up a mobile medical team that travels the country providing care for the less fortunate and who grapples with her own cancer diagnosis and regular chemotherapy. (She's also the mother to Rachelle Lefevre's character, also a doctor.) Spacek's role was, like several others this season, originally written as a man. (Hollywood Reporter)

Jaime Pressly (My Name is Earl) has been cast as one of the leads in CBS' untitled Carter Bays/Craig Thomas multi-camera comedy pilot (also known as Livin' on a Prayer) from writers Kourtney Kang and Joe Kelly. Pressly will play a veterinarian who works with her best friend Tommy (Kyle Bornheimer) at the local zoo. (Hollywood Reporter)

Pilot casting update: Michael Rapaport (The War at Home) will star opposite Dylan Walsh in ABC cop drama pilot The Line (also known as ATF); Will Estes (Reunion) and Bridget Moynahan (Six Degrees) have been cast opposite Tom Selleck, Donny Wahlberg, and Len Cariou in CBS' untitled Burgess/Green drama pilot (a.k.a. Reagan's Law); Amy Landecker (A Serious Man) has landed the female lead opposite Paul Reiser in NBC comedy pilot Next; Kurt Fuller (Supernatural) has been cast in ABC's untitled Shana Goldberg-Meehan comedy pilot; and Kevin Rahm (Desperate Housewives) has come aboard CBS comedy pilot Open Books. (Hollywood Reporter)

TV Guide Magazine's Will Keck is reporting that Scott Porter will likely be heading back to Friday Night Lights for the series' fifth and final season, following a conversation Porter had with the series' producers, in which they indicated that they would like him to reprise his role as paraplegic Jason Street. "I’m hoping it turns into a definite because I’d love to go back," Porter told Keck. "I’m hoping he could repay his debts – particularly to Riggins for everything he did for Street." (TV Guide Magazine)

The Los Angeles Times' Maria Elena Fernandez has an profile of Justified co-star Walton Goggins (The Shield), who plays the sadistic white supremacist Boyd Crowder on the FX drama series... and whose character was meant to be killed off at the end of the pilot episode. "The greatest part about it," Goggins told Fernandez about Boyd's alleged religious epiphany in tonight's episode, "is that you will think you know by the end of the first season if the change is real, but no one knows. This is Boyd seeing God for the first time. What's so interesting about it is that while his actions may not be different, his motivations are different. And that's really important at the conclusion of the first season. What happens to this guy and this friendship when many things are called into question?"(Los Angeles Times)

Nikki Blonsky (Hairspray), Hayley Hasselhoff, Andrew Caldwell, and Zander Eckhouse have been cast in ABC Family's upcoming ten-episode drama series Huge, which revolves around the teenagers and staffers of Wellness Canyon, a weight-loss camp. (Hollywood Reporter)

The Hollywood Foreign Press Association has named January 16th as the date for the 68th Annual Golden Globe Awards, which will once again air live coast to coast on NBC. (Variety)

Those tears that Peter Facinelli's Dr. Fitch Cooper let flow in last night's season premiere of Showtime's Nurse Jackie? Absolutely real and completely not pre-meditated, according to Facinelli. "I started venting, and all of a sudden, tears sprung from my eyes and I couldn't stop crying. Basically, I had a physical meltdown," Facinelli told E! Online. "I was traveling back and forth from Vancouver to New York, and I was shooting Nurse Jackie and Eclipse at the same time. I think I was emotionally exhausted. The writers loved it! They thought I planned it, and I really didn't. Just know that those are real tears." (E! Online's Watch with Kristin)

HBO has given a greenlight to telepic Cinema Verite, a dramatization of the behind-the-scenes events during the making of the landmark reality television series An American Family, which premiered in 1973 and focused on the Loud family. Telepic, executive produced by Gavin Polone, will be written by David Seltzer and directed by Shari Springer Berman and Bob Pulcini. (Hollywood Reporter)

TLC has ordered twelve episodes of spinoff reality series Say Yes to the Dress: Atlanta, which will launch in July. (Variety)

Stay tuned.

Channel Surfing: FOX Renews "Fringe," "Doctor Who," Rob Thomas Talks Adam Scott and "Party Down," Kathy Bates Circles "Kindreds," and More

Welcome to your Monday morning television briefing.

Good news for Fringe fans: the Pattern will be continuing next season. FOX has officially renewed the drama series for a third season this fall. "Fringe tapped into a deep creative mine this year that built momentum throughout the season and helped give us our first real foothold on TV’s most competitive night,” said Kevin Reilly, President, Entertainment for Fox Broadcasting Company, in a statement. "The entire Fringe team – from the producers and writers to the cast and crew – has taken smart storytelling and top production quality to a whole new level. The rest of this season is mind-blowing, and we can’t wait to get started on the third installment of this amazing journey." Meanwhile, Fringe resumes with eight all-new episodes on Thursday, April 1st. (via press release)

The Guardian's Simon Hattenstone has a huge profile of new Doctor Who star Matt Smith, who takes over the mantle of the Doctor from former star David Tennant next month when Season Five of Doctor Who launches on BBC One and BBC America. "He's a little reckless," said Smith of his take on the Doctor. "He'll walk into a room and have a million things to do. And, as opposed to knowing exactly how to get out, he'll take it up to the precipice: don't know, don't know, don't know, and boom, there's the idea. And it's a bit mad and reckless. It's very doof, doof, doof. And he's got a companion who I think is the hardest to handle. And she's quite mad. But the Doctor's quite mad as well. So together..." (Guardian)

Wondering what will happen to Season Three of Party Down now that Adam Scott has been cast in NBC's Parks and Recreation? You're not alone. Alan Sepinwall tracked down executive producer Rob Thomas to find out what's going on. "Adam will be allowed to do three guest star spots for us," Thomas told Sepinwall. "We can definitely still do the show without Adam, though we're all collectively entering about the third stage of grief over here. We'd much, much prefer to be doing the show with him. Adam hated leaving the show, but they made him an offer he couldn't refuse, and in a world where our Party Down future isn't guaranteed, he understandably felt like he needed to take the offer. We've been told that in order to return for a third season, our second season numbers need to come up from where they were. We're praying that, even with Adam gone, Starz continues with a big marketing campaign for Season Two." The second season of Party Down will premiere next month on Starz. (What's Alan Watching)

Academy Award winner Kathy Bates is reportedly in final talks to topline David E. Kelley's NBC legal drama pilot Kindreds in a role that was originally written for a man. Bates, currently in the middle of a multiple-episode story arc on NBC's The Office, would play a "curmudgeonly former patent lawyer." (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello is reporting that Jesse Plemons will not be returning full-time for Season Five of Friday Night Lights after his contract option was not picked up. "With Jesse — as with previous cast members who have moved on — Pete Berg, myself and the producers of the show let the storytelling guide us, and we feel we didn’t have substantial enough storylines to justify keeping such an immensely talented actor from pursuing what we know will continue to be a very successful career," executive producer Jason Katims told Ausiello. "Jesse has created one of Friday Night Lights' finest and most beloved characters, and I can tell you this was not an easy decision." (Entertainment Weekly's Ausiello Files)

Breckin Meyer (Robot Chicken) and Mark-Paul Gosselaar (Raising the Bar) have been cast as the leads in TBS' one-hour comedy pilot Franklin & Bash, about two best friends who are street lawyers and who are recruited to work at a white-shoe firm. Project, from Sony Pictures Television, is written by Kevin Falls and Bill Chais, who will executive produce alongside Jamie Tarses. Elsewhere at TBS, Tim Meadows and Kelly Blatz have joined the cast of comedy pilot Glory Daze, where they will star alongside Julianna Guill, Callard Harris, Matt Bush, Hartley Sawyer, and Drew Seeley. (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello is reporting that Big Bang Theory executive producer Bill Prady wants to approach Star Trek's Leonard Nimoy about a cameo appearance on the CBS multi-camera comedy next season. "We’ll probably make a general inquiry," Prady told Ausiello. "And if there’s enough interest, we’ll develop a story. The fans have said that’s the dream get, and we agree." (Entertainment Weekly's Ausiello Files)

Kyle Bornheimer (Romantically Challenged) has landed the lead in CBS' untitled comedy pilot from Carter Bays and Craig Thomas about an unmarried couple and their friends living in Pittsburgh. Bornheimer, whose participation here is in second position to ABC's Romantically Challenged, will play Tommy, described as "the lovable, slightly unkempt and highly entertaining half of the couple who means well but doesn't always finish what he starts." (Hollywood Reporter)

Pilot casting roundup: Scott Foley (Cougar Town) has come aboard ABC cop drama pilot True Blue; Patrick Fugit (Almost Famous) will star opposite Debra Messing in ABC comedy pilot Wright vs. Wrong (also cast: The Big Bang Theory's Melissa Rauch); Tim Peper (Carpoolers) will star in FOX comedy pilot Most Likely to Succeed; Nicholas Bishop (Past Life) will play one of the leads in ABC crime drama pilot Body of Evidence; Aly Michalka (Phil of the Future) and Gail O'Grady (Hidden Palms) have been cast in CW drama pilot Hellcats; James Patrick Stuart (90210) and Cheyenne Jackson (30 Rock) have joined the cast of ABC comedy pilot It Takes a Village; Michael Cassidy (Privileged) will play one of the leads in NBC comedy pilot The Pink House; Jessy Schram (Life) scored one of the leads in CW supernatural drama pilot Betwixt, Dorian Missick (Six Degrees) has joined the cast of NBC vigilante drama pilot The Cape; and Ryan Hawley (Survivors) has been cast in the untitled Amy Sherman-Palladino's untitled Wyoming project at the CW. (Hollywood Reporter)

ABC has named Brooke Burke as the co-host of Dancing with the Stars. The Season Seven winner will appear alongside Tom Bergeron for the Spring 2010 season of Dancing, which launches Monday, March 22nd. (via press release)

WABC and Cablevision were able to reach an eleventh hour retransmssion deal last night, just in time for the first award to be presented at last night's Academy Awards telecast. "We've made significant progress, and have reached an agreement in principle that recognizes the fair value of ABC7, with deal points that we expect to finalize with Cablevision," said WABC prexy/GM Rebecca Campbell in a statement. "Given this movement, we're pleased to announce that ABC7 will return to Cablevision households while we work to complete our negotiations." (Variety)

Another project is rolling over into next year: CBS confirmed that it had pushed its untitled Tad Quill comedy to the next development season after it was unable to cast its central character, the widowed father of a 12-year-old boy. (Hollywood Reporter)

ABC Family has acquired the first broadcast window for Tim Burton's Alice in Wonderland, securing the rights from Walt Disney Co. to begin airing the feature film in 2012 in a deal that is believed to be more than $20 million. (The Wrap's TVMoJoe)

Stay tuned.